Hard-coded id of currently selected item: . JSON version of its record is available from Blacklight on e.g. ??
Metadata associated with selected item should appear here...
Royal MS 19 B XV
- Record Id:
- 040-002107607
- Hierarchy Root Ancestor Record Id:
- 032-002105724
- MDARK:
- ark:/81055/vdc_100000000338.0x000361
- LARK:
- SLARK:
- Format:
- ISAD(G)
- Reference (shelfmark):
- Royal MS 19 B XV
- Title:
- Apocalypse ('The Queen Mary Apocalypse')
- Scope & Content:
-
The Apocalypse in Anglo-Norman with commentary and with the prologue of Gilbert de la Porrée translated into Anglo-Norman.
The illuminations include 73 miniatures in colours and gold, the subjects of which are as follows:
f. 1r, Paul preaching.
f. 1v, John and representatives of the churches.
f. 2r, The Son of Man between the seven candlesticks, with John at the left.
f. 2v, John asleep among rabbits; an angel issuing from a cloud touches his shoulder.
f. 3r, John seated, writing; an angel stands behind his desk.
f. 5v, John mounts a ladder to the opened doors of heaven; an angel takes him by the wrist.
f. 6r, In a mandorla between the four beasts, Christ in Majesty between seven small candlesticks, gold diapered background: on the left, John and the angel. Below, the 24 elders, seated and crowned.
f. 7v (top), In a mandorla between the four beasts, God enthroned, with a book in His left hand: below, the elders cast down their crowns.
f. 7v (bottom), On the left in a mandorla, God enthroned, in His right hand the book with seals; in centre the angel; on the right, John and the elder.
f. 8r, Above, in centre, in a mandorla, God enthroned; the Lamb is shown both in a medallion on the left, with seven horns and eyes, and passing over to the mandorla to touch the book: below, the elders with harps and vials: the beast, in the corners.
f. 9r, Above, in a mandorla between four groups of six angels, God enthroned: below, two groups of fourteen kneeling figures: the beasts in the corners.
f. 9v (top), John on the left; the rider on the white horse: in a semicircle above, the man.
f. 9v (bottom), John on the left; the rider on the red horse; on the right, men killing one another; above, the lion.
f. 10r, John on the left; the rider on the black horse; above, the calf.
f. 10v, Issuing from the mouth of hell, the rider on the pale horse; John on the right; above, the eagle.
f. 11r, John on the left; five souls, the first two being given robes by two angels on the right, the last three kneeling.
f. 11v, John on the left; the earthquake, with fallen stars and ruins scattered over a hill. Through holes in the hill appear the dead.
f. 12r, John on the left; in the centre a mandorla, enclosing a ship on the sea, between four angels holding the winds; on the right, the fifth angel.
f. 12v, Above, in the centre, in a mandorla between the four beasts, God enthroned with the Lamb in His right hand and the book in His left; below, three rows of adoring angels: the multitude with palms in a fourth row below.
f. 13r, John and the elder, who wears a crown.
f. 13v, On the left, in a medallion above, God the Father: below, an altar, and on the right, angels with trumpets and censer and pouring the fire on the earth.
f. 14r, The first angel blows a trumpet; the first vision (fire from the heavens fall upon the earth).
f. 14v, The second angel blows a trumpet; the second vision (the sea being poisoned as a fiery mountain is cast into the sea).
f. 15r (top), The third angel blows a trumpet; the third vision (a star falling from heaven).
f. 15r (bottom), The fourth angel blows a trumpet; the fourth vision (part of the sun, moon, and waters smitten,and the eagle).
f. 15v, The fifth angel blows a trumpet; the fifth vision (the opening of the Bottomless Pit).
f. 16r, The sixth angel blows a trumpet; the sixth vision (the loosing of the four angels bound in the River Euphrates).
f. 16v, The horses and their riders.
f. 17r, The angel seated on an arc of cloud, his feet on the sea and land; an inverted rainbow behind his head.
f. 17v, A lion's mouth and on an inverted arc of cloud six heads representing the seven thunders: below, on the left, the angel, and on the right, John about to write in the book.
