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Royal MS 11 E XI
- Record Id:
- 040-002106615
- Hierarchy Root Ancestor Record Id:
- 032-002105724
- MDARK:
- ark:/81055/vdc_100000000277.0x000206
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Royal MS 11 E XI
- Title:
-
Magister Sampson, Benedictus de Opitiis and others, Motets
- Scope & Content:
-
The manuscript includes a collection of motets by a 'Magister Sampson', formerly believed to be bishop of Chichester 1536 and of Coventry and Lichfield 1543-1554, but now thought to be a composer from the Netherlands, and by Benedictus de Opitiis, preceded by a hymn in honour of Henry VIII, with musical notation. The choirbook was produced in 1516 by Petrus de Opitiis of Antwerp for King Henry VIII.
Contents:
1. Elegiac poem in honour of Henry VIII and the union of York and Lancaster, perhaps composed by Johannes de Opitiis (see Bell and Skinner 2009), incipit: 'Psallite, felices, protecti culmine rose' (f. 2r);
2. 'Canon fuga in dyatessaron': a quatrain consisting of the above poem and two more lines, inscribed, with music, on two circular staves (bassus and contratenor) enclosing roses (ff. 2v-3r);
3. Elegiac poem in honour of Henry VIII (see item 1) with music, by 'Magister Sampson' ('M. Sampson' inscribed on f. 3v) (ff. 3v-9r);
4. Benedictus de Opitiis, Motet to the Virgin, incipit: 'Sub tuum presidium' ('B Opitis' inscribed on f. 10v). Printed by Jan de Gheet (Antwerp, 1515) as Een loefliken nyeuwen sanck met noten te singen oft aldus te lesen die gemaect is tot glorien ende tot loue der glorioser ioncfrouwen moeder ende mager Marien (ff. 10v-11r);
5. Motets attributed to 'Magister Sampson' ('Sampson' inscribed on f. 11v): a) incipit: 'Quarn pulcra es, amica mea' (ff. 11v-13r); b) incipit: 'Hec est preclarum vas paracliti' (ff. 13v-14r); c) incipit: 'Sancta Maria, clemens et pia' (ff. 14v-15r); d) incipit: 'Beati omnes qui timent' (ff. 15v-16r); e) incipit: 'Ecce sic benedicetur' (ff. 16v-17r).
Decoration:
A full-page an allegorical miniature of a bush of the Tudor rose incorporating a Latin poem celebrating the house of Tudor, entwined with a scroll reading 'Salve, radix varios producens germine ramos, / Quos inter ramus supereminet altior unus' (Hail, Root, bringing forth varying branches from the bud, Among which one branch rises above). At the base of the bush are daisies for Henry VIII's sister Margaret of Scotland, and marigolds for his other sister, Mary of France, and nearby there is a pomegranate bush for his wife, Katherine of Aragon. They are all enclosed within a walled garden with towers surmounted by banners bearing the royal arms of England, St George's Cross, and the arms of Castile. At the front is a gateway with a portcullis, the badge of Henry VII’s mother’s house of Beaufort. It is guarded by a lion, emblem of England, and flanked by a red dragon, emblem of Tudor, and a white greyhound, emblem of Beaufort, and inscribed with words 'salve felix Anglia' (hail happy England) (f. 2r). 2 miniatures in colours and gold of red roses surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3r). A historiated initial 'S'(ub) in colours and gold of the Virgin and Child, at the beginning of a motet to the Virgin (f. 10v). Illuminated initials in gold on coloured grounds, some with red roses. Calligraphic initials.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Royal Collection
Royal Manuscripts Digitisation Project - Hierarchy Record Ids:
- 032-002105724
040-002106615 - Is part of:
- Royal MS 1 A I-20 E X : Royal Manuscripts
Royal MS 11 E XI : Magister Sampson, Benedictus de Opitiis and others, Motets - Hierarchy:
- 032-002105724[0844]/040-002106615
- Container:
- View / search within Archive / Collection: Royal MS 1 A I-20 E X
- Record Type (Level):
- File
- Extent:
-
17 folios.
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Royal_MS_11_E_XI (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1511
- End Date:
- 1521
- Date Range:
- c 1516
- Era:
- CE
- Access:
- Restrictions to access apply please consult British Library staff
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- User Conditions:
- Letter of introduction required to view this manuscript.
- Physical Characteristics:
-
Materials: Parchment codex.
Dimensions: 495 x 345 mm (text space: 390 x 260 mm).
Foliation: ff. ii + 17 + ii (all unfoliated flyleaves are modern paper leaves, f. 1 is a medieval parchment flyleaf).
Collation: i8+1 (ff. 1-9); ii8 (ff. 10-17).
Layout: Written in one column on staves, except f. 2r: written in two columns, and ff. 2v-3r: written on circular staves.
