Add MS 11584

Chansons, etc., mostly for 4 voices, scored from early editions by Dr. Burney. 1. 'Queste non son piu lagrime.' 'Rolando di Lassus, 1555.' f. 2b. 2. 'Sto, core mio.' By the same, 1555. f. 3. 3. 'Tu, traditora.' By the same, 1555. f. 3b. 4. 'En espoir vis.' By the same, 1555. f. 4. 5. 'Canzona Villanesca,' begins 'Madonna, l' arte nostra.' 'Perissone Cambio, 1558.' f. 7. 6. 'Villota,' begins 'Ve voglio dire, donne.' By the same, 1558. f. 7b. 7. 'Canzone Villanesche,' begins 'Chi la Gagliarda.' 'Baldassare Donato, 1558.' f. 8. 8. 'Te parlo; tu me ridi.' By the same, 1558. f. 8b. Nos. 9-15 are from the first book of Chansons printed at Louvain in 1558, by Pierre Phalaise; and nos. 16-20 appear to be from a second collection by the same, Louvain, 1559. 9. 'Cessez, mes yeulx, de tant vous tormenter.' 'Crequillon.' f. 13b. 10. 'Cessez, mes yeulx, La coustume.' A reply to no. 5. 'Jan Loys.' f.14. 11. 'Donnes secours, ma doulce amye.' 'Petit Jan de Latre.' f. 15b. 12. 'Vivous, vivons joyeusement.' 'Morel.' f. 16b. 13. 'Fille qui prend facieulx mary.' 'Crespel.' f. 17b. 14. 'Misericorde, misericorde au martir amoureulx.' 'Clemens non Papa.' f. 18b. 15. 'Puisque voulez que je vous laisse.' By the same. f. 19b. 16. 'Avant mes Jours.' 'Claudin le Jeune.' f. 20b. 17. 'Si par fortune.' 'Geraert Hobrecht.' f. 21b. 18. 'Toutes les nuyctz.' 'Josquin Baston.' f. 23b. 19. 'Bon jour, mamie.' 'Claudin le Jeune.' f. 24b. 20. 'Le feu qui m'ard.' By the same. f. 25b. 21. 'Puisqu'il convient.' 'Petrus Heylanus, 1554.' f. 26b. 22. 'Par trop aymer.' 'Manchicourt.' f. 27b. 23. 'Sans Liberté.' 'Jan Gerard.' f. 28b. 24. 'I[o] vid[d]i in terra'; with second part, 'Amor, senno' (à 6). 'Adriano Willaert.' From Gardano's Musica Nova, 1559. f. 42b. Nos. 25-27 are scored from Arcadelt's Madrigali novissimi, Venice, 1541, the first two from Book iii, and the last from Book iv. 25. 'Liet' e seren.' 'J. Arcadelt.' f. 46b. 26. 'Quando ritrovo la mia pastorella'; commonly known as 'Down in a flow'ry vale.' 'Constantio Festa.' f. 47. 27. 'Cosi soav' e 'l fuoco.' By the same. f. 47b.

ff. 4b, 5b. Two four-part Motets, scored by Dr. Burney from the parts published by Tylman Susato, at Antwerp, in 1555. 1. 'Alma nemes' (sc. Venus). 'Orlando di Lasso.' f. 4b. 2. 'Calami sonum ferentes.' 'Cipriano di Rore.' f. 5b.

ff. 9-46 passim. Motets, etc., for 4 voices (unless the contrary is stated), scored by Dr. Burney from early printed editions of the parts. 1. ‘Pro sancta pace.’ ‘Adrianus Willaert’ (from Book ii of the Ecclesiasticæ Cantiones quatuor vocum, published by Tylman Susato, at Antwerp, in 1553). f. 9. 2. ‘Domine, quid multiplicati sunt.’ 'Goudimel‘ (from Book iv of the same series, 1554). f. 10b. 3. 'Ave, Maria.’ ‘Claudin de [Sermisy?]‘ (from Book ii of Motetti a tre voci, Venice, 1549). f. 13. 4. ‘Domine Deus, Agnus Dei.’ ‘Morales’ (from the same work). f. 30. 5. 'Heu mihi, Domine‘; with second part, ‘Anima mea turbata est.’ ‘Jacob Clemens non Papa’ (from Book i of the above-mentioned Ecclesiasticæ Cantiones). ff. 30b, 31b. 6. ‘O Lux et decus Hispaniæ‘; with second part, ‘O singulare præsidium.’ By the same (from the same work), ff. 32b, 33. 7. ‘Adjuro vos, Filiæ Jerusalem’; with second part, ‘Dilecte mi, apprehendam te.’ By the same (from Book ii of the same work), ff. 34, 34b. 8. ‘Pater noster.’ ‘Philippe de Wildre‘ (from Book iv of the same work, 1554). Dr. Burney has added, on f. 36, some notes relating to Philip and Peter Van Wilder, f. 35b. 9. ‘Congratulamini mihi.’ ‘Claudin [de Sermisy?]’ (from Motetti del Frutto, published by Antonio Gardano, at Venice, in 1539). f. 36b. Nos. 10-12 are from Motetta trium vocum, Venice, 1543. 10. Puer natus est nobis.’ ‘Morales.’ f. 37b. 11. ‘Quam pulchra es.’ ‘Constantius Festa.’ f. 38b. 12. ‘Sancta Maria, succurre miseris. By the same, f. 39b. Nos. 13, 14, 6-part Motets by Adrianus Willaert, are from his Musica Nova, published at Venice, 1558, by his pupil Francesco Viola. 13. ‘O Lux beatissima.’ f. 40b. 14. ‘Aspice, Domine‘: canon, f. 45.

ff. 9b, 44b. Canons for 3 voices, in the hand of Dr. Burney, sc. (1) ‘Veni, Creator Spiritus,’ by Zarlino. Scored from his 'Istitutioni armoniche', ed. 1573. f. 9b:— (2) ‘Regi Regis Regum arcana cano,’ by Henry Lawes[1650]. f. 44b.

f. 10. 'Deposuit potentes’; for 3 voices, scored by Dr. Charles Burney from the ‘Magnificat‘ in the second tone by Palestrina.

f. 29b. Canon for 3 voices, without words, by Johannes Ockenheim. Taken from Glarean by Dr. Burney and inserted in vol. ii of his History of Music, 1782.