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Harley MS 4664
- Record Id:
- 040-002050507
- Hierarchy Root Ancestor Record Id:
- 040-002050507
- MDARK:
- ark:/81055/vdc_100000000859.0x0000b6
- LARK:
- ark:/81055/vdc_100165169061.0x000001
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Harley MS 4664
- Title:
-
Breviary of Coldingham Priory
- Scope & Content:
-
This manuscript contains 3 separate parts with liturgical texts made for the Benedictine priory of Coldingham:
Part I (14th century):
ff. 2r-8v: Liturgical lections and antiphons for the feast of Corpus Christi, 'In festivitate corporis Christi ad jesperas [sic] super psalmos' (with added lectiones on ff. 8r-8v), 14th century.
Part II (c 1270 – c 1280):
ff. 9r-124r: Breviary (the 'Coldingham Breviary'), including the Temporale, with many additional instructions added in the margins.
f. 125v: A scientific instruction in Anglo-Norman for predicting the New Moon. The instruction explains how to interpret Arabic numerals in red and brown ink and accompanying dots in the right columns of the pages of the Calendar. A red number indicated in which year of the Metonic cycle of 19 years the Sun and Moon were in conjunction on a particular date. Each red number is surrounded by four numbers in brown ink. These indicated different times on which the conjunction would occur for four consecutive Metonic cycles (76 years). The dots preceding and following these numbers told whether the hour would be a.m. or p.m. Falk has established that the numbers were calculated for a 76-year cycle that started in 1289. He suggests that the instruction, and the numbers and dots in the Calendar, may have been added by John Westwyk: a late 14th-century astronomer, instrument maker, and monk of the Benedictine abbey of St Albans (see Falk, ‘New Moon’ (2020) [online source]; Falk, The Light Ages (2020), pp. 200-201, pl. 5.10).
Part III (2nd half of the 13th century):
ff. 126r-132v: Calendar with computes for Easter (ff. 132r, 132v).
ff. 133r-180v: Psalter with litany of saints (ff. 175r-176v), hymns and biblical readings.
ff. 181r-197v: Hymnal, including a hymn for St Cuthbert, with music notation. F. 182v is the hymn 'Nunc sancte nobis spiritus' set as a double canon and written on 2 staves of 4 red lines.
ff. 198r-332v: Sanctorale with several prayers added in margins (for St Blaise in the lower margins of ff. 213v-214v, for St Valentine in the lower margins of ff. 215v-216r, and St Guthlac in the right and lower margin of f. 224r) and a 15th-century section on ff. 320r-332v; f. 200 is a 14th-century replacement page.
Decoration:
Part I:
Numerous small initials in blue or red with, respectively, red or blue penwork decoration.
Part II:
One full-page miniature on f. 125v: a Benedictine monk (presumably intended to represent the original owner of the manuscript) kneeling before the enthroned Virgin and Child, holding a scroll inscribed 'Ave Maria gratia plena' (Hail Mary, fully of grace), the words of the archangel Gabriel at the Annunciation.
Two large initials in red and blue with foliate decoration in red, blue, green and gold (f. 2r, 21v).
Numerous small initials in blue or red with, respectively, red or blue penwork decoration.
Layout: 245 x 170 mm (text space: 162 x 125 mm) in two columns of 36 lines.
Part III:
Four historiated initials with colours and gold:
f. 133r: King David with harp.
f. 145v: A boastful fool observed by a queen.
f. 157v: A monk in blue habit reading or singing from a book on a lectern with a monk in red habit standing next to him.
f. 162r: Christ enthroned.
Three types of large initials:
Large initials in gold against a red and blue background with white foliate decoration (Calendar: ff. 126r, 126v, 127r, 127v, 128r, 128v, 129r, 129v, 130r, 130v, 131r, 131v; Psalter: 133r, 133v, 224r, 247v, 273v, 274r, 276v, 278r, 287v, 298r, 303v, 314r, 316r).
Large puzzle initials in red and blue with red and blue penwork decoration (ff. 177v, 271v, 272r, 178r, 178v, 179r, 179v, 180r (x2), 182v).
Large blue or red initials with foliate and zoomorphic ornamentation in red, blue, green and gold (ff. 138r, 142r, 145r, 153v, 158r, 177r, 177r, 186r, 187r, 191v, 198r, 202r, 205r, 206v, 208r, 209v, 212r, 214r, 217v, 218v, 220r, 222v, 226r, 227r, 228r, 230v, 233r [also features a human head, perhaps representing John the Evangelist], 236r, 237r, 249r, 250v, 253r, 266r, 267v, 269r, 270v, 275r, 278v, 281v, 282v, 284r, 287v, 291r, 292v, 301r, 310v, 317v).
