Add MS 14197

ff. 1-133b. Sacred compositions for one voice; about 1725. Unless the contrary is stated, they are only accompanied by a bass (generally figured) for harpsichord or organ, in score, and are anonymous. 1. 'Salve, Regina,' in F; with separate violin, horn, and trumpet parts. In the hand of Camillo Franco. f. 1. 2. Another, in D. f. 25. 3. 'Del Mondo il Regno': cantata with accompaniment for psaltery, etc., in score. Written for Signora Nicoletta Cesare. f. 33. 4. 'Cuor humane' '1725.' f. 41. 5. 'Dunque verra quel giorno.' By N. Cecca. Autograph. f. 44. 6. 'Che pensi tu.' f. 50. 7. 'L'Anima del epulone parlante nell'Inferno,' beg. 'Doue, infelice.' Sketch of Italian cantata. By F. Durante. Autograph. f. 54. 8. 'Peccator Ravveduto': sacred cantata, beg. 'E questo, si, quel memorando giorno.' f. 60. 9. 'Frà le spine.' By N. Cecca. Autograph, with numerous corrections. Preceded by a copy of the vocal part without the bass (in the same hand as Add MS 14191, f. 61). ff. 65, 69. 10. 'Turbatur Maris unda'; the instrumental bass part. By Gioacchino Rossi (see Add MS 14191, f. 174). f. 73. 11. Instrumental bass part to a motet beginning 'Cessate.' 'Nicolò Conti.' '1729.' f. 131.

f. 58b. Sketch of the opening bars of 'Studio Primo,' from the Sonate per cembalo published by Francesco Durante about 1750. Autograph. Inserted in the middle of another sketch by that composer.

ff. 75, 140. Instrumental parts of two compositions, consisting chiefly of recitatives and arias, and ending with a quartet or a chorus; late 18th cent. Each is divided into two parts. Anonymous. 1. Oboes, trumpets, and strings. Without words, ff. 75-130. 2. Parts for 2 oboes. The first words of most of the numbers are given, as 'Lo sciempio,' etc. ff. 140-151.

ff. 134-139. Second violin part of an Italian Cantata, for two voices, with strings, in honour of St. Joseph, by Nicolo Conti; late 18th cent. The words are omitted, except in the recitatives. The first aria of which the opening words are given is ‘Salua Maria.’