f. 18r, The angel gives John a flowering reed.
f. 18v, God gives John a measuring rod: the temple on the right.
f. 19r, Two witnesses hold gloves; a king (the beast) seated, with sword: behind him a knight in armour, with arms on shield (gules, three bars or).
f. 20r, In the left margin, the seventh angel with trumpet; the king, seated, gives orders to an executioner who tramples on three blindfolded corpses and is about to behead a fourth victim; on the right, a fifth not yet blindfolded emerges from a door, and two figures at the door point to the executioner and to him.
f. 20v, The woman: from an upright arc of cloud on each side of her issue three heads representing thunders: in the left arc, John; in the right arc, foliated ornament.
f. 21r, The dragon: above, on the right, the woman in bed, and her child being caught up to heaven.
f. 21v, Michael and three angels spear the dragon.
f. 22r, Two angels proclaim salvation.
f. 22v, Above, in an inverted arc of cloud, the woman flying. Below, five men warr with the dragon, armed with spear, cross-bow, axe, sword; one bears a shield of arms (gules, a bend or between two besants).
f. 23r, The beast rises from the sea; the dragon.
f. 23v, Six kneeling figures worship the beast: in front, five corpses of saints mostly in armour, two with shields of arms (gules, a chevron or between three besants, and gules, a fess or between four besants).
f. 24v, The image of the first beast and five worshippers: in the centre, the beast rises from the earth: on the right, an executioner and two victims.
f. 24r, John on the left; the Lamb on the mount, worshippers kneeling on each side.
f. 26r, John on the left; the flying angel and eight kneeling figures.
f. 26v, The second flying angel; the Lamb on the mount and in front an altar with cup surrounded by fire.
f. 27r, John on the left: in centre above, the Son of Man with crown and sickle on an inverted arc of cloud: below, the Son of Man reaps, and an angel emerges from a door.
f. 27v, John on the left; angel with sickle above, angel issues from the altar; below, the wine-press: on the right, the flood comes up to the horse-bridles.
f. 28r, John on the left; above, seven angels with plagues (in vials); below, seven angels with harps.
f. 28v, Lion-headed beast on the left; angels with plagues issuing from the Temple.
f. 29r, John on the left; an angel empties the first vial: men look on.
f. 29v, Second and third vials emptied.
f. 30r, Fourth vial emptied on the sun, which emits red rays upon dying men.
f. 30r, Fifth vial emptied on a throne decorated with lions' heads; men bite their tongues; on the right, the sixth vial emptied into Euphrates.
f. 30v, John on the left; frogs emerge from the mouths of the dragon, the beast, and two false prophets.
f. 31v, An angel empties the seventh vial; above, an angel issues from the Temple; below, Babylon falls in ruins; thunders, and men hidden in the earth.
f. 32r, John on the left; the angel speaks to him from above and points to the whore sitting on the waters; the whore, in dull purple, sits on the beast and holds a cup.
f. 32v, John on the left; the angel on a mound; the whore sits on the waters.
f. 34r, John on the left: the angel above; below, ravens and wild beasts among the ruins of Babylon.
f. 34v, Angel beckons to four figures with gloves issuing from the gate of Babylon.
f. 35v, The angel with the millstone.
f. 36r, Above, in the centre, in a mandorla, God enthroned; on either side and below, worshippers; the beasts in the corners.
f. 37r, The Rider on the white horse and his followers; John above, on the left.
f. 37v, On left, the angel; on the right, in a tree and on the ground the fowls, and a rabbit in a hole.
f. 38r, A king and warriors kneeling; angels smite them from above; in the centre, a beast rises out of the earth and birds devour the slain; on the right, the Rider on the white horse.
f. 38v, Above, the angel with key, below, the dragon chained; in the centre, the locked door, and on the right, three souls look out of the mouth of hell.
f. 39r, Six judges seated; on the right, an angel raises the souls of the slain witnesses.
f. 40r, Above, in the centre, in a mandorla, God enthroned, with the books; on either side worshippers; below, souls in the mouth of hell.
f. 40v (top), An angel on the left; the new heaven and earth (three trees).
f. 40v (bottom), John on the left; the angel on a mound: the new Jerusalem.
f. 41v, John on the left; the angel above points to the walls of the new Jerusalem.
f. 43v, Above, in an inverted arc of rainbow, God the Father, holds the Lamb; below, John on the left; the city and the tree of life; in front, the river.
f. 44v, John on the left, raised by the angel; above, the head of God.
f. 45r, John kneels before Christ.
