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Royal MS 6 E VI

Record Id:

040-003345830

Hierarchy Root Ancestor Record Id:

032-002105724

MDARK:

ark:/81055/vdc_100035495871.0x000001

LARK:

SLARK:

Format:

ISAD(G)

Reference (shelfmark):

Royal MS 6 E VI

Title:

James le Palmer, Omne Bonum

Scope & Content:

Contents:

James le Palmer (b. before 1327, d. c. 1375), Omne Bonum, a general encyclopaedia arranged in alphabetical order. The work now bound in four volumes, Royal MS 6 E VI/1, Royal MS 6 E VI/2, Royal MS 6 E VII/1 and Royal MS 6 E VII/2.

Royal MS 6 E VI contains the entries from 'Absolucio' to 'Dona Spiritui Sancti' , arranged in two volumes as follows:

Royal MS 6 E VI/1: Absolucio-Circumcisio (ff.1-268);

Royal MS 6 E VI/2: Circumcisio-Dona Spiritui Sancti (ff. 269-562).

This is the only known and probably an autograph copy of the text probably produced by James le Palmer between c. 1360 and 1375: his name 'Jacobus' is quoted in the preface, 'Ego Jacobus ... Cuius cognomen alios volo ex causa latere, presens opus cum magno labore ac iugi mentis desiderio compilavi' (Royal MS 6 E VI/1, f. 18v). His hand is identified with the scribe of Oxford, Bodleian Library, Laud Misc. 165 containing a colophon, 'Iste liber est liber jacobi le palmere quem scripsit manu sua propria deo gratias' (f. 585r) (see Sandler Omne Bonum (1996), pp. 16-19). The author has been identified with James le Palmer, clerk of the Exchequer mentioned in numerous documents between 1357 and 1375, when he was granted a pension of £20 a year by Edward III (see Sandler, Omne Bonum (1996), pp. 20-21).

Decoration:

Prefatory miniatures in tinted drawing of Old and New Testament subjects, arranged usually as 4 on a page (ff. 1r-14r). 7 miniatures in colours and gold. Numerous large and small historiated initials in colours and gold, with marginal extensions, some forming partial bar borders decorated with vine leaves. Sketches for illuminators next to historiated initials. Initials in blue with red pen-flourishing. Running titles and titles in the margins in red frames with numbers in red. Numerous human heads, hands, or busts in brown ink. Paraphs in red.

Catchwords, bifolium signatures; guide letters for initials.

Illuminated by four artists (see Sandler, Omne Bonum (1996), pp. 76-82 and Appendix 3).

Collection Area:

Western Manuscripts

Project / Collection:

Royal Collection

Hierarchy Record Ids:

032-002105724
040-003345830

Is part of:

Royal MS 1 A I-20 E X : Royal Manuscripts

Royal MS 6 E VI : James le Palmer, Omne Bonum

Contains:

Royal MS 6 E VI/1 : James le Palmer, Omne Bonum (Absolucio-Circumcisio)
Royal MS 6 E VI/2 : James le Palmer Omne Bonum (Circumcisio-Dona Spiritui Sancti)

Click here to View / search full list of parts of Royal MS 6 E VI

Hierarchy:

032-002105724[1929]/040-003345830

Container:

View / search within Archive / Collection: Royal MS 1 A I-20 E X

Record Type (Level):

File

Extent:

Two parchment volumes

Digitised Content:

Languages:

Latin

Scripts:

Latin

Start Date:

1359

End Date:

1376

Date Range:

c. 1360-c. 1375

Era:

Access:

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Custodial History:

Origin: England, S. E. (London)

Provenance:

Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley (2000), p. xxxiii), 16th century (Royal MS 6 E VI/1, f. 1r).

The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1326' (Royal MS 6 E VI/1, f. 1r), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix 71, f. 13v; and in the 1698 catalogue of the library of St James’s Palace (see [Edward Bernard], Catalogi librorum manuscriptorum Angliae et Hiberniae (Oxford: Sheldonian, '1697', but 1698?), no. 8275).

Presented to the British Museum by George II in 1757 as part of the Old Royal Library.

Information About Copies:

Full digital coverage available for this manuscript: see Digitised Manuscripts at http://www.bl.uk/manuscripts.

