Add MS 14193

f. 1. 'Misterium ecclesiæ‘: hymn for 2 choirs of 4 voices each, with a bass for the organ, in score, by [G. Andrea] Fioroni, ‘con il concorso della metropolitana di Milano, 1747.’; mid 18th cent.

ff. 9, 21, 72, 161. 'Mottetti ' for one voice, in score, unless the contrary is stated; 1769, 1795, etc. 1. 'Serena cœli imago.' The vocal part, with a bass, in score; followed by parts for 2 violins, in the hand of Camillo Franco. 'Gio. Batt[ist]a Mancini.' f. 9. 2. 'Surgit horrida tempestas'; with accompaniments for strings and a figured bass for organ. 'Antonio Cipolla, 1795,' written for 'Camillo [Franco?].' Autograph. ff. 21-30. 3. 'Placidi venti'; with accompaniments for horns, flutes, etc., in score, followed by the parts. 'Giuseppe Aprile, 1787.' Partly in the hand of Franco, ff. 72-89b. 4. 'Fremo miser in furore'; with accompaniments for oboes, trumpets, etc., in score, composed by 'Michele Nasci . . . 1769,' for Gaetano Majorano detto Cafarelli. Autograph. Followed by transcripts of the vocal and string parts. ff. 161-198.

ff. 31-71b. Hymns for the year, composed by Erasmo di Bartolo, ‘detto il Padre Raimo della Congregazione [dell' Oratorio],’ in 1643; for 4 voices, transcribed (with some alterations) by Camillo Franco at Naples in 1803, from the score which he made in 1780 from a copy of the parts dated 1689, and supplied by Franco with the corresponding canti fermi, and a figured bass for the organ; 1803. In score. 1. ‘Creator alme siderum.’ f. 32b. 2. ‘Jesu, Redemptor omnium.’ f. 33b. 3. ‘Salvete, flores Martyrum.’ f . 34b. 4. ‘Crudelis Herodes.’ f. 35b. 5. ‘Lucis Creator optime.’ f. 36b. 6. ‘Audi, benigne Conditor.’ f. 37b. 7. ‘Vexilla Regis.’ f. 38b. 8. ‘Ad regias Agni dapes.’ f. 39b. 9. ‘Salutis humanæ Sator.’ f. 40b. 10. ‘Veni, Creator Spiritus.’ f. 41b. 11. ‘Jam Sol recedit.’ f. 42b. 12. ‘Pange, lingua, gloriosi Corporis.’ f. 43b. 13. ‘Quodcumque in orbe nexibus revinxeris.’ f. 44b. 14. ‘Egregie Doctor Paule.’ f. 45b. 15. ‘Ave, maris stella.’ f. 46b. 16. ‘Jesu, dulcis memoria.’ f. 47b. 17. ‘Christe, sanctorum decus angelorum.’ f. 48b. 18. ‘Te, Joseph, celebrent agmina.’ f. 49b. 19. ‘Ut queant laxis.’ f. 50b. 20. ‘Decora lux Æternitatis.’ f. 51b. 21. ‘Pater superni luminis, cum Magdalenam respicis.’ f. 52b. 22. ‘Miris modis repente liber.’ f. 53b. 23. ‘Quicumque Christum quæritis.’ f . 54b. 24. ‘O quot undis lacrymarum.’ f. 55b. 25. ‘Te splendor et virtus Patris.’ f. 56b. 26. ‘Custodes hominum psallimus.’ f. 57b. 27. ‘Tibi, Christe, splendor Patris’ (St. Raphael), f. 58b. 28. ‘Placare, Christe, servulis‘ (All Saints), f. 59b. 29. ‘Exultet Orbis gaudiis.’ f. 60b. 30. ‘Tristes erant Apostoli.’ f. 61b. 31. ‘Deus tuorum militum.’ f. 62b. 32. ‘Sanctorum meritis.’ f. 63b. 33. ‘Rex gloriose Martyrum.’ f. 64b. 34. ‘Iste confessor.’ f. 65b. 35. ‘Jesu, corona Virginum.’ f. G6b. 36. ‘Fortem virili pectore’ (‘In communi non Virginum‘). f. 67b. 37. ‘Cœlestis Urbs, Jerusalem.’ f. 68b. 38. ‘Hæc dies, quam fecit Dominus.’ f. 69b. At f. 71 there is an alphabetical list of the hymns.

ff. 128-160. 'Vespro della Beata Vergine,' omitting the 'Lauda, Jerusalem'; for 4 voices with a figured bass, in score, by Giacomo Sarcuni; 18th-19th cent. In the hand of Giuseppe Sigismondo.