Add MS 32184

ff. 1, 83-164. Offertoria and other sacred Latin compositions, by J. N. Hummel; 1805-1806, etc. Unless the contrary is stated, they are written for solo voices and 4-part chorus, with symphonies and accompaniments for flutes, oboes, horns, trumpets, bassoons, drums, and strings, in score. Most of the wind instruments are generally added in a separate score, after the vocal score. 1. ‘Graduale,’ beg. ‘Quodquod in orbe’ (German words ‘Christus schenkt Frieden’). Op. 88. With a figured bass for organ, but no trumpets, ff. 1-14. 2. ‘Offertorium,’ beg. ‘Alma virgo’ (‘Holde Jungfrau’). Op. 89, 1805. This also has a figured bass. Sung by Mme. Schmidt-Dollinger. f. 83. 3. ‘In æternum jubilantes‘; with clarinets, etc. Sung by Signora Marconi at Eisenstadt in 1806. f. 101. 4. ‘Offertorium,’ beg. ‘Pro te respiro’; preceded by a recitative, ‘Plus non timet cor.’ With clarinets, etc. ff. 109, 111. The remaining numbers are for 4 voices only: — 5. ‘Salve, Regina‘ (‘ Herr unser Heiland’). f. 132. 6. ‘Sub tuum præsidium’ (‘Kein sterbliches Aug'); with figured bass for organ, but without drums, f. 143. 7. ‘Tantum ergo’; arranged in 1806 from the Priests' March in Gluck's 'Alceste.’ With figured bass for organ, but without trumpets, f. 151.

ff. 15-44. 'Litaniæ B.V.M. Lauretantæ,’ in A minor; for 4 voices, with flutes, oboes, clarinets, horns, trumpets, bassoons, and strings, and a figured bass for organ, in score. By J. N. Hummel; early 19th cent. Autograph. Some German words, beg. ‘Vater im Himmel, huldreich und milde,’ have been written over the Latin text.

ff. 45-82. ‘Morgenopfer,’ beg. ‘In Aurorens goldner Stunde‘; for 2 choirs of 4 voices each and tenor and bass solos, with symphonies and accompaniments for strings and (in one case) harp, in score, and a separate score for the wind instruments (piccolo, flutes, oboes, clarinets, horns, trumpets, bassoons, trombones, and ophicleide), and for drums; early 19th cent. [By Johann Nepomuk Hummel.] Autograph.

ff. 165-212. 'Te Deum'; in D, for 4 voices, with symphonies and accompaniments for oboes, trumpets, and strings, in score, and a separate score at the end (f. 201) for flutes, clarinets, bassoons, horns, and drums. By Johann Nepomuk Hummel; 1806. Autograph.