Select digital coverage available for this manuscript, see Catalogue of Illuminated Manuscripts http://www.bl.uk/catalogues/illuminatedmanuscripts/welcome.htm.

Publications:

Augustus Hughes-Hughes, Catalogue of Manuscript Music in the British Museum, 3 vols (London: British Museum, 1965, a facsimile of the edition of 1906-09), III, p. 260.

H. P. Cholmeley, John of Gaddesden and the Rosa Medicinae (Oxford: Clarendon Press, 1912), p. 125.

George F. Warner and Julius P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King’s Collections, 4 vols (London: British Museum, 1921), I, pp. 157-59.

Francis Wormald, 'More Matthew Paris Drawings', Walpole Society, 31 (1942-43), 109-12 (p. 111).

C. H. Talbot, ‘A List of Cistercian Manuscripts in Great Britain’, Traditio: Studies in Ancient and Medieval History, Thought and Religion, 8 (1952), 402-18 (p. 411).

Loren MacKinney, Medical Illustrations in Medieval Manuscripts, Wellcome Historical Medical Library, 5, 2 parts bound together (London: Wellcome Historical Medical Library, 1965), with Thomas Herndon, Part II, Medical Miniatures in Extant Manuscripts: A Checklist, no. 53.

Michael Evans, 'An Illustrated Fragment of Peraldus's Summa of Vice: Harleian MS 3244' Journal of the Warburg and Courtauld Institutes, 45 (1982), 32-55 (p. 25 n. 75).

Peter Murray Jones, Medieval Medical Miniatures (London: British Library, 1984), pp. 117-18, fig. 53.

Lucy Freeman Sandler, 'The Handclasp in the Arnolfini Wedding: A Manuscript Precedent', The Art Bulletin, 66 (1984), 488-91 (pp. 489-90).

Lucy Freeman Sandler, ‘Face to Face with God: A Pictorial Image of the Beatific Vision’, in England in the Fourteenth Century: Proceedings of the 1985 Harlaxton Symposium, ed. by W. M. Ormrod (Woodbridge, Suffolk, 1986), pp. 224-35 (pp. 228-34, figs 1-5).

Lucy Freeman Sandler, Gothic Manuscripts 1285-1385, Survey of Manuscripts Illuminated in the British Isles, 5 ( London: Harvey Miller, 1986), no. 124.

Lucy Freeman Sandler, 'Notes for the Illuminator: the Case of the Omne Bonum', The Art Bulletin, 71 (1989), 551-64 (p. 552).

Lynda Dennison, 'Oxford, Exeter College MS 47: The Importance of Stylistic and Codicological Analysis in its Dating and Localization', in Medieval Book Production: Assessing the Evidence, ed. by Linda l. Brownrigg, Proceedings of the Second Conference of The Seminar in the History of the Book to 1500, Oxford, July 1998 (Los Altos Hills, California: Anderson-Lovelace, 1990), pp. 41-59 (pp. 55, 56).

Lucy Freeman Sandler, 'Omne bonum: Compilatio and Ordinatio in an English Illustrated Encyclopedia of the Fourteenth Century', in Medieval Book Production: Assessing the Evidence, ed. by Linda l. Brownrigg, Proceedings of the Second Conference of The Seminar in the History of the Book to 1500, Oxford, July 1998 (Los Altos Hills, California: Anderson-Lovelace, 1990), pp. 183-200.

Alison Stones, review of Lucy Sandler Freeman, Gothic Manuscripts 1285-1385, Survey of Manuscripts Illuminated in the British Isles, 5, Speculum: A Journal of Medieval Studies, 66 (1991), 691-95 (p. 693).

Jonathan J. G. Alexander, Medieval Illuminators and their Methods of Work (New Haven: Yale University Press, 1992), p. 40, fig. 59.

Lucy Freeman Sandler, 'The Image of the Book-Owner in the Fourteenth Century: Three Cases of Self-definition', in England in the Fourteenth Century: Proceedings of the 1991 Harlaxton Symposium (Harlaxton Medieval Studies III: Stamford, 1993), ed. by N. Rogers, pp. 58-80 (pp. 74-79).

