Add MS 11586

Motets, in score, for 5 voices; before 1782. In the hand of Dr. Charles Burney. Nos. 2, 3 are inserted in vol. ii of his History of Music, 1782. Leaves are missing after ff. 15, 37 and 38. 1. ‘O sacrum con vivium.’ ‘Thomas Tallis‘ (from a MS. copy, dated 1581, at C. C. C, Oxford. Printed in 1575 among the Cantiones Sacræ). f. 3b. 2. ‘Dum transisset Sabbatum.’ ‘John Taverner.’ f. 5b. 3. ‘Sabatum Maria Magdalene.’ 'Robert Johnson.’ f. 7. 4. ‘Ave, Maria, gratia plena.’ ‘Robert Parsons.’ f. 10b. 5. ‘Precamur, Sancte Domine.’ 'Rob. White.’ f. 32.

passim. Five-part compositions in score, in Dr. Burney's hand; before 1782. {cf. 29996 / 32377 (cantus) / 31390, f. 97 / 29401[-5 ?] / 22597 (tenor)}. 1. 'In nomine.' 'Robert Parsons.' f. 8b. 2. 'Te, fili.' By the same. f. 9b. 3. 'Ascendo.' 'Doctor Tye.' f. 14b. 4. 'In nomine.' 'John Bull.' Apparently copied from a MS. at C. C. C, Oxford. f. 30b. {=34049 (ff. 45b-46)}. 5. 'In nomine.' 'Robt. White.' f. 33b. {cf. 34049 / 32377 / 29996}. 6. 'Fancy.' 'John Warde.' From the L'Estrange collection. f. 42b.

Compositions for 5 voices, in score, in Dr. Charles Barney's hand; before 1782. 1. 'Enforcid by love and feare.' 'Robert Parsons.' (Inserted in Burney's , vol. ii, 1782). f. 13b. 2. 'With wreathes of Rose.' 'William Cobbold.' From The Triumphs of Oriana, 1601. ff. 35, 36b. 3. 'Hence, stars; you daz[z]le.' 'Michael Este.' From the same work, f. 39. 4. 'All creatures now.' 'John Benet.' From the same work. f. 40b. 5. 'When fancy fond for pleasure pleads.' 'William Byrd.' From ...1588. f. 44b.

passim. 'Musical Extracts,' by Dr. Charles Burney: vol. vi, containing the following Anthems, in score; before 1782: — 1. 'If that a sinner sighes' (5 voices). 'John Milton.' From Sir Wm. Leighton's Teares or Lamentations, 1614. f. 16b. 2. 'O Lord, behold my miseries' (5 voices). By the same. From the same work. f. 17b. 3. 'From depth of sinne' (3 voices). 'William Byrd.' From Songs of sundrie natures, 1589. f. 28b. 4. 'O had I wings like to a dove' (5 voices). 'John Milton.' From Leighton's work. f. 35b. 5. 'Blessed be the Lord God of Israel': chorus from the anthem, 'Deliver us, O Lord our God.' 'Croft.' From Six Select Anthems, 1770. f. 49b.

f. 12b. 'Esurientes implevit‘; for 5 voices, in score, from the ‘Magnificat’ by John Shephard (see Add MS 17802, f. 210); late 18th century.

ff. 18b-28. Extracts from Masses, made by Dr. Burney, in score; before 1782. 1. ‘Et in terra pax,’ ‘Pleni sunt cœli,’ and ‘Benedictus,’ from the Mass, ‘Per arma justitiæ‘ (5 voices). ‘John Marbeck’ (apparently copied from the MS. at Corpus Christi College, Oxford), f. 18b. 2. ‘Gloria in excelsis,’ from the Mass, ‘Albanus’ (5 voices). ‘Doctor Fayrfax.’ f. 21b. 3. ‘[Pleni sunt cœli] Gloria tua’ (verse, for 3 voices), from a Mass. By the same. f. 26b. 4. ‘Qui tollis peccata,’ ‘[Pleni sunt cœli] Gloria tua,’ and ‘Benedictus,’ from the Mass, ‘O Michael’ (4 voices). ‘Taverner.’ ff. 26b-28.

f. 29b. 'Rejoyce, rejoyce, with hart and voyce‘ (for 4 voices)’ before 1782. By William Byrd. Taken by Dr. Burney from 'Songs of sundrie natures . . . '1589.

ff. 38, 38b. Songs with bass, by Alfonso Ferrabosco [II], being nos, iv and vii of his , 1609; before 1782. 1. 'Deere, when to thee.' f. 38. 2. 'So, so, leave off.' f. 38b.

ff. 46-48. 'Specimens of Dr. Blow's Deformities, or Crudities,' taken by Dr. Burney from Divine Harmony, Amphion Anglicus, The Theatre of Music, etc.; before 1782.

f. 51b. Saraband, from one of the Seven Sonatas for 3 strings, by Antonio Ziani; in the hand of Dr. Burney; before 1782.