Add MS 32237

passim. Fragments or sketches of airs, etc., most of them without accompaniment, from dramatic works, almost entirely in the hand, and presumably the composition, of J. N. Hummel; about 1797-1828. I. From an Opera in which the principal characters are Lisette, Johann (as the Marquis Ventil), Werner, etc. ff. 3-16. Included are the trio, 'Die Frauen in der Stadt' (f. 3); 'rondo polacca,' begins 'Ja, mit dir,' with flute(?) obbligato (f. 5); the duets, 'Auf einen Ball in Wien' (f. 7), 'Nein und Nimmermehr' (f. 9), and 'Nur verderb' mir nicht den Plan' (f. 11); and the arias, 'Ma Déesse' (f. 13), 'Wie reizend schön' (f. 15), and 'Allmächtig ist die Liebe' (f. 16). II. From a pastoral drama in which the principal characters are Eucharis and Daphne. ff. 17-27. Included are the aria, 'Ja, auch in der Götter Herzen' (ff. 17, 18), and the duet, 'Nie hat noch mit so heissen Triebe' (ff. 18b, 20, 24). III. Fragment of a full score, in which the name Katherine occurs. f. 28. IV. From a work in which the principal characters are Nikolo, Simone, Paf..., and Rosine. ff. 30-43b. It contains an aria, 'Come il Porto di Livorno,' with symphonies and accompaniments for drums, trumpets, oboes, horns, flutes, bassoons, and strings, in full score (f. 31); and another, 'Il mio caro amato sposo,' with a partly figured bass (f. 39); and two long scenas, in which most of the characters take part (ff. 40, 41b). V. Single numbers from Operas, viz.: — 1. 'Sprezza il furor del vento.' The words from Metastasio's 'Adriano.' f. 46. 2. 'Soave sia il vento': trio. The words are from 'Cosi fan tutte,' but the music is not from Mozart's setting of that Opera. f. 53. 3. 'Pace, Amor.' The words probably from 'Attilio Regolo.' f. 54. 4. 'Ne' giorni tuoi felici': duet with pianoforte accompaniment, in score. The words from Metastasio's 'L' Olimpiade.' f. 56. 5. 'Sento che in petto'; for 4, 3, or 2 voices, in score. [? From 'Il viaggiator ridicolo,' 1797.] f. 59. 6. 'Se m' accesi': cavatina, in score. [?From the same work.] f. 59b. 7. Duet(?). The words only partially given. f. 60. 8. 'Aure belle': aria. f. 61. 9. 'Innocente donzelletta': canzonetta [from 'Le vicende d' amore,' 1804]. f. 62b. 10. '...la sposa—lo sposo.' f. 63b. 11. 'Ci mancava la Madama' [from 'Il viaggiator ridicolo ']. f. 64. 12. 'Come un gatto innamorato.' f. 65. 13. 'Pare apunto un amorino.' f. 66. 14. Scene from an Opera in which two of the characters are Sabina and Emirena. f. 67. 15. 'Where the bee sucks' [from 'The Tempest,' by Arne, 1746]. Melody only of opening bars. f. 70. 16. 'With lowly suit & (sc. out) of 'No song no supper' ' [by S. Storace, 1790]. f. 70. 17. Trio from 'L' Inganno felice.' Pencil sketch without words. Watermark (on f. 87) 1828. f. 85. 18. 'Echo zur 'Sentinelle': a fragmentary sketch. f. 110.

ff. 44, 49-52. Melodies of what appear to be Italian songs, in the hand of J. N. Hummel; 18th-19th cent. 1. 'Ninfe, se liete viver bramate.' f. 44. 2. 'Placa gli sdegni tuoi.' The words of this and no. 3 are by the Abbate Metastasio. f. 49. 3. 'Grazie agl' inganni tuoi.' f. 50. 4. 'Non siate ritrosi.' f. 51.

f. 58. 'Nel mirarvi, o boschi amici'; for 4 voices, in score, without accompaniment, in the hand, and apparently the composition, of J. N. Hummel; 18th-19th cent.