Lucy Freeman Sandler, Omne Bonum: A Fourteenth-Century Encyclopedia of Universal Knowledge, 2 vols (London: Harvey Miller, 1996).

The Libraries of King Henry VIII, ed. by J. P. Carley, Corpus of British Medieval Library Catalogues, 7 (London: The British Library, 2000 ), H2.1326, p. xxxi, n. 33.

Justin Clegg, The Medieval Church in Manuscripts (London: British Library, 2003), p. 10, fig. 6.

Sophie Page, Magic in Medieval Manuscripts (London: British Library, 2004), pp. 36-37, pl. 38.

Lucy Freeman Sandler, The Lichtenthal Psalter and the Manuscript Patronage of the Bohun Family (London: Harvey Miller, 2004), p. 157 n. 54.

Lucy Freeman Sandler, ‘Word Imagery in English Gothic Psalters: The Case of the Vienna Bohun manuscript (ÖNB, cod. 1826), in The Illuminated Psalter: Studies in the Content, Purpose and Placement of its Images, ed. by F. O. Büttner, (Belgium: Brepols, 2004), pp. 387-95 (p. 390 n. 14).

Greg Buzwell, Saints in Medieval Manuscripts (London: British Library, 2005), p. 28.

Michelle Brown, The Holkham Bible: A Facsimile (London: British Library, 2007), p. 16.

Deirdre Jackson, Marvellous to Behold: Miracles in Medieval Manuscripts (London: British Library, 2007), p. 67, pls 23, 57, 58.

Raymond Clemens and Timothy Graham, Introduction to Manuscript Studies (Ithaca: Cornell University Press, 2008), pls. 2-25.

Scot McKendrick, John Lowden and Kathleen Doyle, Royal Manuscripts: The Genius of Illumination (London: British Library, 2011), no. 92 [exhibition catalogue].

John Sabapathy, Officers and Accountability in Medieval England 1170-1300 (Oxford: Oxford University Press, 2014), pp. 73n, 77.

Kathryn A. Smith, ‘Found in Translation: Images Visionary and Visceral in the Welles-Ros Bible’, Gesta 59: 2 (2020), 91-130 (p. 107).

Lucy Freeman Sandler, 'Religious Instruction and Devotional Study: The Pictorial and the Textual in Gothic Diagrams', in TheVisualisation of Knowledge in Medieval and Early Modern Europe, ed. by Marcia Ann Kupfer, Jeffrey Howard Chajes, and Adam S. Cohen (Turnhout: Brepols, 2020), pp. 429-48 (pp. 436-38).

Material Type:

Archives and Manuscripts

Legal Status:

Not Public Record(s)

Names:

Wolsey, Thomas, royal minister, Archbishop of York, and cardinal, 1470/71-1530,
see also http://isni.org/isni/000000012099862X

Related Material:

From the printed Catalogue (1921): 'OMNE BONVM', a voluminous encyclopaedia of canon law, theology and general information, compiled in the middle of the 14th century by Jacobus, an Englishman, who refuses to declare his cognomen. He was possibly a Cistercian (art. abbas) and certainly a vehement antagonist of the mendicant orders (art. fratres and notes, vol. i, ff. 49, 50, 390 b, vol. ii, ff. 17, 115, &c.). The work is evidently unfinished. There is nothing under M after Matrix (Maria is the last article, but Mat precedes it) and under R-Z one article only to each letter, The bulkiness of the work renders it likely that the compilation extended over many years, but the writing and ornament seem to mark the latter part of vol. ii, from f. 234 (in art. Iesus ), as written at a later date, which from internal evidence cannot be earlier than 1347, as it begins with a 'sollempnis predicacio de domino nostro Iesu per magistrum Ricardum Fitz Rauf archiepiscopum Armacam ( sic ) et etiam sollempnem doctorem in theologia quasi sine pari in diebus suis' (beg. 'Veni domine Iesu, Apoc. ult. cap. Cum venerabili Anselmo'). The date of the article Fratres is after Aug. 1330 (vol. ii, f. 159), and no part of the work can well be earlier than 1326, the date of the commentaries of John Andreae (and probably also of Will. de Monte Audoeno, al. Hauduno, al. Lauduno) on the Clementines. In the preface the author gives a list of 115 authors or other sources from which he draws, but the most worthy of notice are (a) Canon law texts and treatises, including, at vol. i, f. 403 b, 'Consuetudines et obseruancie non scripte apud archus London. in appellacionibus tuitoriis' (which are not the same as the statutes of the Court of Arches issued by John Stratford, Archbishop of Canterbury, in 1342, printed in Wilkins, Con. cilia, ii, p. 681), and at vol. ii, f. 7 the whole treatise (cf. ii C. v, art. i) of Gulielmus de Mandagoto on Election;-(b) Two anonmOus 14th cent. compilations called Summa Summarum and Manipulus Florum (perhaps by one author, see 7 C. III, 10 D. x), and towards the end (vol. ii, f. 447, &c.) an unidentified work entitled 'Distinctiones Cestrie';-(c) Bartholomaeus Anglicus, De Proprietatibus Rerum, whose chapters are usually incorporated whole;-(d) The Pseudo-Aristotelian Secreta Secretorum, also largely incorporated;-(e) The dictionary entitled Catholicon, by Giovanni de' Balbi of Genoa;-(f) Pseudo-Chrysostom, Opus Imperfectum;-(g) Guillaume de Saint Amour (vol. i, f. 119, not named, but the extracts are from his Liber de Periculis);-(h) Iacobus de Voragine, Legenda Aurea (not named, artt. Constanitinus, Iudas, &c.). Some other apocryphal legenda, besides those in the last-named work, occur, e. g. art. Adam, the story (cf. 'Prohemium', 8 D. iv, art. 5) of the Oil of Mercy and Wood of the Cross. 'Prohemium' beg. 'Quoniam per beatum Paulum apostolum'; text, 'Incipit hic primo de materia absolucionis . . . Sacerdotes iam possunt plus proficera'. In the marginal headings or notes names are sometimes mentioned, e. g. 'Notate vos W. de Alde istam constitucionem' (touching canons' prebends), vol. i, f. 300.-'Nota hic que venacio est clericis interdicta et hoc facit contra W. de Hanleye' vol. i, f 303 b (cf. vol. ii? f. 61);-'Nota contra Thomam de Garl.' and ' Nota contra Scutirkelf' about occupations unlawful for priests, vol. i, f 311;-'Nota contra quosdam mercatores London. qui vno precio suas mercimonias vendunt e conuencione', vol. i, f. 326b;-'Nota quod illa consuetudo in Wallia non valet quod homo per pecuniam possit redimere homicidium vel furtum', vol. i, f. 4o2;- ' Nota Marchaunt', vol. ii, f. iii;-'Nota pro Ric. de Arundell', vol. ii, f. 142;-'Nota contra R. de