Numerous small initials in blue with red penwork or in gold on a blue and red background (and red initials without penwork decoration throughout ff. 322v-332v).
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Harley Collection
- Hierarchy Tree:
- [{ "id" : "040-002050507", "parent" : "#", "text" : "Harley MS 4664: Breviary of Coldingham Priory" , "li_attr" : {"class": "orderable"} },{ "id" : "041-003353842", "parent" : "040-002050507", "text" : "Harley MS 4664, ff 126-332: Calendar; Psalter with litany of saints, hymns and biblical readings; Hymnal; Sanctorale" },{ "id" : "041-003354020", "parent" : "040-002050507", "text" : "Harley MS 4664, ff 9-125: Breviary" },{ "id" : "041-003354016", "parent" : "040-002050507", "text" : "Harley MS 4664, ff 2-8: Liturgical lections and antiphons for the feast of Corpus Christi" }]
- Hierarchy Record Ids:
- 032-002045828
040-002050507 - Is part of:
- Harley MS 1-7661 : Harley Manuscripts
Harley MS 4664 : Breviary of Coldingham Priory - Contains:
- Harley MS 4664, ff 126-332 : Calendar; Psalter with litany of saints, hymns and biblical readings; Hymnal; Sanctorale
Harley MS 4664, ff 9-125 : Breviary
Harley MS 4664, ff 2-8 : Liturgical lections and antiphons for the feast of Corpus Christi
Click here to View / search full list of parts of Harley MS 4664 - Hierarchy:
- 032-002045828[4663]/040-002050507
- Container:
- View / search within Archive / Collection: Harley MS 1-7661
- Record Type (Level):
- File
- Extent:
- 1 volume
- Digitised Content:
- https://iiif.bl.uk/uv/#?manifest=https://bl.digirati.io/iiif/ark:/81055/vdc_100165169061.0x000001
- Thumbnail:
- Languages:
- Anglo-Norman
Latin - Scripts:
- Latin
- Start Date:
- 1245
- End Date:
- 1505
- Date Range:
- c 1250–c 1500
- Era:
- CE
- Access:
-
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- User Conditions:
- Letter of introduction required to view this manuscript
- Physical Characteristics:
-
Materials: Parchment.
Dimensions: Layout 245 x 170 mm (text space: 160/80 x 120/40 mm), two columns.
Foliation: ff. 333 (+ 1 unfoliated paper flyleaf and 1 unfoliated parchment flyleaf at the beginning; + 1 unfoliated paper flyleaf and 1 unfoliated parchment flyleaf at the end ); 1 unfoliated blank ruled parchment leaf after f. 200 (f. 200*); 1 unfoliated parchment stub after f. 132; 1 parchment bookmark on f. 73r.
Script: Gothic, written below the top line.
Binding: British Museum/British Library in-house, rebound in 1964.
- Custodial History:
-
Origin:
England.
Provenance:
Coldingham Priory (a cell of the Benedictine cathedral priory of St Cuthbert, Durham): the manuscript includes many prayers for saints from Northern England (e.g. Cuthbert, Oswin, Bede, Chad, Benedict Biscop), bishops and priors from Durham and Coldingham: e.g. 'herbertus prior de coldyngham' (f. 129r). The Calendar refers to 'Dedicatio altaris sanctis Michaelis in coldingham' (f. 127v) and 'Dedicacio ecclesiae in coldingham' (f. 130r). The Sanctorale refers to 'Apud Coldingham tamen tres lectiones fiant de eis'.
Richard Crosby, monk of Durham Cathedral Priory in the 16th century (until its dissolution in 1540): his name inscribed 'Liber do[mi]ni Richardi Crosby monachi Dun[e]lm[ensis]' (f. 9r); another inscription states that it was given to him by Hugh Whitehead (d. 1551), last prior of Durham, in 1521: 'Liber Dompni Richardi Crosby Monachi Ex Dono Ven[er]abilis Patris Hugonis Whitehede P[ri]oris Dunelm[ensis] Anno d[omi]ni millesimo quingentesimo vitesimo [sic] p[ri]mo' (f. 333r).
