Add MS 14175

ff. 1-172. 'Mottetti,' etc., for one voice, with symphonies and accompaniments for strings and a bass for harpsichord or organ, in score (unless the contrary is stated). Nos. 1-5 are by Letterio Ferrari and in his autograph. 1. 'Ardet coelesti face.' f. 1. 2. 'Salue, Regina.' f. 5. 3. 'Rident in campo flores.' f. 13. 4. 'Quasi Navis in procella'; with separate vocal and string parts (copies). f. 23. 5. 'Nova luce Hec dies ornata'; with separate parts, f . 47. 6. 'Ludit tranquillo in mare'; with horns, etc., and additional instrumental parts. 'Gasparo Gabellone.' f. 71. 7. 'Mater amoris'; without strings. [By the same(?).] f. 102. 8. 'Lætare tuo valore': organ part with words of recitatives. By the same. Belonged to Camillo Franchi. f. 110. 9. 'Fere procelle'; with horns, etc. In parts only. By the same. ff. 113-129b. 10. 'Sicut sol lucente mane.' In parts (wrong order). 'Tomasso Traetta.' Belonged to Vincenzo Torretti. ff. 151-172.

ff. 60b-70. Bass solo part [that of II Guida, from the Oratorio, 'I Pellegrini al sepolcro di nostro Signore,' by J. A. Hasse], with symphonies and accompaniments for strings, in score.

ff. 130-149b. Two settings of the ‘Salue, Regina’; for 4 voices, with symphonies and accompaniments for strings and a figured bass for organ, in score, by Michele Gabellone. 1. In B minor, f. 130.2. In C minor, f. 140.

ff. 173-197. Recitatives and arias, apparently all of them from operas, with symphonies and accompaniments for strings, in score, by Tommaso Traetta. 1. 'Ombra cara amorosa.' f. 173. 2. 'Tu di saper procura' [from 'L' Olimpiade,' 1770]. f. 180. 3. 'Scherza il Nocchier' [from 'Demetrio']. f. 190.