Add MS 14141

ff. 1-144b. Motets, in score, by Nicolò Jommelli. Unless the contrary is stated, they all have a figured bass for the organ. Nos. 3-5 are described as ‘Graduali e Sequentia per le 3 Feste di Pentecoste,’ and consist of a verse, or solo, for a treble or alto voice, followed by Alleluias (for 4 voices), and ending with the sequence, ‘Veni, Sancte Spiritus,’ for 3 solo voices and chorus. 1. ‘Laudate, pueri, Dominum’: psalm for 2 large and small choirs of 4 female voices each, with strings, etc., composed for the Venice Conversatoire in 1746. In the hand of G. Sigismondo. f. 1. 2. ‘Victimæ Paschali’: sequence for 6 voices, composed for St. Peter's at Rome, in 1752. f . 87. 3. ‘Emitte Spiritum tuum.’ f. 102. 4. ‘Loquebantur variis linguis.’ f . 107b. 5. ‘Spiritus Sanctus docebit vos.’ f. 108. 6. 7. Graduale, ‘Oculi omnium in te,’ and sequence, ‘Lauda, Sion,’ for 4 voices; written for the Feast of Corpus Domini, 1751. ff. 109b, 111. 8. ‘Urbs Jerusalem’: hymn for the Dedication of a Church; written for solo voices and 4-part chorus, f . 120b. 9. Graduale for the Nativity of the Virgin, divided into 3 versets, ‘Benedicta et Venerabilis es,’ for a treble voice; ‘Virgo Dei Genetrix,’ for an alto; and ‘Felix es, sacra virgo,’ for 3 voices; each of them with accompaniments for strings, etc. Written for St. Peter's, at Rome, in 1752. In the hand of G. Sigismondo. f. 124.

ff. 145, 161. Two settings of the psalm ‘Miserere mei, Deus,’ for 4 voices, with a figured bass for organ, in score, by the same. 1. In G minor, as sung at the church of SS. Severino and Sossio at Naples. f. 145. 2. In the same key, ‘alla Palest[r]ina.’ In the hand of Giuseppe Sigismondo. f. 161.