Thomas Tempest (d. 1692), 4th baronet, county Durham, in his library: inscribed 'S[i]r Thomas Tempest Baronet' (f. 2r); bequeathed to his daughter, Jane.William Widdrington, 4th baron Widdrington (b. 1678, d. 1743), husband of Jane (d. 1714), disposed of Tempest’s medieval manuscript collection to the Harleian Library after her death (Doyle, ‘Library of Sir Thomas Tempest’, 1984).
The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts.
Edward Harley bequeathed the library to his widow, Henrietta Cavendish, née Holles (b. 1694, d. 1755) during her lifetime and thereafter to their daughter, Margaret Cavendish Bentinck (b. 1715, d.1785), duchess of Portland; the manuscripts were sold by the Countess and the Duchess in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.
- Information About Copies:
-
Select digital coverage available for this manuscript; see the Catalogue of Illuminated Manuscripts, https://bl.uk/catalogues/illuminatedmanuscripts/.
- Publications:
-
A Catalogue of the Harleian Manuscripts in the British Museum, 4 vols (London: Eyre and Strahan, 1808–12), III (1808), no. 4664.
Walter de Gray Birch and Henry Jenner, Early Drawings and Illuminations: An Introduction to the Study of Illustrated Manuscripts (London: Bagster and Sons, 1879), p. 8.
Augustus Hughes-Hughes, Catalogue of Manuscript Music in the British Museum, vol. 1 (London: British Museum, 1906), p. 113.
Georg Graf Vitzthum, Die Pariser Miniaturmalerei von der Zeit des hl. Ludwig bis zu Philipp von Valois und ihr Verhältnis zur Malerei in Nordwesteuropa (Leipzig: Quelle & Meyer, 1907), p. 95.
English Benedictine Kalendars after A. D. 1100, ed. by Francis Wormald, 2 vols, Henry Bradshaw Society, 77, 81 (London: Harrison and Sons, 1934–39), I, 162.
The Monastic Breviary of Hyde Abbey, Winchester: MSS. Rawlinson Liturg. e. 1*, and Gough Liturg. 8, in the Bodleian Library, Oxford, ed. by J. B. L. Tolhurst, Henry Bradshaw Society, 65-80, 6 vols (London: Henry Bradshaw Society, 1932-42), I, pp. v-vi; VI, pp. 20-27, 43-44, 86-90, 96-99, 238.
Medieval Libraries of Great Britain: A List of Surviving Books, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 73.
Manuscripts of Polyphonic Music: 11th – Early 14th Century, ed. by Gilbert Reaney, Répertoire international des sources musicales, BIV 1 (Munich: Henle, 1966), p. 508.
Medieval Libraries of Great Britain: A List of Surviving Books ed. by N. R. Ker, Supplement to the Second Edition, ed. by Andrew G. Watson, Royal Historical Society Guides and Handbooks, 15 (London: The Royal Historical Society, 1987), p. 30.
Nigel Morgan, Early Gothic Manuscripts, 2 vols, A Survey of Manuscripts Illuminated in the British Isles, 4 (London Harvey Miller, 1982-1988), II: 1250-1285, no. 176.
Carl P. E. Springer, The Manuscripts of Sedulius: A Provisional Handlist, Transaction of the American Philosophical Society, 85 (Philadelphia: American Philosophical Society, 1995), p. 148 [on the hymns A Solis Ortus Cardine and Hostis Herodes by Coelius Sedulius (fl. c. 1425 - 1450), Christian poet].
'The Breviary of the Priory of Coldingham, Berwickshire: An electronic copy of London, British Library MS Harley 4664', in CURSUS An Online Resource of Medieval Liturgical Texts, [http://www.cursus.org.uk/ms/coldingham], accessed 5 February 2019.
Richard W. Pfaff, The Liturgy in Medieval England: A History (Cambridge: University Press, 2009), pp. 223-24.
Stephen Mark Holmes, ‘Catalogue of Liturgical Books and Fragments in Scotland before 1650’, The Innes Review, 62 (2011), 127-212 (no. 32).
Seb Falk, The Light Ages: A Medieval Journey of Discovery ([London]: Lane/Penguin Books, 2020), pp 200-201, pl. 5.10
Seb Falk, 'New Moon - No Astrolabe!', Blog on personal website, published 17 May 2020 [accessed 5 January 2020].
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Related Material:
-
Description from Augustus Hughes-Hughes, Catalogue of Manuscript Music in the British Museum, vol. 1 (London: British Museum, 1906), p. 113:
'f. 182b. The Hymn ‘Nunc sancte nobis Spiritus‘ (In principalibus festis), set as a double Canon. ‘Written on 2 staves of 4 red lines.'