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Harley MS 928
- Record Id:
- 040-002046757
- Hierarchy Root Ancestor Record Id:
- 040-002046757
- MDARK:
- ark:/81055/vdc_100000000652.0x0001b2
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Harley MS 928
- Title:
-
A composite of two Books of Hours (both imperfect)
- Scope & Content:
-
A composite of two Books of Hours (both imperfect), joined together in the late medieval or early modern period (before the edges were stained green and the fore-edge inscription was added, see Physical Characteristics). The manuscript also includes fragments of two 15th-century documents at the beginning and end, probably salvaged from a previous binding.
Contents:
ff. 1r-2v: a fragment of a legal document dated 1455, and signed by Johannes Stokes, notary in Worcester, with a notarial signature.
The Harley Hours, 4th quarter of the 13th century:
ff. 3r, 4v-5r, 6r-7r, 8v, 9v: a prayer on the life of Christ in different sections, most of which begin with the line ‘Iesu Christe te veneror’, added on the reverse of the full-page miniatures (late 14th-early 15th century).
ff. 10r-105v: the Hours of the Virgin, Use of Sarum, with suffrages after Lauds to the Holy Cross, Sts Michael, Peter and Paul, John the Baptist, Thomas Becket, Stephen, Laurence, Edmund, Nicholas, Mary Magdalene, Catherine, Margaret, all saints and peace (ff. 51r-62v).
ff. 105v-106v: a suffrage to St Anne.
ff. 107r-128v: the Penitential Psalms followed by the litany, ending imperfectly due to loss of leaves (all names of saints missing).
Book of Hours, fragment, 1400-1450:
ff. 129r-210r: Office of the Dead, Use of Sarum, beginning imperfectly (Psalm 114:6; probably missing one leaf);
ff. 211r-243v: Commendation of the Soul;
ff. 244r-257v: prayers to Christ, ‘Ave benignissime domine Iesu Christe’ [others] ending imperfectly (a catchword on f. 243v indicates that at least another quire is missing).
ff. 258r-259v: fragment of a legal document, 15th century.
Decoration:
The Harley Hours, 4th quarter of the 13th century:
6 full-page miniatures in colours and gold: the Nativity (f. 3v); the Visitation (f. 4r); the Adoration of the Magi (f. 5v); the Presentation to the Temple (f. 7v); the Betrayal (f. 8r); and the Resurrection (f. 9r). 8 historiated initials with full bar borders with foliage, dragons and animals: Matins, the martyrdom of St Catherine (f. 10r); Lauds, St Margaret emerging from the dragon (f. 30r); Prime, the Coronation of the Virgin (f. 60r); Terce, the martyrdom of St Laurence (f. 77v); None, St John the Baptist and the Agnus Dei (f. 83r); Vespers, the Ascension (f. 89r); Compline, Pentecost (f. 99r); the Penitential Psalms, an owner portrait of a woman kneeling before Christ enthroned (f. 107r).
Large initials in colours and gold often extending into the margin, and occasionally combined with hybrid creatures, birds, or animals.
Drawings of hybrid creatures, and/or animals in the lower margin of nearly every page, e.g.: a cockerel (f. 14v), a bear (f. 35v), a stag (f. 40r), a cat and mouse (f. 44v), a monkey (f. 45r), a unicorn (f. 48r), a camel (f. 55r), monkeys attacking a castle (f. 97v, trimmed), a goat (f. 126r). Large initials and line-fillers in colours and gold with foliage, animals, fish, or hybrid creatures.
Smaller initials in colours and gold.
Book of Hours, fragment, 1400-1450:
Large decorated initial in colours and gold, with a full foliate border including acanthus leaves (f. 244r). Champ initials with foliate feathering extending into the margin, coloured initials in blue or red.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Harley Collection
- Hierarchy Tree:
- [{ "id" : "040-002046757", "parent" : "#", "text" : "Harley MS 928: A composite of two Books of Hours (both imperfect)" , "li_attr" : {"class": "orderable"} }]
- Hierarchy Record Ids:
- 032-002045828
040-002046757 - Is part of:
- Harley MS 1-7661 : Harley Manuscripts
Harley MS 928 : A composite of two Books of Hours (both imperfect) - Hierarchy:
- 032-002045828[0928]/040-002046757
- Container:
- View / search within Archive / Collection: Harley MS 1-7661
- Record Type (Level):
- File
- Extent:
-
One volume.
- Digitised Content:
- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1275
- End Date:
- 1449
- Date Range:
- 4th quarter of the 13th century-1st half of the 15th century
- Era:
- CE
- Access:
-
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- User Conditions:
- Letter of introduction required to view this manuscript
- Physical Characteristics:
-
Material: Parchment.
