Add MS 35038

f. 2 Letters from Charles Wesley to R. Glenn: circ. 1806, 1828

ff. 4, 5. Melody, with bass, in score, of the following Services; 1822:— 1. Evening Service in D (preceded by the last few bars of a morning Service). Anonymous. f. 4. 2. Te Deum and Jubilate in F. '[Charles] King, 1822.' In the hand of S. S. Wesley, ff. 5-8b.

ff. 9-11. Melody, with figured bass, in score, of the following Chants, of which the first ten are in the hand of S. S. Wesley; 1822. Nos. 1-9 are double, the rest single. 1. In A. ‘Dupuis.’ f. 9. 2. In D minor. Anonymous, f. 9. 3. In E flat. ‘J.Robinson.’ f. 9. 4. In E flat. ‘Dr. Dupuis.’ f. 9b. 5. In E flat. ‘Revd [Phocion] Henley.’ f. 9b. 6. In C minor. ‘Battishill.’ f. 9b. 7. In E. By the same. f. 10. 8. In E flat. ‘Becwith.’ f. 10. 9. In A. ‘Attwood.’ f. 10. 10. In G minor. ‘Purcell.’ f. 10. 11. In D, composed for Jos. Smith, by 'C. W[esley],’ in 1814. Autograph. f. 11.

ff. 11-43b. Anthems, with (in most cases) figured basses and occasionally full accompaniments for the organ, in the hand of Charles Wesley, unless the contrary is stated; 1814-1820. 1. "Almighty God, Who hast given thine only Son," for 4 voices, " composed for Joseph Smith . . . 1814." " Ch. Wesley." f. 11. 2. "Who is that blest of Heaven," solo and duet, composed by "C. W[esley]." "London, February 13th, 1815, for . . , R. Glenn." f . 15. 3. "Great God, when on a guilty land," solo and duet. By the same. f. 21. 4. "Bitter is the orphan's tear," solo and 2-part chorus, written for R. Glenn. By the same. " 1816." f. 26. 5. "Hither all that glads the mind," solo and 2-part chorus. By the same. "London, Feb. 16th, 1817." f.28. 6. "Behold, I bring you," solo and chorus. By the same. " December 27th, 1820." f. 31. 7. "I will magnify thee, God," solo, duet and 2-part chorus, "composed by [?for] Mr. Glenn." By the same (?). f. 33. 8. "Shout, Sons of Heav'n," semi- chorus, composed for Christ's Hospital, by "Samuel Wesley" [in 1834]. Autograph, f. 37. 9. "Welcome the glorious morn," solo with chorus apparently in unison. By Dr. Worgan. f. 41. 10. "Hallelujah," final chorus of an anthem, "from the compositions of Corelli." f. 43b.

f. 44. 'The Lord my Pasture shall prepare'; with figured bass (partly expanded), for organ, by C[harles] W[esley]; 1802. Autograph.

f. 44b. ‘Haste thee, O Lord, make haste with speed‘: round for 3 voices, in score, by Thomas Ford, 1650; late 18th cent.

f. 45. 'Hic Jacet in Tumba Rosa mundi': puzzle-canon, in 3 parts; late 18th cent. [By Charles Wesley.] Autograph.

f. 46. 'At Charlotte's Tomb': short ode for 2 voices with pianoforte accompaniment, in score, on Queen Charlotte (d. 1818), by Charles Wesley, 'organist in ordinary to His Majesty.'; abot 1818.

ff. 51-60b. Songs by Charles and Samuel Wesley, with pianoforte accompaniment, in score; about 1816-1823 (watermarks). 1. 'Aria nel Opera 'Dandino' translated into English for Sigr Landigini (Inglessina) — (musica del Signor Carlini)': a pseudo-operatic song begins 'Handy Spandy, Jacky Dandy.' By Charles Wesley. Autograph and copy. ff. 51, 55. 2. 'Hark! His hands the lyre explore.' 'S. Wesley.' Autograph. Words from Gray's [1779], f. 57. 3. 'This is the house that Jack built.' Composed by the same 'on the occasion of the O[ld] P[rices] riots' [1809]. Copy. f. 59.

f. 61. 'Beneath yon grassy Hillock'; for 3 voices, in score, in the hand of Samuel Wesley, whose initials are at the end, with the date, 1818; 1818.

ff. 63, 64. Two short pieces for the Pianoforte, by S. Wesley; 1816, 1834. Autograph. 1. 'The Duke of Wellington's Return,' 4 July, 1816. f. 63. 2. Movement in G (2/4 time). Composed for Mr. Glenn, 1834. f. 64.