Add MS 35001

ff. 1-14. Fragments from Masses, in score, apparently all by Samuel Wesley, in whose hand they are written; 1812, etc. 1. ‘Agnus Dei’ in D, for 2 and 4 voices. ‘1812.’ f. 1. 2. ‘Missa de Sanctissima Trinitate. Tono Quinto,’ consisting of ‘Kyrie,’ ‘Gloria,’ and ‘Credo’ in D, for 4 voices, with figured bass for the organ. f. 3. 3. ‘Missa,’ consisting of very short ‘Kyrie,’ ‘Gloria,’ and ‘Hosanna in Excelsis,’ for 3 voices, with the plainsong for the priest, f. 13.

ff. 15-41b. Sacred Latin compositions by Samuel Wesley; 1786-1798. 1. Hymn, ‘Ave, Maris Stella.’ ‘1786.’ For two voices, with accompaniments for strings, in score, ff. 15-36b. 2. Antiphon, ‘Deus Majestatis intonuit‘; about 1798 (watermark). First and second alto, tenor, and violin parts, ff. 38-41b.

f. 37. ‘Collaudate Dominum Deum, omnes popu[li]‘: beginning of a Canon for 3 voices, in the hand, and probably the composition, of Samuel Wesley; early 19th cent.

ff. 42-154. Antiphons, etc., in Latin, by Samuel Wesley; about 1801-1825. Autograph. 1. Alto part of the Prose, ‘Ecce, panis angelorum.’ About 1801 (watermark), f. 42. 2. ‘Dixit Dominus.’ Alto, tenor, and bass parts. About 1808 (watermark). f. 43. 3. ‘Exultate Deo.’ It consists of parts for organ (?), 2 cantos, alto, tenor, bass, 2 horns, 2 oboes, bassoon, 2 trumpets, 4 trombones, 2 violins (no. 1, F. Cramer), 2 violas, a violon- cello or double bass, and a drum. About 1810 (watermark), ff . 49-85b. Nos. 4-21 form part of a series of Latin Antiphons, etc., for the ecclesiastical year, written about 1824 (watermark), for 3 or 4 voices, with organ accompaniment. The first two are lost. 4. ‘Notum fecit Dominus’ (à 3). Wants the beginning, f . 86. 5. ‘Dies sanctificatus illuxit nobis.’ f. 87. 6. ‘Tui sunt cœli.’ Beginning and end only. f. 89. 7. ‘Viderunt omnes fines terræ.’ f. 90b. 8. ‘Hodie Christus natus est.’ f. 92. 9. ‘O admirabile Commercium.’ f. 95b. 10. ‘O magnum Mysterium’; with second part, ‘Beata Virgo’; and third part, ‘Ave, Maria, gratia plena.’ ff. 100, 103, 104. 11. ‘Ecce, advenit Dominator.’ f. 105. 12. ‘Regis (sc. Reges) Tharsis et Insulæ.’ f. 107b. 13. ‘Vidimus Stellam.’ f. 111. 14. ‘Ab ortu Solis‘; with second part, ‘Venite, comedite.’ A leaf is wanting near the end. ff. 113b, 118. 15. ‘Surge, illuminare, Jerusalem.’ The end is wanting, f. 121. 16. ‘[Alle]luja! Cognoverunt discipuli.’ The beginning is wanting, f. 122. 17. ‘Ego sum panis vivus.’ f. 126. 18. ‘O quam suavis est, Domine.’ f. 128b. 19. Hymn, ‘Jesu, nostra Redemptio.’ f. 133. 20. ‘Versus 3 de Psalmo cxxxvi,’ beg. 'Quia illic interrogaverunt.’ f. 139. 21. ‘Quotiescumque manducabitis.’ f. 139b. 22. ‘Magna opera Domini’; with accompaniments for bassoons, etc., in score. About 1825 (watermark), f. 145. 23. ‘Regina, salue, mater misericordiæ.’ First treble and tenor parts, (The Canto (2nd choir) and principal alto and bass parts can be found in Ad MS 35005, ff. 11. 22.) ff . 148, 152.

f. 42b. Fragment (apparently the last movement) of a violin concerto in D, in the hand of Samuel Wesley, whose composition it probably is; about 1801 (watermark). Consists of parts for 2 instruments written in the tenor clef, in score.

ff. 92, 111. Two antiphons, for 4 voices, with organ accompaniment, in score, by Samuel Wesley, sc; about 1804 (watermark). (1) ‘Hodie Christus natus est.’ f. 92; — (2) ‘Vidimus stellam.’ f. 111. Autograph.