Add MS 34803

passim. Collection of Songs, etc., most of them with pianoforte accompaniment, in score, by J[ohn] Lodge-Ellerton; 1820-1824, etc.. Autograph. Nos. 6, 8-10, 25 and 29 are published. 1. 'Thou canst not know the gen'rous mind ' (1820); with accompaniments for flutes, clarinets, horns, violins, tenor and bass. f. 2. 2. 'Θελω λεγειν Ατρειδας' Dedicated to the Hon. Alfred Curzon. f. 5b. 3. 'Caro, son tua'; with accompaniments as in no. 1. f. 6b. 4. 'One struggle more' (1822). f. 15. 5. 'Flow, ye tears of sorrow' (1822). f. 17. 6. 'Tis sweet to hear at midnight' (1820). Dedicated to Lady Belfast. f. 18. 7. 'Maid of Athens' (1822). Dedicated to Archer Clive. f. 19. 8. 'Away, away, ye notes of woe' (1822). f. 20b. 9. 'I saw thee weep ' (1822). f. 21b. 10. 'There be none of beauty's daughters' (1822). Dedicated to the Hon. William Wingfield. f. 22b. 11. 'Farewell, if ever fondest prayer' (1822). Dedicated to Rev. Charles Douglas Beckford. f. 25. 12. 'From Chindara's warbling fount,' begins with a recitative 'And now a spirit form'd, 'twould seem.' f. 26b. 13. 'Nay, smile not at my sullen brow': Romance. Dedicated to C. S. Croker, 1823. f. 32. 14. 'Whene'er I see those smiling eyes' (1823). Dedicated to Edward Bligh. f. 41. 15. 'Has sorrow thy young days shaded' (1828). f. 42b. 16. 'Non so donde viene' (1823). Dedicated to Count Ferdinand de Galen, f. 44. 17. 'They fell devoted but undying' (1823). Composed for Miss Whitby, f. 46. 18. 'Va, più non dirmi infida' (1823): Canzonet composed for Lady Hodson. f. 47. 19. 'My soul is dark' (1823). f. 48. 20. 'Crudele mi chiami': Aria. (1823). f. 49b. 21. 'Misera tu non sei' (1823). f. 50b. 22. 'There's a bliss beyond all' (1823). f. 51b. 23. 'In many a strain of grief and joy' (1823). f. 53b. 24. 'Oh sigh not thus' (1824). f. 57b. 25. 'Adieu, adieu, my native shore' (1824). f. 58b. 26. 'Farewell, farewell to thee, Araby's daughter.' f. 60. 27. 'She walks in beauty' (1824). f. 60b. 28. 'When we two parted' (1824). f. 61b. 29. 'In vain my lyre would lightly breathe.' Unfinished, f. 62b. 30. 'Tell me not of joys above ' (1824). f. 63b. 31. 'I'll turn through many a future year.' f. 64. 32. ''Tis silent all.' f. 65b. 33. 'Gainst thine enchanting eyes' (1827). f. 66b.

ff. 8-55 passim. Italian Duets with pianoforte accompaniment, by John Lodge Ellerton; 1822-1823. Autograph. 1. 'Cantata' (Daliso and Silvia), begins 'Vorrei un zeffiretto.' The words by Zappi. f. 8. 2. 'Oh cara selve' (sic). f. 16. 3. 'Mentre dormi amor.' f. 31. 4. 'Pensa che sei crudel.' f. 37. 5. 'Non so frenare il pianto.' f. 38. 6. 'lo ti lascio, e questo addio.' f. 39. 7. 'Quel labro adorata' (sic). f. 40. 8. 'Dal tuo gentil sembiante.' 'Dedicated to the Miss Lushingtons.' f. 55.

f. 11b. 'Now in the glowing west'; with pianoforte accompaniment. By John Lodge-Ellerton; 1822. Autograph. Described as 'Dance of the Vintage. From the French.'

ff. 33b, 67. Glees for 4 voices, by John Lodge Ellerton; 1822. Autograph. 1. 'Wreath[e] the bowl with flowers of soul.' In score. '1822.' f. 33b. 2. 'Far in the chambers of the west': apparently a glee for soprano, two tenors and bass. In parts. f. 67.

f. 65b. Canon for alto, tenor and bass, but without words, by John Lodge Ellerton; 1824 (?) (see f. 63b). Autograph.

f. 75. 'Orgel-Stücke, no. 5' (Allegretto pastorale), by Charles Henry Nottingham; before 1863. Written on three staves.

f. 79. 'Ave, verum Corpus'; for tenor voice, with accompaniments for oboes, clarinets, bassoons, horns, violins, violas, violoncello, and bass, in full score, by E[douard] Silas; mid. 19th cent. Dedicated to T. Swift.

ff. 86-93. Scena, 'Oh Dio! Se in questo istante'; apparently from an Opera, with accompaniments for horns, oboes, bassoons, 2 violins, viola, violoncellos, and basses, in score, by Karl Friedrich Zelter; 18th-19th cent.