Lansdowne MS 462

ff. 1b, 151b, 152. Tenor, or contra-tenor, part of the following fragments of Masses, which were probably harmonized for 4 voices: — 1-7. ‘Sanctus’ and ‘Benedictus.’ Seven settings, f. 1b. 8-16. ‘Kyrie.’ Nine settings, including single ones for Feriæ ii-vi, two for Sunday, and two for days not specified, the latter of the two — the last on the page — being apparently by ‘Martyn.’ f. 151b. 17. Another ‘Kyrie,’ for Saturday. ‘Lyonel’ Power (?). f. 152. 18. Another, for Sunday. John ‘Dunstaple.’ f. 152. 19. ‘Sanctus’ and ‘Benedictus,’ in a rather later hand, at the end of which is written ‘q d h.’ f. 152.

f. 152. Alto part of a ‘Magnificat,’ beg. ‘Exultauit spiritus meus in deo salutari meo.’ A composition by [John] Dunstaple, i.e. Dunstable, immediately precedes it. Forms the fly-leaf at the end of a 15th-century Sarum Gradual.

ff. 1b, 152b. The tenor, or contra-tenor, parts of the following antiphons, etc., probably written for 4 voices: — 1. ‘[Asperges me,] Domine.’ f. 1b. 2-5. ‘Stella celi,’ ‘O gloriosa stella maris,’ ‘Salua nos, Jhesu,’ and ‘[Vidi aquam] egredientem de templo.’ f. 152b.