- Collection Area:
- Western Manuscripts
- Project / Collection:
- Royal Collection
Royal Manuscripts Digitisation Project - Hierarchy Record Ids:
- 032-002105724
040-002107607 - Is part of:
- Royal MS 1 A I-20 E X : Royal Manuscripts
Royal MS 19 B XV : Apocalypse ('The Queen Mary Apocalypse') - Hierarchy:
- 032-002105724[1754]/040-002107607
- Container:
- View / search within Archive / Collection: Royal MS 1 A I-20 E X
- Record Type (Level):
- File
- Extent:
- 1 item
- Digitised Content:
- http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Royal_MS_19_B_XV (digital images currently unavailable)
- Thumbnail:
-

- Languages:
- Anglo-Norman
- Scripts:
- Latin
- Start Date:
- 1300
- End Date:
- 1325
- Date Range:
- first quarter of the 14th century
- Era:
- CE
- Access:
-
Please request the physical items you need using the online collection item request form.
Digitised items can be viewed online by clicking the thumbnail image or digitised content link.
Readers who have registered or renewed their pass since 21 March 2024 can request physical items prior to visiting the Library by completing
this request form.
Please enter the Reference (shelfmark) above on the request form.If your Reader Pass was issued before this date, you will need to visit the Library in London or Yorkshire to renew it before you can request items online. All manuscripts and archives must be consulted at the Library in London.
This catalogue record may describe a collection of items which cannot all be requested together. Please use the hierarchy viewer to navigate to individual items. Some items may be in use or restricted for other reasons. If you would like to check the availability, contact our Reference Services team, quoting the Reference (shelfmark) above.
- User Conditions:
- Letter of introduction required to view this manuscript
- Physical Characteristics:
-
Material: Parchment codex.
Dimensions: 305 x 210 mm (text space: 210 x 130 mm).
Foliation: ff. 45 (+ 3 unfoliated modern parchment flyleaves at the beginning and at the end, and 2 unfoliated medieval parchment flyleaf at the beginning).
Decoration: Initials in gold on blue and rose grounds with penwork decoration in white, some with marginal extensions forming partial borders. Paraphs in rose or blue. Guide letters for initials are visible.
Binding: BM/BL in-house. 19th century.
- Custodial History:
-
Origin: England, S. E. (London), or East Anglia.
The Old Royal Library (the English Royal Library): perhaps to be identified with one of two 'Lapocalipse' included in the list of books at Richmond Palace in 1535, no. 74, or 96;
Westminster inventory number 'no. 22' (f. 1r), included in the inventory of books in the Upper Library at Westminster of 1542; and in the catalogue of 1666, Royal Appendix 71, ff. 14 or 15.
Presented to the British Museum by George II in 1757 as part of the Old Royal Library.
- Publications:
-
M. Digby Wyatt, The Art of Illuminating (London: Dan and Son Lithographers, 1860; repr. Studio Editions, 1987), p. 38.
Facsimiles of Manuscripts and Inscriptions Series one, ed. by E. A. Bond and E. M. Thompson (London: The Paleographical Society, 1873-83), III, pl. 223.
Samuel Berger, La bible française au moyen âge (Paris: Champion, 1884), p. 86.
Walter de Gray Birch and Henry Jenner, Early Drawings and Illuminations: An Introduction to the Study of Illustrated Manuscripts (London: Bagster and Sons, 1879), p. 8.
Edward Maude Thompson, English Illuminated Manuscripts (London: Kegan Paul, 1895), pl. 16.
H. Omont, 'Les manuscrits français des rois d'Angleterre au château de Richmond', in Etudes romanes dédiés à Gaston Paris (Paris: É. Bouillon, 1891), pp. 1-13 (p. 9).
