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Royal MS 14 C III
- Record Id:
- 040-002106984
- Hierarchy Root Ancestor Record Id:
- 032-002105724
- MDARK:
- ark:/81055/vdc_100000000338.0x000087
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Royal MS 14 C III
- Title:
- Eusebius of Caesarea, Chronici canones (translated by Jerome)
- Scope & Content:
-
Eusebius of Caesarea, Chronici canones in the Latin version of Jerome, including: Jerome, prologue, incipit: 'Eusebius Hieronymus Vincentio et Galieno suis salutem. Vetus iste disertorum mos fuit' (ff. 2r-3v); Eusebius, preface, incipit: 'Mosen gentis Hebraeae qui primus' (ff. 4r-6r); text, incipit: 'Incipiunt tempora totius saeculi'.
The manuscript was written by Bartolomeo Sanvito of Padua (b. c. 1435, d. 1512), and decorated probably by Gaspare da Padova, the painter of the Homer's Iliad, Vatican, Biblioteca Apostolica Vativana, MS Vat. Gr. 1626, commissioned by cardinal Francesco Gonzaga and left unfinished by his death. (Payment was claimed by Gaspare in letters to the cardinal's executors, see: Alexander, The Painted Page (1994), p. 104). Both Bartolomeo Sanvito and Gaspare Gonzaga were members of the household of Cardinal Francesco Gonzaga from the 1460s to the cardinal's death in 1483.The manuscript is one of four known volumes that Sanvito wrote for Bernardo Bembo, the father of cardinal Pietro Bembo, and Sanvito's close friend (see Renaissance Painting, ed. by Kren (1983), p. 103).
Decoration:
2 miniatures in colours and gold: Jerome reading, with a full architectural border composed of two columns (inspired by Trajan's column in Rome), and putti playing with a mask, in the lower margin (f. 2r); Nativity with an inscription reading: 'Ihesus Christus filius dei in Betleem iudae nascitur' (f. 119v).
1 full page coloured-ink drawing of a stele with an inscription beginning: 'Adiuro te quicunque hos descripseris' (f. 17r).
1 large coloured-ink drawing of a cartouche (f. 138r).
22 smaller coloured-ink drawings of cartouches with inscriptions in gold (ff. 37r, 49r, 58v, 59v, 60r, 64v, 74v, 76r, 77v, 78r, 79v, 80r, 84v, 90v, 91v, 92v, 94r, 101v, 102, 104r, 114v, 117r).
Arcades in coloured ink over the headings at the top of each page (ff. 17v-150r).
Faceted initials in gold and colours with rubrics in a two, three, four, or five-colour alternating sequence of gold, blue, green, red and purple (ff. 4r, 6r, 8r, 9v).
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Royal Collection
- Hierarchy Record Ids:
- 032-002105724
040-002106984 - Is part of:
- Royal MS 1 A I-20 E X : Royal Manuscripts
Royal MS 14 C III : Eusebius of Caesarea, Chronici canones (translated by Jerome) - Hierarchy:
- 032-002105724[1188]/040-002106984
- Container:
- View / search within Archive / Collection: Royal MS 1 A I-20 E X
- Record Type (Level):
- File
- Extent:
-
Parchment codex
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Royal_MS_14_C_III (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Latin
- Scripts:
- Latin
- Start Date:
- 1485
- End Date:
- 1488
- Date Range:
- 1485-1488
- Era:
- CE
- Access:
-
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- User Conditions:
- Letter of introduction required to view this manuscript.
- Physical Characteristics:
-
Materials: Parchment.
Dimensions: 330 x 230 mm (text space: 200 x 145 mm).
Foliation: ff. 150 (+ 2 unfoliated parchment leaves pasted onto modern paper flyleaves: 1 at the beginning and 1 at the end; and 1 unfoliated parchment leaf after f. 150; f. 1 is a former parchment pastedown).
