Add MS 14161

ff. 1, 21. Two settings of the ‘Magnificat,’ in score, by Nicola Fago, ‘detto il Tarantino’; 1809, etc. In the hand of Giuseppe Sigismondo. 1. In F minor; for 5 solo voices and 5-part chorus, with symphonies and accompaniments for horns, oboes, strings, and organ. Scored in 1809. f. 1. 2. In D minor, ‘alla Palest[r]ina‘; for 4 voices, without accompaniment, f. 21.

ff. 36, 44. 'Lætatus sum,’ immediately followed by ‘Beatus vir qui timet Dominum,’ for 4 voices, in score, by Nicolò Fago; late 18th century. Apparently in the hand of Abbate F. Santini.

ff. 56-85b. ‘Credo,’ ‘Sanctus,’ ‘Benedictus,’ and ‘Agnus Dei,’ in C, for 5 voices with strings and figured bass for organ, in score, by Nicolò Fago, ‘detto Tarantino.’ In the hand of F. Santini; early 19th century.

ff. 86-115. 'Stabat Mater'; in F minor, for 4 voices, with symphonies and accompaniments for strings and a figured bass for organ, in score, by Nicolo Fago, 'detto Tarentino.' In the hand of Abbate F. Santini; early 19th century.

ff. 116, 167. Motets, in score, by Nicolò Fago, ‘detto il Tarentino.’ In the hand of Abbate F. Santini; early 19th century. 1. ‘Credidi’; for 2 choirs of 5 and 4 voices, with strings and figured bass for organ, f. 116. 2. ‘Credo’; for 2 choirs of 4 voices each, with oboes, trumpets, horns, strings, and organ, f. 167.

ff. 139-166. 'Te Deum'; in F, for 2 choirs of 10 voices each, with symphonies and accompaniments for trumpets, oboes, horns, and strings, and a figured bass for organ, in score, by Nicolo Fago; early 19th century. In the hand of Abbate F. Santini.

ff. 201, 202. 'Tantum ergo'; with a figured bass for Organ, in score; 18th century. Supposed to be by N. Fago. Autograph(?).

ff. 203-209b 'Sacrificium Deo spiritus contribulatus‘; for 5 voices, with a figured bass for organ, in score; 18th century. Supposed to be by Nicolo Fago.

ff. 210-230. Litany for 4 voices with figured bass for organ, in score, with a set of vocal parts; 18th century-19th century. Supposed to be by Nicola Fago.