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Add MS 33235
- Record Id:
- 040-002027398
- Hierarchy Root Ancestor Record Id:
- 032-002027395
- MDARK:
- ark:/81055/vdc_100000001484.0x000372
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 33235
- Title:
- Collection of secular and sacred compositions by various composers of the late 17th century. Volume 2
- Scope & Content:
-
Passim. Anthems, with a bass for the organ (unless the contrary is stated), in score. Nos. 2-4 are corrected from the originals by Philip Hayes.1. 'When David heard that Absalon'; for 3 voices. Anonymous. f. 3. 2. 'Since God so tender a regard'; solo, with 3-part chorus, on a ground bass. 'Henry Purcell.' f. 7b. 3. 'Early, O Lord, my fainting soul.' By the same. f. 10b. 4. 'O all ye people, clap your hands.' By the same. f. 17b. 5. 'Lord my God, why hast thou'; with symphonies, etc. 'P. Humphrey.' Printed in Boyce's Cathedral Music, f. 21b. 6. 'Job's curse': 'Let the night perish'; solo with 2-part chorus. s'H[enry P[urcell].' In Harmonia Sacra. f. 48b. 7. 'Jesus, seeing ye multitudes'; verse anthem with 5-part chorus, with a figured bass. 'Dr. Blow.' f. 104b. 8. 'Sing vnto ye Lord, ye Saints'; verse anthem with 5-part chorus. s' 'Dr. [Christopher] Gibbons.' f. 109b. 9. 'Sing we merrily vnto God our strength'; for 6 voices. 'Dr. Blow.' f. 112b. 10. 'Have mercy upon me, O God'; verse anthem. ''Pelham Humphry.' f. 116. 11. 'I said in ye cutting off of my dayes'; solo, with ritournelles, etc. s'Dr. Blow.' f. 120b. 12. 'How doth ye sity sit solitary'; verse anthem for 3 voices, with a figured bass. By the same. f. 125b. 13. 'How doth ye citty sit solitary'; verse anthem with 5-part chorus. Dr. Blow or M. Lock. f. 129. 14. 'As on Euphrates shady banks'; solo anthem, the words by Sandys. 'Dr. Blow.' f. 132. 15. 'And I heard a great voice '; with ritournelles, etc. By the same. f. 138.
Passim. Motets, with a thorough-bass (unless the contrary is stated), in score. 1. ‘Militia est vita’ (à 3). ‘Charissime.’ f. 4. 2. ‘Plage tue, Domine’ (à 3). By F. Sances. f. 26b. 3. ‘Suscitavit Dominus‘ (à 3). ‘Charissime.’ f. 30b. 4. ‘Surgamus, eamus’ (à 3). By the same. f. 33. 5. ‘Tota pulchra es’ (à 2). Anonymous. f. 36b. 6. ‘Paratum cor meum‘ (à 2). ‘Dr. Blow.’ f. 70. 7. ‘Laudate nomen Domini’ (à 2). By the same. f. 71b. 8. ‘Bone Jesu, Verbum Patris’ (à 2). By Gasp. Casati. f. 87b. 9. ‘Omnes gentes, plaudite.’ By the same, but attributed here by P. Hayes to ’Bassani.’ f. 89b. 10. ‘Anima mea in æterna dulcedine’ (à 2). ‘Charissime.’ f. 92. 11. ‘Regina cœli‘ (à 2). By N. Monferrato, but attributed by P. Hayes to ’Bassani.’ f. 94. 12. ‘Salue, Regina’ (à 3). By the same, f. 96. 13. ‘O bone Jesu’ (à 4, without a bass). ‘Dr. Child.’ f. 100b. 14. ‘Post hæc audivi‘ (à 2). By Dr Blow. f. 135b.
f. 14b. 'When on my sick-bed'; for 3 voices, with a bass for harpsichord, in score, by Henry Purcell. Corrected by Dr. Philip Hayes from the original MS (now Add MS 30930).
ff. 39b-51b and f. 103. Sacred Songs, with a figured bass, in score. 1. 'Velut Palma.' 'Gratiani.' f. 39b. 2. 'O dulcis Jesu.' By the same, f. 42. 3. 'Per asperos mundi errores.' By the same. f. 44. 4. 'Arise, my darkned melancholy soul.' 'Henry Purcell.' f. 47b. 5. 'The Aspiration,' beg. 'How long, great God.' By the same. The words by — Norris, of Wadham College, Oxford. f. 51b. 6. 'Lucifer, cœlestis olim hierarchiæ.' By Carissimi. f. 103. 7. 'Oh solitude, my sweetest choice.' '[Henry] Purcell.' f. 145.