Collation: i10+1 (ff. 1-11; f. 1 is an added leaf); ii-xiv10 (ff. 12-141); xv10 (ff. 142-150 + 1 unfoliated leaf at the end); quire signatures (A-P); and bifolium signatures (a quire-signature letter followed by a number).
Script: Humanistic cursive. Written by Bartolomeo Sanvito.
Binding: Post-1600. Royal Library brown-leather binding; gilt edges.
- Custodial History:
-
Origin: Italy, Central (Rome).
Provenance:
Bernardo Bembo (b. 1433, d. 1519), humanist, governor successively of Ravenna, Bergamo, and Verona, and diplomat for the Venetian Republic: his arms (f. 2r); perhaps commissioned by him during one of his diplomatic journeys to Rome in 1485 or 1487 (November)-1488 (October), and written for him by Bartolomeo Sanvito of Padua (b. c. 1435, d. 1512), a notary and calligrapher active at Padua and Rome, and Bembo's close friend.
Presented to the British Museum by George II in 1757 as part of the Old Royal Library.
- Administrative Context:
- Italy, Central (Rome).
- Information About Copies:
-
Full digital coverage available for this manuscript, see Digitised Manuscripts http://www.bl.uk/manuscripts/.
Select digital coverage available for this manuscript, see Catalogue of Illuminated Manuscripts http://www.bl.uk/catalogues/illuminatedmanuscripts/welcome.htm.
- Publications:
-
George F. Warner and Julius P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King’s Collections, 4 vols (London: British Museum, 1921), II, p. 133.
J. Wardrop, The Script of Humanism: Some aspects of humanistic script, 1460-1560 (Oxford: Clarendon Press, 1963), pp. 24, 25, 29, 51.
Cecil H. Clough, 'Pietro Bembo's Library Represented in the British Museum', The British Museum Quarterly, 30 (1966), 3-17 (p. 15, n. 29).
[Derek Howard Turner], Illuminated Manuscripts exhibited in the Grenville Library (London, British Museum, 1967), no. 61.
G. Robertson, Giovanni Bellini (Oxford; Clarendon Press), pl. 36.
Jonathan J.G. Alexander and Albina C. de la Mare, The Italian Manuscripts in the Library of Major J.R. Abbey (London: Faber and Faber, 1969), pp. 104-10.
Jonathan J.G. Alexander, Italian Renaissance Illuminations (London: Chatto and Windus, 1977), pp. 64-67.
Dorothy Mahoney, The Craft of Calligraphy (London: Pelham Books, 1981), pl. on p. 82.
Renaissance Painting in Manuscripts: Treasures from the British Library, ed. by Thomas Kren (New York: Hudson Hills Press, 1983), no. 13.
Albinia C. de la Mare, 'The Florentine scribes of Cardinal Giovanni of Aragona' in Il libro e il testo, Atti del convegno internazionale, Urbino, 20-23 settembre 1982, ed. by C. Questa and R. Raffaelli (Urbino: Università delgi studi di Urbino, 1984), 245-93 (p. 287).
M.L. Evans, Bartolommeo Sanvito and Antique Motif', The British Library Journal, 11 (1985), 123-30 (pp. 123, 129, n. 1).
Nella Giannetto, Bernardo Bembo umanista e politico veneziano (Florence: Olschki, 1985), pp. 103 n. 50, 283, 294, 352.
Ulrike Bauer-Eberhardt, 'Lauro Padovano und Leonardo Bellini als Maler, Miniatoren und Zeichner', Pantheon: Internationale Jahreszeitschrift für Kunst, 47 (1989), 49-82 (p. 51, no 43).
The Painted Page: Italian Renaissance Book Illumination, 1450-1550, ed. by Jonathan J.G. Alexander (London: Prestel, 1994), pp. 155-56, no. 73.
Janet Backhouse, The Illuminated Page: Ten Centuries of Manuscript Painting in the British Library (Toronto: University of Toronto Press, 1997), no. 183.