Script: Gothic hybrid.
Binding: Post-1600. Royal Library parchment binding with the royal arms and a date of 1757.
- Custodial History:
-
Origin: Southern Netherlands (Antwerp).
Provenance:
Petrus de Opitiis, Flemish merchant of Italian origin, prepared under his supervision for Henry VIII: inscribed 'Me fieri et componi fecit P. O. 1516' (f. 1v); includes a motet by his son, Benedictus de Opitiis, mentioned in royal accounts as 'player at organs' of the king in 1516-1522 (see Backhouse 1993).
Henry VIII (b. 1491, d. 1547), king of England and Ireland, presented to him: allegorical miniature of the Tudor rose incorporating a Latin poem celebrating the House of Tudor, with banners of the royal arms of England, St George and Castile and Leon, with a pomegranate plant for his wife, Katherine of Aragon (b. 1485, d. 1536), daisies for his sister, Margaret of Scotland, and marigolds for his sister, Mary of France (f. 2r).
Presented to the British Museum by George II in 1757 as part of the Old Royal Library.
- Information About Copies:
-
Digitised copy available on British Library Digitised Manuscripts: http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Royal_MS_11_E_XI
- Publications:
-
George F. Warner and Julius P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King’s Collections, 4 vols (London: British Museum, 1921), I, p. 260.
Anglo-Flemish Art under the Tudors: An Exhibition held in the Department of Prints and Drawings (London: British Museum, 1954), no. 25.
A. Dunning, Die Staatsmotette 1480-1555 (Utrecht, 1970), pp. 122-23.
Andrew G. Watson, Catalogue of Dated and Datable Manuscripts c. 700-1600 in The Department of Manuscripts: The British Library, 2 vols (London: British Library, 1979), I, no. 887.
Arthur Searle, Music Manuscripts (London: British Library, 1987), pp. 2-3.
Arthur Searle, A Canon in Honour of Henry VIII, A.D. 1516 (London: Pleiades Folios, 1990) [facsimile].
Janet Backhouse, 'A Salute to the Tudor Rose', in Miscellanea Martin Wittek: Album de codicologie et de paléographie offert à Martin Wittek, ed. by Anny Raman and Eugène Manning (Louvain: Peeters, 1993), pp. 1-13 (pp. 1-13, figs. 1, 2).
Janet Backhouse, The Illuminated Page: Ten Centuries of Manuscript Painting in the British Library (Toronto: University of Toronto Press, 1997), no. 206.
Scot McKendrick, Flemish Illuminated Manuscripts 1400-1550 (London: British Library, 2003), pl. 111.
James P. Carley, The Books of King Henry VIII and His Wives, preface by David Starkey (London: British Library, 2004), pl. 104.
James Roland Braithwaite, 'The Introduction of Franco-Netherlandish Manuscripts to Early Tudor England: The Motet Repertory', (unpublished doctoral thesis, Boston University 1967), I, xxi, 30, 57-9, passim.
Anna Parsons and Nick Sandon, The Crowned Rose: Motets for Henry VIII from London, British Library, Royal MS 11 E. XI (Moretonhampstead: Antico Edition, 2005).
Theodor Dumitrescu, 'Constructing a Canonic Pitch Spiral: The Case of Salve radix', in Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History, ed. by Katelijne Schiltz and Bonnie J. Blackburn (Leuven: Peeters, 2007), pp.141-70 (pp. 141-45, 163-64).
Theodor Dumitrescu, The Early Tudor Court and International Musical Relations (Aldershot: Ashgate, 2007), pp. 129-47.
Joe Flatman, Ships and Shipping in Medieval Manuscripts (London: British Library, 2009), pl. 4.
Henry VIII: Man and Monarch, ed. by Susan Doran (London: British Library, 2009), no. 98 [exhibition catalogue].
Music for King Henry: BL Royal MS II E XI, ed. by David Skinner, with commentary by Nicolas Bell, 2 vols. (London: The Folio Society, 2009) [facsimile].
Scot McKendrick, John Lowden, and Kathleen Doyle, Royal Manuscripts: The Genius of Illumination (London: British Library, 2011), no. 154 [exhibition catalogue].
- Exhibitions:
- Les Vrais Tudors, Musee du Luxembourg, Paris, 16 March 2015 - 19 July 2015
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Notes:
- Henry VIII's Choir Book, 1516. Exhibited: Les Vrais Tudors, Musee du Luxembourg, Paris, 16 March 2015 - 19 July 2015
- Names:
- George II, King of Great Britain and Ireland, 1683-1760
Henry VIII, King of England and Ireland, 1491-1547,
see also http://isni.org/isni/0000000122586127
Opitiis, Benedictus, organist and composer, c 1476-1524
Opitiis, Petrus, Italian merchant in Antwerp, fl 1516 - Subjects:
- Canons
Motets