Add MS 14189

f. 1-27. 'Miserere mei, Deus‘; for 2 choirs of 4 voices each, with a figured bass for the organ, in score, by Leonardo Leo. Said to be in the hand of Giuseppe Sigismondo; 18th-19th cent.

ff. 27b, 28. Melody, with figured bass, of the antiphon, 'Christus factus est pro nobis obediens usque ad mortem,' for Holy Wednesday, with the words 'Mortem autem crucis' added for Holy Thursday; 18th-19th cent. By Leonardo Leo.

ff. 29-122 passim. Motets, in score; 18th-19th cent Unless the contrary is stated, they are for 4 voices and have a figured bass. They appear, with the exception of the last, to be in the same hand as the Miserere at the beginning of the volume. 1. ‘Lætatus sum in his quæ dicta sunt,’ with ‘Gloria Patri’; for 5 voices. ‘Zingarelli.’ f. 29. 2. ‘Heu mihi, quia incolatus meus‘; without figured bass. ‘Zingarelli.’ f. 39. 3. Another setting of the same for 5 voices, without figured bass. ‘Zingarelli.’ f. 39b. 4. ‘Dixit Dominus,’ with ‘Gloria Patri.’ ‘Zingarelli.’ f. 43. 5. ‘Laudate, pueri, Dominum,’ with ‘Gloria Patri.’ ‘Zingarelli.’ f. 54b. 6. ‘Credo’; for 4 voices, with accompaniments for strings and a figured bass for the organ, in score. ‘Gio. Carlo Ma. Clari.’ f. 95.

f. 41. 'Se a ciascun l' inferno affanno'; for 4 voices, by Zingarelli; 18th-19th cent. Inserted among some Motets by the same composer.

ff. 64- 94. 'Missa Defunctorum,' in D minor; for 5 voices, with strings, etc., in score, by Francesco Feo; 18th cent. Apparently autograph.

f. 123. Mass for 2 tenors and bass, with a bass for the organ, in score, by Padre?] M[artino?] Martini; 18th-19th cent.