Michelle P. Brown and Patricia Lovett, The Historical Source Book for Scribes (London: British Library, 1999), p. 34.
Beatrice Bentivoglio-Ravasio, 'Gaspare da Padova o Padovano', in Dizionario biografico dei miniatori italiani: Secoli IX-XVI, ed. by Milvia Bollati (Milan: Sylvestre Bonnard, 2004), pp. 251-58 (p. 256).
Massimo Danzi, La Biblioteca del Cardinal Pietro Bembo (Geneva: Droz, 2005), pp. 212, 338.
Albina C. de la Mare and Laura Nuvoloni, Bartolomeo Sanvito: The Life and Work of a Renaissance Scribe, ed. by Anthony R.A. Hobson and Christopher de Hamel (Whitsbury: The Handwriting of Italian Humanists, 2009), no. 87 [with additional bibliography].
Antonio Iacobini and Gennaro Toscano, 'More fraeco, more latino: Gaspare da Padova e la miniatura all'antica', in Mantegna a Roma. L'artista davanti all'antico, ed. by T. Calvano, C. Cieri Via and L. Ventura (Rome: Bulzoni, 2010), pp. 125-90 (pp. 178-79).
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Names:
- Bembo, Bernardo, Italian humanist, 1433-1519
Eusebius of Caesarea, Bishop of Caesarea in Palestine, c 263-c 340,
see also http://isni.org/isni/0000000122758806,
see also http://viaf.org/viaf/4929593
Gaspare da Padova, of Rome, illuminator, fl c 1483-c 1508
George II, King of Great Britain and Ireland, 1683-1760
Jerome, Saint, c 345-420,
see also http://isni.org/isni/0000000123213293,
see also http://viaf.org/viaf/95147024
Sanvito, Bartolomeo, notary and scribe, b 1435 d 1512 - Related Material:
- Extract from Warner and Gilson Catalogue (1921): 'INTERPRETATIO Eusebii Caesariensis edita per beatum Hieronymum': the Chronica of Eusebius of Caesarea in the Latin version of S. Jerome. Jerome's prologue beg. 'Vetus iste disertorum mos fuit'; Eusebius' preface, 'Mosen gentis Hebraeae qui primus'; text, 'Incipiunt tempora totius saeculi'. Printed by Migne, Patr. Lat. xxvii. 33. The ethnographical passage preceding the tables is different from that in the printed text .(ib.. 71-76), and includes (f. 9 b) a 'Dimensuratio provinciarum', beg. 'India ulterior finitur', and ending, 'Britannia in longitudine milia passuum DCCC, in latitudine ccc'. The 'Regum series' begins on f. 11, the 'Chronici canones' on f. 17, Jerome's continuation on f. 138, and that of Prosper on f. 144; ends as usual at A.D. 445, 'Valentiniano vi et Nonio coss.'
Vellum; ff. 150. 1 ft. 11/8 in. x 91/8 in. Early XVI cent Gatherings of 10 leaves, lettered at the end. Very neatly and carefully written, with inks of different colours for the several columns, and tasteful ornamental designs. On f. 2, the title and opening Enes, with a miniature of S. Jerome, are enclosed between two fine representations in mat gold of Trajan's column, connected by an arch; at the top and between the bases of the columns are putti, one of whom is frightening his fellows with a large mask; and in panels on the bases are the arms of Bembo (az. a chevron betw. three roses or), within a bordure of the arms of Medici. This handsome page has suffered to some extent from rubbing and oxidization. The arms point to the MS. having been executed for Pietro Bembo (Cardinal 1538) at the time when he was attached to Giuliano dd Medici or Pope Leo X (1512-1521). On f. 17 is another full-page Renaissance design, enclosing an appeal, in gold rustic capitals, to future copyists to collate their transcripts carefully; and on f. 119 b is a small miniature of the Nativity. For the two miniatures see pl. 82,. Not identified in the old catalogues.'