Add MS 32190

ff. 1-36, 93-114. Compositions by, or in the hand of, Johann Nepomuk Hummel; early 19th cent. 1. Numbers and sketches of numbers, apparently from one or more Italian operas, in the hand, and probably the composition, of Hummel. They are in vocal score, with an occasional bass for pianoforte, and comprise settings for 1 to 6 voices of the following words: 'Caro, adorabile.' f. 1;—a duet (Lisietta and Giacinto), begins 'Sento che in petto' [probably from 'Il viaggiator ridicolo']. f. 2;—'Mentre dormi amor.' fl. 4, 9;—'La Pastorella al prato.' ff. 6, 17;—'Per pietà, bell' idol mio' [?from 'Artaserse']. ff. 10, 12, 12b, 14b;—'Ah, felice amor.' f. 13;—'Se lontan, ben mio.' f. 16;—'Già nel cor nascer mi sento.' f. 18b;—'lo mi voglio maritare.' ff. 20b, 25b;—' Anima mia sei tu.' f. 23;—'Ti sento, bel fior.' f. 24;—'A goder ci chiama amore.' f. 28;—'Ogn' anno passa un' anno.' f. 29;—'Al lavoro, alla campagna.' f. 30;—'Soave sia il vento.' f. 31b;—'Giovani liete' (difierent from the chorus in Mozart's 'Nozze di Figaro'). f. 32b;—'Oh, che incanto.' f. 34;—'Se questo mio core.' f. 35b;—'Secondate, aurette amiche.' f. 36. On f. 21 are some fragments of passages in Paisiello's 'Don Chisciotte' [about 1775]. 2. Three vocal scores of the buffo trio, 'Spiritelli, che intorno volate,' from Hummel's 'Il viaggiator ridicolo' [1797]. Sung originally (?) by Fräulein Hesse, Herr Rathmayer, and Ignaz Sonnleithner. ff. 93, 101, 106. Followed by an aria, 'Su][l]e sponde del torbido Lete,' from the same opera. (f. 114).

f. 23b. Rondo (? in E flat) in common time, in score, from a trio in Hummel's hand; early 19th cent. Last 30 bars only.

f. 37. 'In gut-gesinnter Freunde-Kreise'; for 4 male voices, in score, apparently by J. N. Hummel, and autograph; early 19th cent.

ff. 39-129 passim. Choruses, etc., most of them for 4 voices and interspersed with solos, with pianoforte accompaniment, in score, in the hand of J. N. Hummel, and in all probability his composition; 1804, etc. 1. Two songs written by Goethe in honour of Madame Mara; the first, 'Klarster Stimme,' set as a chorus, referring to her début (1771); the second, 'Sangreich war dein Ehrenweg,' a quartet, referring to her 82nd birthday (1831). ff. 40, 42. 2. 'Heil, dieses Tages Stern'; with accompaniments for flutes, oboes, clarinets, bassoons, horns, trumpets. drums, trombones, cymbals, and strings. f. 116. 3. 'Wieder seh ich's.' '1804.' f. 122. 4. 'Landestreue,' begins 'Mit neuer Kraft.' '[1]835.' f. 125. 5. 'Auf, Bürger, auf'; with accompaniments for flutes, oboes, clarinets, bassoons, horns, trumpets, drums, trombones (wanting), and strings f. 129.

ff. 46-50. 'Muntre Gärten lieb' ich mir'; for 3 voices, with pianoforte accompaniment, in score, by the Grand-duchess Maria Pawlowna; 1834. Words by Goethe.

f. 48. ' Muntre Gärten lieb' ich mir': Canon for 3 voices, by J. N. Hummel, founded upon the melody of a secular trio (described below) by the Archduchess aria Pawlowna; 1834.

ff. 51-120, passim. Songs, with pianoforte accompaniment, in score, by J. N. Hummel; 1814, etc. Autograph. 1-3. A series of three songs: — 'Einmal nur in unserm Leben,' 'Lasst fahren hin das allzuflüchtige,' and 'Nun auf und lasst verlauten'; written for the Amalia society at Weimar on the occasion of the jubilee of the Grand Duke Karl August of Saxe-Weimar [?1807]. Rough draft and fair copy. ff. 51-58b. 4. 'Strahlen die aus Osten stammen,' 1826. f. 90. 6. 'Lieblich war der Traum.' On Goethe's birthday, 1831. f. 91. 6. 'Frohlo[c]ket, freunde'; with violin obbligato, 1814. f. 120.

ff. 59, 76. 'Musique [d'occasion]'; for solo voices and chorus, with pianoforte accompaniment, in compressed score, by J. N. Hummel; 1804. Autograph. 1. 'Le boncheur de virere (sic) au village'; written for Count Charles Zichy. '12de (sic) Dec. [1]804.' f. 59. 2. 'Des Berger[e]s de nos hameaux nous chantons la plus belle'; written in honour of Princess Leopold Eszterhazy. '15 Nov. [1]804.' f. 76.