Add MS 14153

passim. Motets for several voices, with symphonies and accompaniments for trumpets, oboes, and strings, and a figured bass for organ, by [Pasquale] Cafaro; 1759, etc.. Mostly autograph. In score, unless the contrary is stated. Nos. 1 and 4 can be found in parts in Add MS 14154. 1. ‘Confitebor’ (à 4). ‘1759.’ f. 1. 2. ‘Cadant arma’ (à 5). f.37. 3. ‘Nunc dimittis’ (bass solo and 3-part chorus); in parts, f. 172. 4. ‘Salue, Regina’ (à 4). f. 214.

passim. Compositions for one voice, with instrumental accompaniments, by Pasquale Cafaro; 1759-1780. Chiefly autograph. They all have symphonies and accompaniments for strings, and (except in nos. 1 and 4) a figured bass for organ also, in the recitatives. In score, unless the contrary is stated. Nos. 1, 3, and 7 can be found in parts in Add MS 14154. 1. 'Gloria Patri'; with horns, oboes, and strings. '1780.' f. 80. 2. 'Recede, turba maligna': aria, in score, followed by parts in the hand of C. Franco. '1778.' ff. 91, 102. 3. 'Plena letitijs': aria, with trumpets, oboes, etc. '1777.' f. 110. 4. 'Gloria Patri.' Written for the celebrated singer Cafarelli [(?) in 1759 — see margin]. f. 149. 5. 'Regina cœli'; in parts. f. 167. 6. 'In te, Domine, speraui'; with flutes, etc., in parts, f. 192. 7. 'Solis ardente face.' Written for Signor Fabrici (?). '1768.' f. 240.

ff. 128, 135. Arias, with symphonies and accompaniments for strings, in score, by Pasquale Cafaro; late 18th century. 1. 'Dal tuo valor.' f. 128. 2. 'Tempra gli affanni tuoi.' f. 135.

ff. 139-148. Aria (Berenice), beginning 'Santo al core,' from Act iii of an Opera [probably 'Berenice '], with symphonies and accompaniments for oboes, horns, bassoons, and strings, in score. In the hand of, and presumably composed by, Pasquale Cafaro; late 18th century. {No opera 'Berenice' by Cafaro listed in New Grove/Steiger}

ff. 153-166. 'Solfeg[g]i' for a treble voice, divided into seven sets, each consisting of one quick and one slow movement, by Pasquale Cafaro; late 18th century.