Add MS 14188

ff. 1-20. 'Johannis Petri Aloysij Prænestini . . . Missa Iste Confessor Quatuor [et quinque] Vocibus cum Organo superaddito,’ in parts, the organ-part consisting of a figured bass; 1740.

ff. 21-76. Psalms, etc., in score; 1740-1752. 1. ‘Dixit Dominus,’ ending with 'Gloria Patri,’ in C; for 2 choirs of 4 voices each, with accompaniments for oboes, horns, and strings. ‘Leonardo Leo, 1742.’ f. 21. 2. ‘In co[n]vertendo‘; for 2 choirs of 4 and 6 voices, with a figured bass for the organ, by ‘Nicola Jommelli, Per la Basilica di S. Pietro [Rome], 1752.’ f. 59. 3. ‘Antifone. Domus mea domus orationis, 1750’; for 2 voices, with a figured bass. In the same hand, but originally tied up with some of N. Fago's works, f. 75. 4. ‘Antifone. Hæc est domus domini’; for 4 voices, with figured bass. In the same hand. f. 75b.

f. 78. 'Dixit Dominus‘: psalm for 2 choirs of 4 voices each, with accompaniments for strings and organ, in score, by Antonio Sacchini; 19th cent. In the hand of Abbate Fortunato Santini. It ends with the ‘Gloria Patri.’

ff. 170-191. 'Passio, secundum Joannem. Per il Venerdi Santo; A 4° uoci con Violini,' with a figured bass for the organ, in parts, by Pietro Antonio Gallo; 18th-19th cent. The vocal parts appear to be autograph. There are solos for the doorkeeper, [Peter], and Pilate; and Choruses of Priests and Jews. Begins with the words 'Jesum Nazarenum.'

f. 192. 'Magnificat‘; for 4 voices with violins and organ, in parts, by Francesco Mancini or Magini (see f. 198); about 1745 (see below). The figured bass for the organ is probably autograph. The parts are in several hands, those named being — Quercio, 1745 (f. 201), and D. Mauro (f. 202b). The names of most of the (original ?) singers are also given, namely, Giouannino, Germano, and Palleschi; and of the violinists, Derek and Cane (?) minor.