Add MS 11587

ff. 2-17. Fragments of Masses, in score, in the hand of Dr. Charles Burney: — 1. ‘Visibilium omnium’ and ‘Et in terra pax’ (6 voices), from the Mass, 'Gloria tibi, Trinitas.’ ‘Johannes Taverner.’ Copied ‘from the Oxford Music-School set of Books, which . . . belonged to the Chapel Royal in the time of Henry VII.’ ff. 2, 3. 2. Part of the Mass, ‘Euge, bone.’ from the ‘Et in terra pax’ to the end. ‘Dr. Tye.’ (Inserted in Burney's 'History of Music', vol. ii, 1782). f. 7b.

f. 17b. 'O tu qui dans...oracula': two-part song by Sir John Harington, commonly known as the 'Black Sauntus.' For an account of it, see Oliphant's , 1842, p. 89.

ff. 18, 18b. Three settings of the tune known as the ‘Old 100th,’ which is supposed to be the composition of Louis Bourgeois, 1551. The last two appear to have been sung to Ps. cxxxiv. Nos. 1 and 2 are in 4 parts, the melody being in the tenor; no. 3 is in 2 parts. 1. ‘By Dr. [John] Dowland, from Thomas Ravenscroft's Psalms, 2d Edit., 1633,’ and from the composer's 'own notation.’ ff. 18, 18b. 2. By ‘Claude Le Jeune.’ f. 18. 3. By - ‘von(?) Müller.’ f. 18.

ff. 19-21. Numbers 1, 2, 12, and 19, of Morley's First book of Consort Lessons, . . . for . . . treble-lute, Pandora, Citterne, Base-violl, Flute, and Treble-viol; ed. 1611. Treble-viol and flute parts, with a bass added, in score, by the transcriber, Dr. Charles Burney. 1, 2. The 'Quadro' Pavan and galliard. ff. 19, 19b. 3. 'Goe from from my window.' f. 19b. 4. 'O mistresse mine.' Apparently taken from Queen Elizabeth's Virginal-Book. f. 21.

ff. 21v, 30v-35v. Psalms, for 3 voices, unless the contrary is stated, in score, transcribed by Dr. Charles Burney, and forming (along with other pieces) vol. vii of his 'Musical Extracts.' Nos. 2-14 are from Choice Psalmes put into Musick for 3 voices, by Henry and William Lawes, 1648, the first six being by Henry, the others by William, Lawes. 1. 'Prayse the Lord, my soul, while I live.' 'John Mundy.' From Songs and Psalmes, 1594. f. 21b. 2. 'That man is truly blest, who never strayes.' f. 30b. 3. 'Who trusts in thee, let not shame deject.' f. 31. 4. 'O thou from whom all mercy springs.' f. 31. 5. 'Lord, judge my cause.' f. 31b. 6. 'O hear me, Lord, be thou inclin'd.' f. 31b. 7. 'Lord, showre on us thy grace.' f. 32. 8. 'Lord, as the hart imbost with heat.' f. 32b. 9. 'How hath Jehovah's wrath.' f. 33. 10. 'Sing to the King of Kings.' f. 33b. 11. 'Praise the Lord enthron'd on high.' f. 34. 12. 'Lord, thy deserved wrath assuage.' f. 34b. 13. 'Come, sing the great Jehova's praise.' f. 35. 14. 'Let all in sweet accord clap hands.' f. 35. 15. 'He lie me down to sleep in peace' (in 4 parts). 'J. Coperario.' 'From Sr Wm. Leighton's Teares [or Lamentations] of a sorrowful soule, 1614.' f. 35b.

ff. 22-30. Madrigals, etc., in score, transcribed by Dr. Charles Burney. Nos. 1, 4-7 are for 3 voices. 1. 'As I went walking.' 'John Mundy.' From , 1594. f. 22. 2. 'In deep distresse' (à 4). By the same. From the same work, f. 22b. 3. 'Fayre Orian in the morn' (à 6). 'John Milton.' From , 1601. f. 23b. 4. ['Cease, cease, tormenting love.'] The beginning lost. 'Thos Tomkins.' f. 25. 5. 'Our hasty life.' By the same. From , 1622. f. 25b. 6. 'Dear pittie, how ? ah how ? wouldst thou become her.' 'John Wilbye.' In the , 1598. f. 26b. 7. 'My flockes feed not'; with second part, 'Love hath forlorne me'; and third part, 'Cleere wells spring not chearfully.' 'Thomas Weelkes.' Published in 1597. f. 27b.

f. 36. 'Gloria Patri‘; for 3 voices with a figured bass for the organ, by Richard Dering. Taken from Cantica Sacra, 1662; it had, however, appeared before in John Hilton's Catch that catch can, 1652.

f. 38-88b. Part of a thematic Catalogue (after 1794) of the works in Tudway's Church Music.