Dimensions: 115 x 75 mm (text space: 70 x 50 mm)
Foliation: ff. 259 (+ 4 unfoliated paper flyleaves at the beginning; + 1 unfoliated blank paper leaf after ff. 5 and 128; + 1 unfoliated ruled parchment leaf after f. 210; + 4 unfoliated paper flyleaves at the end); lacking one or more leaves after ff. 71, 128 and 210.
Script: Gothic
Binding: Post-1600. Dark green leather with gold fillets and marbled endpapers; the edges of the pages are stained green and feature a fore-edge inscription (now illegible).
- Custodial History:
-
Origin: Southern England.
An unidentified woman: depicted in an owner portrait kneeling before Christ at the beginning of the Penitential Psalms (f. 107r).
The two volumes were bound together in the late medieval or early modern period: the edges of all leaves stained green and a fore-edge inscription added (now illegible).
15th-century documents bound at the beginning and end, perhaps former binding fragments (ff. 1-2, 258-259); one is signed by Johannes Stokes, notary in Worcester, and dated 1455 (f. 2r).
George Birch, parson of the parish church of St Giles in Uley, Gloucestershire (d. 1611), 1607: his ownership inscription; he also claims that the manuscript was written in 1428 and first owned by Ambrose de la Peerie, abbot of Glastonbury, but no abbot of this name existed: ‘[...] As a monumente of Antiquitie for his age and beauty being written as I founde his date in the yeare of grace 1428, the 16 of September in that famous Abbie of Glastonburie w[hic]h was founded by a disciple of Christ [...] And the first owner of this booke was Ambrose de la Peerie Abbot of Glastonburie and so lett these lines p[er]suade you that I am a true p[ro]fessor of Christ Iesus Ex dono Georgij Burche de uly in Com: Glouc: Theologie 1607’ (f. 2v).
Humfrey Wanley (b. 1672, d. 1726), librarian of Robert and Edward Harley, earls of Oxford: inscribed 'Humfredus Wanley (f. 1r) (see Wright, Fontes Harleiani (1972), p. 343).
The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts. Inscribed with the former shelfmark of the Harley Library ‘63.A.25. 926’ (f. 1r).
Edward Harley bequeathed the library to his widow, Henrietta Cavendish, née Holles (b. 1694, d. 1755) during her lifetime and thereafter to their daughter, Margaret Cavendish Bentinck (b. 1715, d. 1785), duchess of Portland; the manuscripts were sold by the Countess and the Duchess in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.
- Information About Copies:
- Select digital coverage: Catalogue of Illuminated Manuscripts, https://bl.uk/catalogues/illuminatedmanuscripts/.
- Publications:
-
A Catalogue of the Harleian Manuscripts in the British Museum, 4 vols (London: Eyre and Strahan, 1808-12), I (1808), no. 928.
Walter de Gray Birch and Henry Jenner, Early Drawings and Illuminations: An Introduction to the Study of Illustrated Manuscripts (London: Bagster and Sons, 1879), p. 6.
Georg Graf Vitzthum, Die Pariser Miniaturmalerei: von der Zeit des hl. Ludwig bis zu Philipp von Valois und ihr Verhältnis zur Malerei in Nordwesteuropa (Leipzig: Quelle & Meyer), 1907), p. 91.
J. A. Herbert, Illuminated Manuscripts (London: 1911), p. 188.
Eric G. Millar, English Illuminated Manuscripts from the Xth to the XIIIth Century (Paris: Van Oest, 1926), p. 1128.
Manuscripts of Polyphonic Music: 11th - Early 14th Century, ed. by Gilbert Reaney, Répertoire international des sources musicales, BIV 1 (Munich: Henle, 1966), p. 505.
Cyril Ernest Wright, Fontes Harleiani: A Study of the Sources of the Harleian Collection of Manuscripts in the British Museum (London: British Museum, 1972), pp. 341-43.
Nigel Morgan, Early Gothic Manuscripts, 2 vols, A Survey of Manuscripts Illuminated in the British Isles, 4 (London: Harvey Miller, 1982-1988), II: 1250-1285, no. 185.
Adelaide Bennett, 'A Book Designed for a Noblewoman', in Medieval Book Production: Assessing the Evidence, ed. by Linda l. Brownrigg, Proceedings of the Second Conference of The Seminar in the History of the Book to 1500, Oxford, July 1988 (Los Altos Hills, California: Anderson-Lovelace, 1990), pp. 1163-181 (p. 181 n. 48).
Claire Donovan, The de Brailes Hours: Shaping the Book of Hours in Thirteenth-Century Oxford (London: the British Library, 1991), pp. 192-193.
John Higgitt, The Murthly Hours: Devotion, Literacy and Luxury in Paris, England and the Gaelic West (London: British Library, 2000), pp. 44 n. 32, 179, 180, 182, 184, 188 n. 35.
Janet Backhouse, Illuminations from Books of Hours (London: British Library, 2004), no. 9.
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)