Add MS 32189

ff. 1-57 passim, ff. 105-142. Songs, with pianoforte accompaniment (unless the contrary is stated), in score, in the hand, and probably the composition, of J. N. Hummel, though his name is only appended to nos. 4 and 16; 1829, etc. 1. 'Here rests his head': Epitaph. Melody only. f. 1. 2. 'Se[e] the blushing morn.' f. 3. 3. 'Chantons I'ami'; with a refrain for chorus, f. 4. 4. 'Séparés par le cours des ondes'; described as 'Couplets [pour la] Comtesse Rosalie de Rzrewuska (sic) née P[rin]cesse Lubomirska.' f. 7. draft, ff. 26, 28. 5. 'Toute la vie ayes etudié'; words by — Cuny. f. 9.6. 'Tu me dis refrain menteur': Romance, f. 13.7. 'Eins nur.' Melody only. f. 14.8. 'Es ist ein Mädel.' Melody only. f.15.9. 'Zu Göthen's 80te Geburtstag' [1829]. This and nos. 10-12 (without words) appear to have been copied about the same time. f. 16. 10. Romanze, in E-flat (6/8 time), f. 18b. 11. 'Meine Geliebte.' f. 20b. 12. 'Neidisch trennen Thal und Hügel'; followed by the original draft. ff. 26, 28. 13. 'O ihr Geliebten': Romance, f. 29. 14. 'Die Sehnsucht,' begins 'Die stille Nacht.' f. 30. 15. 'Der Whist-spieler,' begins 'Ach, Gott, das ganze Leben.' f. 32. 16. 'Dem edlen Schmaucher-orden.' Words by [J. Aloys] Blumau[e]r. f. 35. 17. 'Der hat nichts gesehen der nie in Wien war.' f. 38. 18. 'Als d' Jude unsern Herrn habe g'fanger g'habt.' f. 38b. 19. 'Ich ward zu Wien in Östreich geboren.' ff. 41b, 43. 20. 'Bald ist das Patrocinium.' f. 45. 21. 'Der Nachts wenn alles schläft.' f. 47. 22. 'Der Tanz-meister,' begins ' Trallal, fein langsam.' f. 51. 23. 'Das ist alles aus.' Melody only. f. 52. 24. 'Cieco ciascun mi crede.' f. 56. Nos. 25-42 are described as 'Russische Original Lieder.' They are accompanied by a bass, partly figured, for pianoforte. 25-28. 'Akh ruichenki,' 'Kakh vecherr toska napadala,' 'Akh kakh totno,' and 'Vspomni moi lyu.' f. 105. 29-32. 'Kakh prokhodit,' 'Tem tebya ya ogorchila,' 'Ya poidu,' and 'Vo polye bereza.' f. 105b. 33-35. 'Natalhyushki,' 'Akh u nashikh,' and 'Ay na gorye.' f. 106. 36-39. 'Vui razdaytes,' 'Akh vo sadu,' 'Akh u tushka,' and 'Kakh poshlina.' f. 106b. 40-42. 'Za svyatuimi,' 'Za dolati,' and 'Uzh ya zoloto khoronyu.' f. 107. Nos. 43-48 (f. 108) are described as ' Schottische Melodien.' 43. 'Maggie Lauder,' begins 'Wha wadna be in love.' 44. 'Auld Robin Gray,' begins 'When the sheep are in the fauld.' 45. 'The blue bell of Scotland,' begins 'O where, tell me where, is your highland laddie gone.' 46. 'Macpherson's farewell,' begins 'Farewell, ye dungeons.' 47. 'The auld gudeman,' begins 'I'll hae my coat o' good snuff-brown.' 48. 'The weary pund o' tow.' Nos. 49-59 are 'Irländsche Lieder.' 49. 'The Shamrock,' begins 'Thro' Erin's Isle.' f. 108b. 50. 'Tis the last rose of summer.' ib. 51. 'The minstrel boy.' ib. 52. 'Oh had we some bright little isle of our own.' ib. 53. 'Oh doubt me not.' f. 109. 54. 'No, not more welcome.' ib. 55. 'The time I've lost in wooing.' ib. 56. 'Come, rest in this bosom.' ib. 57. 'When cold in the earth.' f. 109b. 58. 'To ladies' eyes.' ib. 59. 'This earth is the planet.' ib. Nos. 60—79 are Scotch, and have accompaniments for flute, violin, violoncello, and pianoforte, written for George Thomson of Edinburgh, nos. 60-62 in 1831, nos. 63-74 in 1829. The initial words of these fifteen songs are given in the description of Add MS 32188, where they occur (f. 2-5b) in the same order. Nos. 75-79 were published by Thomson in 1826. 75. 'Why weep you by the tide, Lady.' f. 133. 76. 'My heart is sore.' f. 135. 77. 'I saw thee weep.' f. 137. 78. 'Lord Ullin's daughter,' begins 'A chieftain to the Highlands bound.' f. 139. 79. 'At ev'n, when on each heather- bell.' f. 141.

ff. 5, 24, 58, 62. Arias, etc., with pianoforte accompaniment (unless the contrary is stated), in score, in the hand, and apparently (nos. 1, 2 certainly) the composition of, Johann Nepomuk Hummel; 1795, etc. 1. 'Peuple, nagueres si sensible.' f. 5. 2. 'Kein einziger von jenen Trieben': romance in 'Angelica,' 1812. Two copies, ff. 22, 24. 3. 'Figlio, le femmine sono falsissime.' Finished in 1795. f. 58. 4. 'Per te d' eterni allori'; with horns, trumpets, oboes, flutes, bassoons and strings, f. 62.

ff. 74-104b. 'Polymelos. Russischer Nationallieder': being apparently a string of Russian songs, arranged for solo voices and chorus, with introductory symphony and accompaniments for flutes, oboes, clarinets, bassoons, horns, trumpets, drums, and strings, in score, by J. N. Hummel; 1818. Autograph. Begins 'Ach, es klopft mein Herz' ({cyrilic}).

ff. 105-107. 'Russischer original Lieder'; with basses by J. N. Hummel; early 19th cent.