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Add MS 14137
- Record Id:
- 040-002036562
- Hierarchy Root Ancestor Record Id:
- 032-002036520
- MDARK:
- ark:/81055/vdc_100000000294.0x000133
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Add MS 14137
- Title:
- A collection of sacred music by Niccolò Jommelli
- Scope & Content:
-
ff. 1-35. 'Te Deum'; for solo voices and 4-part chorus, with symphonies and accompaniments for oboes, horns, trumpets, and strings, and a figured bass for the organ, in score, by Nicolo Jommelli, 1746.
ff. 36-158b. Motets, with figured basses for organ, in score, by Nicolò Jommelli. Nos. 3-29, in the hand of Giuseppe Sigismondo, are described as 'Responsorii per la Settimana Santa a 4° Voci Per la Capella Romana In S. Pie[t]ro in Vaticano,’ each day being divided into 3 nocturns of 3 responses each. 1. ‘Laudate, pueri, Dominum‘; written ‘à otto parti e quattro Canti di Concerto,’ for St. Peter's, at Rome, in 1752. f. 36. 2. ‘Confirma hoc, Deus‘: offertorium for 5 solo voices, 1752. f. 64. 3. ‘In Monte Oliveti oravit.’ f. 76b. 4. ‘Tristis est anima mea.’ f. 78. 5. ‘Ecce, vidimus eum.’ f. 80b. 6. ‘Amicus meus osculi me tradidit signo.’ f. 84b. 7. ‘Judas mercator.’ f. 87. 8. ‘Unus ex discipulis.’ f. 89. 9. ‘Eram quasi agnus.’ f. 91b. 10. ‘Una hora non potuistis vigilare.’ f. 94b. 11. ‘Seniores populi.’ f. 97. 12. ‘Omnes amici mei.’ f. 101. 13. ‘Velum templi scissum est.’ f. 103. 14. ‘Vinea mea electa.’ f. 105. 15. ‘Tanquam ad latronem existis.’ f. 107b. 16. ‘Tenebræ factæ sunt.’ f. 110. 17. ‘Animam meam dilectam tradidi.’ f. 112. 18. ‘Tradiderunt me.’ f. 117. 19. ‘Jesum tradidit.’ f. 119. 20. ‘Caligaverunt oculi mei.’ f. 121. 21. ‘Sicut ovis ad occisionem.’ f. 123. 22. ‘Jerusalem, luge.’ f. 125. 23. ‘Plange quasi virgo.’ f. 127. 24. ‘Recessit Pastor.’ f. 129b. 25. ‘O vos omnes qui transitis.’ f. 132. 26. ‘Ecce, quomodo moritur jJustus.’ f. 134b. 27. ‘Astiterunt Reges.’ f. 137. 28. ‘Extimatus sum cum descendentibus.’ f. 138b. 29. ‘Sepulto Domino.’ f. 140b. 30. ‘Christus factus est,’ intended, with its continuations, for Wednesday, Thursday and Friday in Holy Week, and sung immediately before the Miserere, f. 143. 31,32. ‘Hosanna Filio David’: antiphon for Palm Sunday, followed by the graduale, ‘In Monte Oliveti oravit‘; for 4 voices (solo and chorus), ff. 157, 157b.
ff. 145-156. 'Miserere mei, Deus‘; for 4 voices, with a figured bass for organ, in score, by Nicolò Jommelli (see f. 76). In the hand of Giuseppe Sigismondo (see f. 170).
ff. 159-170. 'Justus ut palma': graduale for a treble voice, ending with 'Alleluia' for 3 voices, with accompaniments for strings and a figured bass for organ, in score, by Nicolò Jommelli, 1751. Transcribed by Giuseppe Sigismondo.
- Collection Area:
- Music Collections
- Project / Collection:
- Additional Manuscripts
- Hierarchy Record Ids:
- 032-002036520
040-002036562 - Is part of:
- Add MS 14101-14249 : A collection of music made by Signor Gaspar Selvaggi, of Naples
Add MS 14137 : A collection of sacred music by Niccolò Jommelli - Hierarchy:
- 032-002036520[0018]/040-002036562
- Container:
- View / search within Archive / Collection: Add MS 14101-14249
- Record Type (Level):
- File
- Extent:
- 1 volume
- Digitised Content:
- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1760
- End Date:
- 1799
- Date Range:
- Late 18th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Physical Characteristics:
- Paper. Oblong Folio.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Jommelli, Niccolò, composer, 1714-1774
- Subjects:
- Misereres
Motets
Songs
Te Deum