Add MS 14162

ff. 1-46b. 'Salmi brevij,' i.e. Vespers of the Virgin (omitting the 'Lauda, Jerusalem'); for 4 voices, with accompaniments for strings and organ, by Domenico Auletta. Scored by Giuseppe Sigismondo, in 1809.

ff. 47-140b passim. Motets for several voices, with instrumental symphonies and accompaniments, in score, by Domenico Auletta; late 18th century. Autograph. The first three are for 5 voices, with strings and organ; the last is for 4 voices, with oboes, trumpets, strings, and organ. 1-3. ‘Salve, Regina.’ Three settings, one in F, and two in D. ff. 47, 67, 101. 4. ‘Dixit Dominus.’ f. 118.

ff. 85, 97, 141. Solos for a soprano voice, with symphonies and accompaniments for horns, strings, and organ, in score, by Domenico Auletta; late 18th century. Autograph. 1. 'De profundis.' f. 85. 2. 'Requiem eternam.' f. 97. 3. 'De profundis' (different from no. 1). f. 141.

ff. 155-161b. 'Maestro bello': trio for a male soprano and 2 basses, with symphony and accompaniments for horns, oboes, and strings, in score, apparently from the Intermezzo 'Il maestro di Musica' by Pietro Auletta {Doubtful? See Music and Letters 1949, p. 320} [1752].

ff. 162-192b. 'Alto Olimpo'; in score, by Rafaele Auletta; 1768. Autograph. Though described as a 'Mottetto,' the work appears to be rather of the nature of a Cantata. It begins with a 4-part chorus, which is followed by recitatives and arias for soprano, alto, and bass solo voices. The symphonies and accompaniments are for trumpets, oboes, strings, and organ.

ff. 193-204b. 'Ave, Maris stella‘; for 5 voices, with accompaniments for strings and organ, in score, by Pietro Auletta; 18th century. Said to be autograph.