Sekynton', vol. ii, f. 219 b;-'Nota contra canonicos sancti Pauli', vol. ii, f. 220b;-'Nota. mo[nachi] West[monasterienses]', vol. ii, f. 228. The work is preceded by:-(a) Tinted pictures (see below) of Old Testament history and the Life of Christ, 106 in number, four to the page, without inscriptions. Spaces are ruled for 22 more, but whether these were planned (perhaps to represent lives of saints) is uncertain. f. 1;-(b) 'Arma Christi', an illumination (nearly fullpage) in 38 compartments, representing Instruments of the Passion, &c. Above is the verse 'Cruci corone spinee clauisque dire lancee honorem impendamus. Hec sunt uexilla regia I per que coronam glorie perpetue queramus', and below 'Hanc oracionem sequentem Innocencius papa [IV] trium annorum indulgenciS dedicauit', viz. the hymn beg. 'Aue facies preclara pro nobis que in crucis ara' (Chevalier, Rep . Hymn. no. 1787); followed by 'Quicunque arma superius descripta siue insignia domini nostri Iesu Christi deuote inspexerit a summis pontificibus subscriptam indulgenciam consequetur', viz. 44 lines beg. 'Hits qui arma Iesu Christi quibus nos a nece tristi'.f.15;- (c) Vision of S. Benedict, a full-page illumination in three compartments (f. 16), preceded by an explanation from the Dialogi (ii, ch. 35) of S. Gregory the Great and extracts from S. Augustine concerning the Vision of S. Paul. f. 15 b; -(d) Constitution of Benedict XII, dated 29 June, I336, concerning the Beatific Vision, 'Benedictus deus in donis . . . Sane dudum tempore felicis' (see Baronius, Annales, 1872, xxv, P. 50); with two miniatures. f. 16b. Vellum; ff.562,532. 18 1/4 in. x 12 1/4 in. Circ. A.D. 1330-1340 and circ. 1350. Gatherings of 8 leaves, with catchwords. Double columns. Sec.fol.vol.i (text, f.20) 'Casus in quibus'; vol. ii ab ebrietate'. Many hundreds of illuminated miniature-initials with gold or diapered backgrounds (some with border-extensions), of fairly good English work.Trees of consanguinity or the like are in vol.i, ff. 196, 382b. The pictorial history (vol.i,ff.1-14),with uncoloured backgrounds and little gold (except crowns and nimbi). is archaic and clumsy in execution,and it would seem as if many of the pictures were copied from the little miniatures in the text. A marked change in the style of the initials occurs at vol.ii, f.243 b, and another at f.479.In this last part of the book the pencilled verbal directions to the rubricator (e.g. nos. 231,&c.) are commonly remaining.In the earlier part are a few sketches for his direction, e.g. vol.i, ff. 205,205b. The subjects of the more notable miniatures are:- 1-7. Creation. ff. 1, 1 b. 8. Creation of Eve. f. 1 b. 9. Ordinance respecting the tree. f.2. 10. The Fall. f. 2. 11. Abel slain with a jaw-bone; Cain in a wagon. f. 2. 12. Building of the ark. f. 2. 13. The ark: dove and raven. f. 2 b. 14. Sin of Ham. f.2b. 15. Building of Babel.f.2b 16. Parting of Abraham and Lot. f. 2b. 17. Abraham and five captive kings. f. 3. 18. Circumcision of Isaac. f.3. 19. Burning of Sodom. f. 3. 20. Abraham's sacrifice. f. 3. 21. Isaac seated and four standing figures; Jacob's dream. f. 3 b. 22. Jacob's wrestling; sale of Joseph. f. 3b. 23. Joseph before Pharaoh. f. 3 b. 24. Joseph receives his brethren f. 3 b. 25. Moses at the burning bush. f. 4. 26. Slaughter of first-born. f. 4. 27. Drowning of the Egyptians. f. 4. 28. Moses receives the law; he casts down the tables. f. 4. 29. Moses and Aaron sacrificing. f. 4 b. 30. Worship of the golden calf. f.4b. 31. Moses before the Lord. Israelites kneeling. f. 4 b. 32. Building of the tabernacle. f. 4 b. 33. A sacrifice. f. 5. 34. Balaam, the ass, and the angel. f. 5. 35. An adulteress before Moses: she is stoned. f. 5. 36 Moses speaks to the people. f. 5. 