Add MS 14229

Cantatas for a single voice (soprano, unless the contrary is stated), with a bass (frequently figured) for harpsichord, in score; about 1723-1732. 1. 'E fia pur uero, ò Dio.' This and nos. 2-5 are by 'Caualiere Alessandro Scarlatti.' f. 69. 2. 'O uoi, di queste selue abitatrici.' Belonged to — Bayada in 1723. f. 73. 3. 'Il genio di Mitilde.' Belonged to Guglielmo in 1727. f. 77. 4. 'Ecco ch' à voi ritorno.' f. 83. 5. 'Qui uieni, ingrata Fille.' Transcribed by Francesco Leo in 1730. f. 87. 6. 'Lucretia,' begins 'Ò numi eterni.' 'Giorgio Hendel ' (as published in the Handel-Gesellschaft's edition). f. 92. 7. 'La viola che languiua.' 'Nicolò Porpora.' f. 100. 8. 'Se il mio canto t' offende.' Anonymous. f. 105. 9. 'Augelletti, che cantate.' 'Giouanni Fischetti.' Words by Isabella Settimo. f. 109. 10. 'Orgoglioso fiumicello.' 'Gio. Adolfo Hasse do Sassone,' 1732. f. 113. 11. 'Suonerà l' ultima tromba.' Anonymous. f. 139. 12. 'Nella stagion fiorita.' Anonymous. f. 144. 13. 'Corre il ruscello'; for a contralto voice. Anonymous. f. 165.

ff. 1-68, 148-161b. Arias, etc., with symphonies and accompaniments for strings and occasionally (as indicated below) other instruments, in score; about 1761. Nos. 1-4 are by Nicolò Sala, nos. 5, 6 by Michelangelo Valentini [fl. 1748]; the others are anonymous. 1. 'Se piu felice Oggetto' [from 'Attilio Regolo']. f. 1. 2. 'Salvo tu vuoi lo sposo?' [from 'Zenobia,' 1761]. f. 12. 3. 'Cada l' indegno'; with trumpets, oboes, etc. From the same. f. 20. 4. 'Si soffre una Tiranna'; with horns, oboes, bassoon obbligato, etc. From the same. f. 36. 5. 'Quest' alma uedrete morire.' f. 55. 6. 'Del mio Paterno affetto.' ff. 63-68. 7. 'Crudeli, affrettate': scena with aria, from an Opera in which some of the principal characters are Epitide and his mother, and Trasimede. f. 148. 8. 'Con Megera, Tesifone e[d] Aletto.' In the same hand. f. 154. 9. 'Posso morir.' f. 156. 10. 'Su l' orme del desio.' ff. 160-161b.

f. 82b. Sketches of a sacred Song, beginning 'Sancta Maria dei genitrix.' The melody only; after 1727. Anonymous.

ff. 121-129. ['I Naviganti']: serenata, with a bass for harpsichord, in score, by Carissimi; 17th-18th cent. Add MS 31488 contains a movement which is omitted (after f. 121b) in the present copy.

ff. 129-138b. Trios, with a bass for harpsichord or violoncello, in score; 17th-18th cent. 1. 'Chi più sà.' '[Giacomo] Cariss[i]mi.' f. 129. 2. 'Soffra pur un cor Amante.' 'Mario Sauioni.' f. 132b. 3. 'Con piede lento.' 'Carlo [Cesarini] del Violino.' f. 134b.

ff.162-164b. Dialogue between Dorinda and Fileno, beginning 'Traditor disleale,' with a bass (in the solo parts) for harpsichord or violoncello, in score, by Francesco Gasparini, Rome, 1709.