Add MS 14192

'Mottetti,' etc., for one voice, with accompaniments for strings and organ; 18th cent. Unless the contrary is stated, they are in parts. 1. 'Tonant irato cœlo'; with oboes, horns, etc. 'Pascale Anfossi.' f. 1. 2. 'In tam fera et rea procella'; with accompaniments for oboes, trumpets, etc. 'Giacomo Insanguine, detto Monopoli.' f. 27. 3. 'Aure placide'; with trumpets, etc., in score. By 'Giuseppe d'Auossa' of Naples, and in his hand. Followed by a separate organ part, copied by Camillo Franco, for whom the motet appears to have been composed. f. 75. 4. 'Fremit procella'; by the same. The instrumental parts in the hand of Franco. f. 95. 5. 'Salue, Regina'; with horns, etc., in score, by the same. In the hand of 'Giorgio'(?). f. 109. 6. Another setting of the same words, in score, apparently also by d'Avossa, and in the same hand. f. 124. 7. 'Larva insana'; with horns, etc. 'Giuseppe d'Avossa.' Partly in the same hand as no. 2. f. 137. 8. 'Sicut in silva.' 'Onofrio Lorello.' Chiefly in the same hands as the last, the organ part in that of Camillo Franco. f. 159. 9. 'Demptus crudeli morte'; in score, with additional string parts. 'Guglielmo Ludovici.' Autograph. f. 179. 10. 'La pietà': cantata, beg. 'Gia scarco hauea lasciato.' In score. 'Giuseppe Vignola.' Autograph(?). The words are by Marini. f. 191.

f. 55. 'Et in sæcula sæculorum‘; for two choirs of 4 voices each, with a bass for the organ, in score, by Giacomo Insanguine [detto Monopoli]; late 18th cent. Autograph, (?).

ff. 59-74. Aria (Arbace), beginning 'Fra' cento affanni'; with accompaniments for oboes, trumpets, and strings, in score; late 18th cent. From ' Artaxerxes,' by Giacomo [Insanguine detto] Monopoli.