Add MS 5336

passim. Rounds and Catches. Nos. 1-9, 12, 13, 16, 18, 24, 31, 34, 36, and 38 are for 4 voices; the others for 3 voices (unless the contrary is stated). Nos. 1-19, 21-31, are in score, and are taken from three works by Thomas Ravenscroft, viz.: — (1609), (1609), and (1611). 1, 2. 'Trole the bowl,' and 'Farewell, mine own.' f. 1. 3, 4. 'Brooms for old shoes,' and 'My mistress will not.' f. 3. 5, 6. 'Musing mine own self,' and 'To Portsmouth.' f. 3b. 7, 8. 'Let's have a peal for Jno Cookes soul,' and 'Love, love, sweet love, for evermore farewell.' f. 4. 9. 'I lay with an old man.' f. 4b. 10, 11. 'New oysters,' and 'What hap had I.' f. 5. 12. 'Blow thy horn.' f. 7. 13. 'Hey down, adown. Heave and ho.' f. 7b. 14, 15. 'There lies a pudding,' and 'Go no more to Brentford.' f. 8b. 16. 'The wind blows out of the west.' ff. 9, 11, 18. 17, 18. 'I am athirst,' and 'The Lark, Linnet and Nightingale.' f. 9b. 19. 'Hey down, adown, behold and see.' f. 10. 20. 'Let's be merry.' By S. Webbe, sen. f. 11b. 21. 'As I went by the way' (à 5). f. 12b. 22, 23. 'Glad am I,' and 'Oaken leaves.' f. 15. 24. 'Ut re mi fa sol la.' f. 15b. 25. 'Now kiss the cup.' f. 18. 26, 27. 'O my fearful dreams,' and 'My dame has in her hutch.' f. 18b. 28, 29. 'Dery ding Dasson. I am John Cheston,' and 'I pray you, good mother.' f. 21. 30, 31. 'Joan, come kiss me,' and 'Banbury Ale.' f. 22b. The remaining numbers are written out at length in a different hand, and are anonymous. 32, 33. 'Take a ladle,' and 'Hey hoe! nobody at home' (altered from T. Ravenscroft). f. 32. 34-37. 'Peter Pluff,' 'Up and down,' 'Sweet boys, rise,' and 'Sitting by the fire' (à 5). f. 32b. 38. 'Why may not my goose feed.' f. 33. 39, 40. 'Come, come away, Boys,' and 'Barrels thirty six.' f. 33b. 41. 'What's the matter' (à 5). f. 34. 42, 43. 'Fryar Bacon' (à 7), and 'Sweet sugar'd Sue.' f. 34b. 44. 'Glad am I' (altered from no. 22), and 'Tom, follow Will' (à 9). f. 35. 45. 'Some thirty or forty.' f. 35b. 46. 'Old Obadia.' f. 36. 47. 'Bonny lads, sith we're bin met.' f. 36b.

ff. 2, 5b, 21b. Compositions for 3 voices, in score. 1. 'Stir the fire.' Anonymous. f. 2. 2. 'Of all the birds that ever I see' [from , by T. Ravenscroft], f. 5b. 3. 'Long have we been perplext' [from ',' by the same], f. 21b.

f. 4b. 'Remember, O thou man‘; for 4 voices, in score [from 'Melismata', by T. Ravenscroft, 1611].

ff. 7, 8, 22b, 32. Canons, for 4 voices and in score (unless the contrary is stated). Nos. 1-4 are from 'Pammelia', by T. Ravenscroft, 1609. 1. ‘Attend, my people, and give ear.’ f. 7. 2. ‘O Lord, turn not away thy face.’ f. 8. 3. ‘O Lord, in thee is all my trust.’ f. 8. 4. ‘Miserere nostri, Domine’ (3 voices), f. 22b. 5. ‘Ave, Maria, gratia plena’ (3 voices). Written out in full, in a different hand. Anonymous, f. 32.

ff. 10b-20b passim. Secular vocal compositions for 4 voices, in score. Nos. 1, 2, 5 and 7 are from , published by T. Ravenscroft in 1609; the others, from , by the same, 1611. 1. 'Yonder comes a courteous knight.' f. 10b. 2. 'Give us once a drink.' f. 12. 3. 'I have house and land in Kent.' f. 13. 4. 'It was the frog.' f. 13b. 5. 'To-morrow the Fox.' f. 14. 6. 'Canst thou love'; with chorus. f. 17. 7. 'Martin said to his man.' f. 20b.

ff. 19, 23-28. Madrigals, in score, nos. 2-4 being taken from , 1597. 1. 'How merrily we live' (à 3). 'Michael Este.' f. 19. 2. 'The white delightful Swan' (à 5). By O. Vecchi. f. 23. 3. 'In flow'r of April' (à 5). 'Alfonso Ferabosco.' f. 25b. 4. 'Shall I live so far' (à 6). Marenzio.' f. 28.

ff. 38-47. A set of twelve Voluntaries for Organ, said to be by Dr. William Croft. 1. In D minor. f. 38. 2. In D. f. 38b. 3. In D, introducing trumpet and Cremona stops, etc. f. 39b. 4. In G minor. f. 40. 5. In C. f. 40b. 6. In G. f. 41b. 7. In D minor. f. 42b. 8. In C. f. 43b. 9. In A minor. f. 44. 10. In D, introducing cornet stop. f. 44b. 11. In D minor. f. 45b. 12. In D. f. 46b.