Add MS 14191

Compositions for one voice, with a figured bass and in score, unless the contrary is stated; 18th cent. Nos. 8 and 13 are described as 'Mottetti.' 1. 'Salue, Regina'; with strings, etc., in score, followed by the instrumental parts in the hand of Camillo Franco. 'Gio. Battista Pergolesi.' f. 1. 2. 'Salue, Regina'; followed by the parts in another hand. This and nos. 3-6 are by 'Tomaso Prota'; most of them having accompaniments for strings, etc., in score. Autograph. f. 21. 3. The vocal part of a 'Salve, Regina,' for a bass voice; preceded by what appears to be a sketch of the same. f. 45. 4-6. 'Meditazioni del Giudizio,' 'Dell'Inferno' and 'Del Paradiso,' beg. with the words, 'Al Giudizio, o Christiano' (f. 49), 'Doue andar'ti credi' (f. 54), and 'Se 'l natural di Dio' (f. 58b), the last being imperfect at the end. 7. 'Dunque uerra quel giorno': aria without a bass. 'Nicola Cecca, 1705' (?copy). f. 61. 8. 'Matutino dum surgit Aurora'; with strings, etc., in score. 'Gaet Latilla.' Written for O. Vicenzino. Apparently autograph. f. 64. 9. 'Salue, Regina'; with accompaniments for horns, oboes, strings, etc., in score. 'Giuseppe Geremia.' f. 78. 10. 'In sacra cœli flamma'; with similar accompaniments, in score. 'Fedele Fenaroli.' Apparently autograph. f. 106. 11. Sketch of what appears to be a motet for 1 voice, with string accompaniment, in score. In the hand of D. Zanatta. The only words given are ' . . . non pepercerunt.' f. 137b. 12. 'Salue, Regina'; with a bass, in score, followed by horn, string, and organ parts. 'Ant[oni]o Catena.' In the hand of Camillo Franco. f. 139. 13. 'Turbatur Maris vnda'; with a bass, followed by the string parts. 'Gioacchino Rossi.' In the same hand. f. 164. 14. 'Salue, Regina'; with accompaniments for strings, etc., in score. 'Gregorio Sciroli.' Written for Mattia Mariotti. Apparently autograph. f. 176.

ff. 114-195b. Motets for 4 voices, with accompaniments for strings, and a figured bass for the organ, in score; 1757, etc. 1. ‘Alma Redemptoris Mater.’ ‘F[rancesco] M[aria] F[rezza], 1757.’ Autograph, f. 114. 2. ‘Aue, Maria’; without strings. 'Andrea Basilj.’ f. 158. 3. ‘Domine, ad adjuvandum me.’ ‘Giac. Anto. Perti.’ Two settings, the latter apparently autograph. ff. 188, 192.

ff. 125-137. 'Magnificat a 8 voci [divided into 2 choirs] in canone all' Vnisono . . . con Instrumenti ad libitum,’ in score, by Domenico Zanatta; early 18th cent. Dedicated to Padre Giacinto Rubesti, of S. Domenico Maggiore, Naples. Apparently autograph.