ff. 46b-79 passim. Duets, in score. 1. 'Dite, o cieli.' By L. Rossi(?). Printed in the , 1688. f. 46b. 2. 'Chear up, my freinds.' By W. Turner. (For symphonies and accompaniments see below, Add MS 33287, f. 5b). f. 53. 3. 'Above the tumults of a busy state'; with a bass. 'Henery Purcell.' f. 54. 4. 'Shall all ye buds.' By Dr. J. Blow. f. 55b. 5. 'Go, Perjurd man'; with ritournelles, etc., for 3 strings. 'Dr. Blow.' f. 67b. 6. 'lo mi sento morir.' By G. Rovetta. f. 77. 7. 'Vano è il desio.' Anonymous. f. 79.
ff. 47, 50, 63b, 144. Songs, with a bass for harpsichord, in score. 1. 'Sciocca pur tutti.' By J. B. Lully. f. 47. 2. 'Alexcis (sic), dear.' 'Dr. Blow.' f. 50. 3. 'How pleasant is this flowry plain'; with 2-part chorus and symphonies for strings. 'Henery Purcell.' f. 63b. 4. 'Peacefull is he and most secure.' 'Dr. Blow.' Words by Tho. Flatman, f. 144.
ff. 57b, 99. Compositions for solo voices and chorus, in score. 1. 'Mr. Cowley's complaint'; begins 'In a deep vision's intel[l]ectual, scene'; for bass solo and 3-part choruses, with a basso continue. 'H[enry] P[urcell].' ff. 57b-63. 2. 'Amanti, che dite': from 'I Naviganti.' 'Carissimi.' (See Add MS 31473, above.) f. 99.
ff. 74-102 passim. Madrigals, in score. 1. 'Cor[r]ete, amanti' (à 3). Anonymous. f. 74. 2. 'Sospiri, Che fate' (à 3). Anonymous. f. 75b. 3. 'Lontani del core' (à 3). 'Alessandro Stradella.' f. 82. 4. 'Mortali, che fate' (à 3). Anonymous. f. 102.
- Collection Area:
- Music Collections
- Project / Collection:
- Additional Manuscripts
- Hierarchy Record Ids:
- 032-002027395
036-002027396
040-002027398 - Is part of:
- Add MS 33234-33240 : Novello Manuscripts
Add MS 33234-33235 : Collection of secular and sacred compositions by various composers of the late 17th century. 2 volumes
Add MS 33235 : Collection of secular and sacred compositions by various composers of the late 17th century. Volume 2 - Hierarchy:
- 032-002027395[0001]/036-002027396[0002]/040-002027398
- Container:
- View / search within Archive / Collection: Add MS 33234-33240
- Record Type (Level):
- File
- Extent:
-
1 volume
- Digitised Content:
- Languages:
- English
Italian - Scripts:
- Latin
- Start Date:
- 1650
- End Date:
- 1699
- Date Range:
- 2nd half of the 17th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Physical Characteristics:
- Paper. Folio.
- Custodial History:
-
Among former owners are Mrs. Cave (f. 1b); Simon Child, organist of New College, Oxford (f. 2); Philip Hayes, 1757 (f. 1b); Rev. John Parker, and Stephen Groombridge, F.R.S. (bookplates); J. Smith, of Deptford; and Vincent Novello, 1832 (f. 1b), who bequeathed the MS. to the British Museum.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Bassani, Giovanni Battista, composer; violinist; organist, c 1650-1716
Blow, John, composer and organist, 1649-1708
Carissimi, Giacomo, composer
Child, William, organist and composer, d1697
Graziani, Bonifazio, composer, c 1606-1664
Hayes, Philip, Professor of Music at Oxford
Humfrey, Pelham, lutenist and composer al Humphrey
Lock, Matthew, of Add MS 33234
Purcell, Henry, composer and organist, 1658 or 1659-1695
Stradella, Alessandro, composer - Subjects:
- Anthems
Cantatas
Duets
Madrigals
Motets
Songs
Vocal trios