f. 68. Fragment, apparently of a Motet with instrumental accompaniment, containing the words . . . ‘in corde nostro tu inspira.’ In the hand, and apparently the composition, of J. N. Hummel; 18th-19th cent.

ff. 69-107, passim. Arrangements for the Pianoforte, or sketches of compositions for that instrument, mostly in the hand of Hummel; 18th-19th cent. 1. Danish melody. f. 69. 2. Tema in A minor (3/4 time). f. 72b. 3-7. Krakowiak, Mazurek, Moderate in D minor (2/4 time), Allegro in G (2/4 time), and 'National' in D (2/4 time). f. 76. 8-10. 'Chansonettes Polonoises.' f. 76b. 11. Piece without title, in G (2/4 time), apparently Russian. f. 78. 12. Another without title, in F (common time). f. 80. 13. 'Rondo villag[e]ois' [published in 1832, op. 122]. f. 88. 14. Tema in G (2/4 time). f. 89. 15. Un poco vivace, in F (6/8 time). f. 93. 16. Tema (Allegro assai) in E (6/8 time). f. 94. 17. 18. Temas in A flat and E flat (2/4 time). f. 95b. 19. Piece without title, in C (3/4 time). f. 105. 20. Another fragment, apparently in C (9/8 time). f. 107.

f. 70. The melody of the 3-part Round, 'How Great is the pleasure,' by 'Harrison,' sc. Dr. Henry Harington of Bath; 18th-19th cent. In the hand of J. N. Hummel.

f. 70. 'Could a man be secure': the melody of the first four bars. [By S. Goodwin?] In the hand of J. N. Hummel; 18th-19th cent.

f. 71. Melody in B flat (2/4 time) in the hand of J. N. Hummel, who describes it as 'Irisch.'; 18th-19th cent.

f. 71. Two melodies in the hand of Johann Nepomuk Hummel, who has described them as 'Englisch.'; 18th-19th cent.1. In A minor (6/8 time). 2. In G minor (2/4 time). A hornpipe(?).

ff. 73, 73b. Three Norwegian melodies in 3/4 time, in the keys of D minor, G, and G minor; 18th-19th cent. Transcribed by J. N. Hummel.

f. 73b. Melody of the Swedish song 'Neckens Palska'; in the hand of J. N. Hummel; 18th-19th cent.

ff 74-75b, 77. Polish melodies in the hand of J. N. Hummel; 18th-19th cent. 1. 'Hochzeits Lied in Pohlen—alla Mazur[ka].' f. 74. 2-5. 'Crakowiaka von mir selbst'; 'Mazur'; and 'Kosziusko und Dombrovskische Themas.' Against the last the composer has written 'Nicht zu gebrauchen, wegen den politischen Verhältnissen Pohlens.' f. 75. 6, 7. 'Mazur'; and 'Crakoviaka.' f. 75b. 8. Viola part of a march in A. f. 77.

f. 77b. Sketch of what appeal's to be a choral work founded on a 'russische Lied à 4 Voci'; dedicated to Monsieur de Schulzin, Head of the Police at Moscow, by J. N. Hummel; 18th-19th cent.

ff. 78b. A Russian melody, described as “ИВУМКА”(?); 18th-19th cent.

f. 79. Melodies of two 'Aufsätze zu Schnell-Märsche für turkische Musik'; in the hand of J. N. Hummel; 18th-19th cent.

ff. 92, 109. Minuet in E minor, and Polacca in C minor, in the hand of Hummel; 18th-19th cent.

ff. 92, 93. Fragments of Quartets in the hand of J. N. Hummel; 18th-19th cent. 1. Four bars (in E minor ?). Viola part. f. 92. 2. Thema (Allegro moderato) in G minor. f. 93.

ff. 97, 98. Sketches (fragmentary), in the hand of Hummel, of two instrumental compositions marked 'Sinfonia.'; 18th-19th cent. 1. In E minor. f. 97. 2. In F minor. f. 98.