37. Saul anointed. f. 5 b. 38 David plays to Saul. f. 5 b. 39. David and Goliath. f. 5 b. 40. David anointed. f. 5 b. 41. David and Bathsheba. f. 6. 42. Nathan reproves David. f. 6. 43. Death of Absolom. f. 6. 44. Solomon anointed. f. 6. 45. Judgement of Solomon. f. 6b. 46. Building of the Temple. f. 6 b. 47. Death of Holofernes. f.6b. 48. Death of Haman. f. 6b. 49. Job, his wife and friends. f. 7. 50. Solomon, with birch, instructs two children. f. 7. 51. Solomon and the Bride. f. 7. 52. Prophets with scrolls. f. 7. 53. Nativity. f. 7b. 54. Annunciation. f. 7 b. 55. Visitation. f. 7 b. 56. Nativity (repeated). f. 7 b. 57. Shepherds. f. 8. 58. Adoration of Magi. f. 8. 59. Slaughter of Innocents. f. 8. 60. Presentation in Temple. f. 8. 61. Flight into Egypt. f. 8 b. 62. Flight. into Egypt; one of the Magi warned in a dream. f. 8 b. 63. Palm-tree bends before the infant Jesus (Pseudo-Matthaei Evangelium, cap. xx). f. 8 b. 64. Lions reverence Jesus (ib. cap. xix). f. 8 b. 65. Disputation in the Temple. f. 9. 66. Jesus sought by his parents. f. 9. 67. Marriage at Cana. f. 9. 68. Calling of apostles in a boat. f. 9. 69. Baptism of Christ. f.9b. 70. Temptation of Christ. f. 9 b. 71. Christ predicts the fate of the Temple. f. 9 b. 72. Sermon on the Mount. f. 9b. 73. Miracles of the loaves. f. 10. 74. Centurion sends to Christ.f.10. 75. Miracle of the widow's son. f. 10. 76. Walking on the water. f. 10. 77. Gethsemane. f. 10b. 78. Raising of Lazarus. f. 10b. 79. Christ anointed. f. 10b. 80. Resurrection of the dead. f. 10b 81. Entry into Jerusalem. f. 11. 82. Judas and the priests. f. 11. 83. Washing of disciples' feet. f. 11. 84. Last Supper. f. 11. 85. Gethsemane(repeated). f.11 b. 86. Betrayal. f. 11 b. 87. Malchus' ear cut off. f. 11 b. 88. Christ before Annas. f. 11 b. 89. Denial of Peter. f. 12. 90. Christ before Caiaphas. f. 12. 91. Christ buffeted. f. 12. 92. Christ blindfolded. f. 12. 93. Christ scourged. f. 12b. 94. Christ bearing the cross. f. 12b. 95. Crucifixion. f. 12b. 96. Christ on the cross and thieves. f. 12 b. 97. Christ pierced. f. 13. 98. Descent from the cross. f. 13. 99. Entombment. f. 13. 100.Opening of hell. f. 13. 101. Resurrection. f. 13 b. 102. Christ appears to Mary. f. 13 b. 103. Christ appears to Peter. f. 13 b. 104. Ascension. f. 13 b. 105. Descent of the Holy Ghost. f. 14. 106. Second advent of Christ: resurrection of the dead. f. 14. 107. Instruments of the Passion. f. 15. 108. S. Benedict sees the soul of Germanus taken to heaven. f. 15 b. 109. Vision of S. Paul. f. 15 b. 110. Three compartments: divine head with rays drawing up souls; S. Benedict and S. Paul kneeling; the Fall, in the midst of the planetary spheres, between two kneeling figures, male and female. f. 16. 111. A pope issues a decretal. f. 16 b. 112. Head of Christ amid worshipping angels, men, and women. f. 16b. 113. Bishops kneel before a pope. f. 19. 114. An abbess and nuns. f. 27. 115. A monk hawking. f. 27. 116. Death of Abel. f. 31. 117. Accedia, male figure yawning and pot on the fire. f. 37 b. 118. Accedia, female figure burning distaff. f. 37b. 119. Acolytes. f. 40. 120. Ahab. f. 40. 121. Creation of Eve. f. 45. 122. Fall of Adam. f. 46 b. 123. Growth of the trees from Adam's mouth (Legend of the Oil of Mercy). f. 47. 124, 125. Advocates. ff. 50 b, 52. 126. Annunciation. f. 55. 127. Second Advent. f. 57. 128. Dice-players. f. 73. 129. Angels. f. 89b. 130. Angels and devils. f.90 b. 131. Antichrist. f. 100b. 132. King of England and herald with arms. f. 107.tithes 133. Treatment of apostema. f.122b. 134. Beehive. f. 123 b. 135. Various kinds.of birds. f. 128. 136. Judge, prisoner, and gallows. f. 128 b. 137. Archidiaconal visitation. f. 132 b. 138. Archpriest. f. 136. 