Add MS 14166

ff. 1, 25, 68b. Sacred Latin compositions, in score, by Alessandro Scarlatti; early 19th century. Nos. 2, 3 are in the hand of G. Sigismondo. 1. ‘Memento, Domine, David,’ with 'Gloria Patri ‘ (4 voices), f. 1. 2. 'Tu es Petrus': antiphon (8 voices, with figured bass), f. 25. 3. ‘Lætatus sum’; described as ‘modulatio sexti toni. Tres cogitationes unaque Armonia.’ f. 68b.

f. 43. 'Canon in ettacordo,' for 2 voices, by Alessandro Scarlatti; early 19th century. In the hand of G. Sigismondo.

f. 43b. 'Studio a 4 sulla nota ferma,' by [Alessandro ?] Scarlatti; early 19th century. In the hand of G. Sigimondo.

ff. 44b-68. Mass for 4 voices, in score, ‘alia Palest[r]ina,’ composed by [Alessandro?] Scarlatti in 1710; early 19th century. In the hand of G. Sigismondo. Begins with the ‘Gloria in Excelsis‘ and ends with the ‘Hosanna in Excelsis.’

ff. 77-113 passim. Compositions in Italian for a single voice, with accompaniments, in score, by Alessandro Scarlatti, with the exception of the last, which is by Domenico Scarlatti; 18th century. Nos. 1 and 2 are arias, with instrumental accompaniments; nos. 3-5, cantatas, with a figured bass. 1. 'Care luci.' f. 77. 2. 'Mentr' ella offesa langue.' f. 81. 3. 'Doppo lungo penar.' f. 84. 4. 'Tra speranza e timore'; with violins, etc. f. 93. 5. 'Amenissimi prati.' f. 108.

f. 89. 'Oloferne': cantata for a bass voice, with violins, etc., by Alessandro Scarlatti; 18th century. Begins 'Appena giunse al forte campo.'

f. 101. 'Questo silentio ombroso'; with a figured bass, in score, by Alessandro Scarlatti or F. Durante; 1731. Apparently autograph.

f. 114. 'Sge (sic) hè du bon compère Simon'; for 4 voices, with symphony and accompaniments for horns and strings, in score, by Giuseppe Scarlatti; 18th century.