L. Delisle and P. Meyer, L'Apocalypse en français au XIIIe siècle (Bibl. Nat. Fr. 403) (Paris: Firmin Didot, 1901), no. 25.
[G. Warner], Reproductions from Illuminated Manuscripts, Series I, (London: British Museum, 1907), pl. 13.
J. A. Herbert, Illuminated Manuscripts (London: Methuen, 1911), p. 217.
George Warner, Queen Mary's Psalter (London: British Museum, 1912), p. 7.
Schools of Illumination: Reproductions from Manuscripts in the British Museum, 6 vols (London: British Museum, 1914-1930), III: English A.D. 1300 to 1350 (1921), pl. 14.
George F. Warner and Julius P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King’s Collections, 4 vols (London: British Museum, 1921), II, p. 329-30.
[J. A. Herbert], British Museum: Reproductions from Illuminated Manuscripts, Series 1, 3rd edn (London: British Museum, 1923), pl. 13.
[J. A. Herbert], Illuminated Manuscripts and Bindings of Manuscripts Exhibited in The Grenville Library, Guide to the Exhibited Manuscripts, 3 (Oxford: British Museum, 1923), no. 26.
Eric G. Millar, English Illuminated Manuscripts of the XIVth and XVth Century (Paris: Van Oest, 1928), pl. 41-44.
Elfrida O. Sounders, English Illumination, 2 vols (Paris: Pegasus Press, 1928), I, pp. 84, 90-91, 95.
Montague Rhodes James, The Apocalypse in Art, The Schweich Lectures of the British Academy, 1927 (London: British Academy, 1931), no. 25.
Guide to an Exhibition of English Art Gathered from Various Departments and Held in the Prints and Drawings Gallery (London: British Museum, 1934.), no. 121.
Joan Evans, English Art 1307-1461, Oxford History of English Art, 5 (Oxford: Clarendon Press, 1949), p. 16, n. 2.
Paolo d'Ancona and Erhard Aeschlimann, Dictionnaire des miniaturistes du moyen age et de la renaissance dans les differentes contre´es de l’Europe (Milan: Hoepli, 1949), p. 169.
R. Freyhan, 'Joachism and the English Apocalypse', Journal of the Warburg and Courtauld Institutes, 18 (1955), 211-44 (pp. 216, n. 5, 221, 288, n. 2).
Margaret Rickert, La miniatura inglese, 2 vols (Milan: Electa, 1961), II: Dal XIII al XV secolo, pp. 9, 12, 21, pl. 34.
Margaret Rickert, Painting in Britain: the Middle Ages, 2nd edn (London: Penguin Books, 1965), p. 143, pl. 124.
Millard Meiss, French Painting in the Time of Jean de Berry: The Late XIV Century and the Patronage of the Duke, 2 vols, National Gallery of Art Kress Foundation Studies in the History of European Art, 2 (London: Thames and Hudson, 1967), I, p. 362, n. 16.
Francis Wormald, 'A Short Tract on the Manuscripts with Pictures by the Master of Queen Mary's Psalter: Some Pictures of the Manuscripts in an English XIVth century manuscript', The Walpole Society, 41 (1966-68) 39-45 (p. 40).
Francis Klingender, Animals in Art and Thought to the end of the Middle Ages, ed. by Evelyn Antal and John Harthan (London: Routledge & Kegan Paul, 1971), p. 406, pl. 238.
A. H. Laing, 'The Queen Mary Apocalypse, London, British Museum, Royal MS 19 B. XV' (unpublished doctoral dissertation, John Hopkins University, Baltimore, 1971).
P. Lasko and N. J. Morgan, Medieval Art in East Anglia 1300-1520 (Norwich: Jarrold and Sons, 1973), no. 15 [exhibition catalogue].
W. B. Yapp, 'The Birds of English Medieval Manuscripts', Journal of Medieval History, 5 (1979) 315-48 (pp. 326, 335, 336, 346).
Nigel Morgan, Early Gothic Manuscripts, 2 vols, A Survey of Manuscripts Illuminated in the British Isles, 4 (London Harvey Miller, 1982-1988), II: 1250-1285, p. 40 n. 75, 64, 74, 176.