139. Teacher of arts. f.138 b. 140. Giving earnest money. f. 140 b. 141, 142. Hunting-dogs. ff. 142, 143. 143. Archbishop. f. 145. 144. Assessors. f. 150b. 145. Ascension. f.151 b. 146. Avarice, seated figure with cofferwoman standing by with children on shoulder. f. 154 b. 147. Avarice, coffer and purse. f. 156b. 148. Various birds. f. 167 b. 149. Baptism. f. 171. 150. Balaam, the ass, and the angel. f. 178. 151. Pastoral staff. f.178b. 152. Man in a bath. f. 179. 153. Crossbowmen. f. 179 b. 154. Alexander and Aristotle. f. 188 b. 155. A bedell. f. 194. 156. Boaz and Ruth. f. 204 b. 157. Toad. f. 205 b. 158. 'Baiuli' with shields of arms. f. 208. 159. Birching boy. f. 214. 160. Baptism. f. 217 b. 161. Flagellation. f. 218b. 162. Death of Cain. f. 220 b. 163. Bishop and chapter. f. 221. 164. Canons. f. 224. 165. Cardinals. f.225b. 166. The sin of Ham. f. 231 b. 167. Chapel and bells. f. 232. 168. Christ healing the blind. f. 245. 169. Mass. f. 246 b. 170. The Last Supper. .f 251. 171. Treatment of brain-disease. f. 258 b. 172. Banquet. f. 259b. 173. Heaven. f. 260. 174. Banquet. f. 264 b. 175. Circumcision. f. 269. 176. New Jerusalem. f. 270 b. 177. Citation. f. 275. 178. Pope with key. f. 284. 179. Clerks, concubines, and baby in cradle. f. 296 b. 180. Church-and bells. f.298. 181. Clerks on pilgrimage. f. 300 b. 182. Duel between clerks. f. 302 b. 183. Clerks hunting. f. 303 b. 184. Tonsure under compulsion. f. 313. 185. Sponsors at baptism. f. 317 b. 186. Baptism of Christ. f. 322. 187. Mixing colours. f. 329. 188. Communion. f. 337 b. 189. Comet. f. 340b. 190. Confession. f. 354 b. 191. Confirmation. f. 372. 192. Marriage. f. 375. 193. Consecration of a church. 385. 194. Consecration of a bishop. 434 b. 387 b. 195. Constantine. f. 394. 196. Astrologer observing the heavens: devil in a magic circle. f. 396 b. 197, 198. Altar with crucifix. 409 b, 425 b. 199. Host carried in procession. f. 427 b 200. Gallows. f.444. 201. David and Goliath, lion and bear. f. 457. 202. Daniel in lions' den. f. 460b. 203. Demons. f. 491. 204. Extraction of teeth. f. 503 b. 205. God the Father. f. 505. 206. Magician and devils. f. 535 b. 207. Drunkards. vol. ii, f. 1. 208. Pope, enthroned. f. 2 b. 209. Election of a prelate. f. 19. 210. Jacob cookini. f. 66 b. 211. Children with toys and catching butterflies. f. 67 b. 212. Communion ofthe sick. f. 70. 213. Excommunication. f. 75 b 214 Exposure of an infant. f. 104 b. 215. Christ cursing the fig-tree. f. 129 b. 216. Bier and mourners. f. 145 b. 217. Fortitude, man riding lion with hand in its mouth. f. 151. 218. Thief hanged. f. 170 b. 219. Gabriel (arms of S. George) and dragon. f. I76. 220. Gluttony. f. 195. 221. Heretics. f. 200. 222. Isaac, Rebekah, and Jacob. f. 225. f. 243 b. 223. Emperor. 224. Jews. f. 341. 225. Judge. f. 345. 226. Last judgement. f. 359b. 227. Taking an oath. f. 367 b. 228. Justice, man with scales. f. 388. f. 229. S. Katharine. f. 395 b. 230. Milking. f. 404. f. 231. 'Index cum famulis.' f. 232. 'Papa.' f.452 b. 233. 'Moyses super monte', receiving the tables. f. 462 b. 234. 'Iesus predicans.' f. 464 b. 235. 'Maria cum sole et luna sub ff. pedibus.' f. 479. 236. Assumption. f. 484b. 237. Annunciation. 487 b. . 238. Nebuchadnezzar's dream hic rex et arbor', &c. f. 489. 239. Kings kneeling before emperor. f. 493. 240. Confession. f. 500. 241. Christ in majesty. f. 518. 242. Nativity. f. 523. 243. Bowing of the palm-tree (cf. no. 63). f. 523 b. 244. 'Sedeat Christus sicut rex.' f. 526 b. 245. 'Fiant imagines in altari.' f 531 Owner's mark (initial T or TC?), as in 6 E. V, &c. Old Royal press-mark 'no. 1326'; cat. of 1666, f. 13 b; CMA. 8275.'

Related Archive Descriptions:

Royal MS 6 E VII