Richard K. Emmerson and Suzanne Lewis, 'Census and Bibliography of Medieval Manuscripts containing Apocalypse Illustrations, ca. 800-1500 II', Traditio: Studies in Ancient and Medieval History, Thought and Religion, 41 (1985), 367-409, no. 75.
Lucy Freeman Sandler, Gothic Manuscripts 1285-1385, 2 vols, A Survey of Manuscripts Illuminated in the British Isles, 5 (London: Harvey Miller, 1986), I, no. 61.
Suzanne Lewis, 'The Apocalypse of Margaret of York', in Margaret of York, Simon Marmion, and the Visions of Tondal, ed. by Thomas Kren (Malibu: J. Paul Getty Museum, 1992), pp. 77-88 (p. 87, n. 14).
Lynda Dennison, 'The Apocalypse, British Library, Royal Ms. 19 B XV: A Reassessment of its Artistic Context in Early Fourteenth-Century English Manuscript Illumination', The British Library Journal, 20 (1994) 35-54.
Janet Backhouse, The Illuminated Page: Ten Centuries of Manuscript Painting in the British Library (Toronto: University of Toronto Press, 1997), no. 90.
Nigel Morgan, 'French Interpretations of English Apocalpyses', in England and the Continent in the Middle Ages: Studies in Memory of Andrew Martindale, Proceedings of the 1996 Harlaxton Symposium, ed. by John Mitchell and Matthew Moran, Harlaxton Medieval Studies, 8 (Stamford: Shaun Tyas, 2000), pp. 137-56 (p. 144 n. 24).
The Apocalypse and the Shape of Things to Come, ed. by Frances Carey (London: British Museum, 1999), p. 85 no. 15 [exhibition catalogue].
Richard H. Rouse and Mary A. Rouse, Manuscripts and Their Makers: Commercial Book Producers in Medieval Paris 1200-1500, 2 vols (Turnhout: Harvey Miller, 2000), II, p. 112.
The Libraries of King Henry VIII, ed. by James P. Carley, Corpus of British Medieval Library Catalogues, 7 (London: The British Library, 2000), H1.68, H2.22.
Christopher de Hamel, The British Library Guide to Manuscript Illumination: History and Techniques (London: British Library, 2001), pl. 43.
Medieval Mastery: Book Illumination from Charlemagne to Charles the Bold 800-1475 (Leuven, 2002), p. 133.
Alixe Bovey, Monsters and Grotesques in Medieval Manuscripts (London: British Library, 2002), pp. 28-29, pl. 24.
Alixe Bovey, The Chaworth Roll: A Fourteenth-Century Genealogy of the Kings of England (London: Sam Fogg, 2004), p. 13, fig. 7 [with further bibiliography].
Nancy L. Ross, 'Forgotten Revelation: The Iconic Development of the Anglo-Norman Verse and Early Prose Apocalypse Manuscripts' (unpublished doctoral thesis, University of Cambridge, 2006), pp. 16, passim.
Kathleen L. Scott, Tradition and Innovation in Later Medieval English Manuscripts (London: British Library, 2007), p. 159 n. 173.
Scot McKendrick, John Lowden and Kathleen Doyle, Royal Manuscripts: The Genius of Illumination (London: British Library, 2011), no. 86 [exhibition catalogue].
- Material Type:
- Archives and Manuscripts
- Legal Status:
- Not Public Record(s)
- Notes:
-
According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1r-16v), Hand II (ff. 17r-24v, 30r, 34r-45v), Hand III (25r-29v, 31v-32v). The attribution to the Queen Mary Master or to his workshop has been rejected by Dennison 1994 on a stylistic and technical basis; Hand II has been related to Royal D II (The 'Welles Apocalypse') and Hand III to Brussels, Royal Library II 282 (Apocalypse and Lumiere as lais).
The manuscript was mistakenly related to Pierre Gilbert, illuminator, notary, and libraire of the University of Paris (c. 1415-21), by d'Ancona and Aeschlimann 1949, followed by Meiss 1967 and Rouse 2000.