(1-4.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. Bassus partbook [for the cantus see R.M.24.h.7., the altus R.M.24.h.8., and the tenore (which has an index) R.M.24.h.9.]. Paper. 1. 10 ff. Farmer (John): The first sett of English Madrigals to Four Voices. Copied from the edition of 15...
ROYAL MUSIC COLLECTION. Motets, Anthems, Madrigals, etc.: 18th century. A collection of 48 pieces, in score for several voices, mainly with a figured bass. In four different hands, and with a list of contents prefaced to the volume. On f. 101 is a fragment of a Laudate, the previous page having ...
(1-3.). ROYAL MUSIC COLLECTION. Vocal music; 18th century. In score. Paper. 1. 12 ff. Wagenseil (Georg Christoph): Posso dir che fra sospetti. Aria; with symphonies and accompaniment for flutes, horns, strings and a bass. 2. 146 ff. Anon: A Pasticcio; mid 18th century. Consisting of an overtu...
ROYAL MUSIC COLLECTION. Anon. Livre d’airs à boire; 18th century. A collection of 58 French drinking songs for 2 or 3 voices; unaccompanied, in score. Paper. ff. 56.
R.M.24.i.3-5. ROYAL MUSIC COLLECTION. Hilton (John). Ayres or Fa La’s for three voyces; 18th century. A copy of the volume published in 1627. 3 partbooks. Paper. Three volumes.
Scope & Content:
John Hilton, the younger; church musician and composer: Music manuscripts: 18th cent: Copies.
R.M.24.i.6-10. ROYAL MUSIC COLLECTION. Ravenscroft (Thomas). Pammelia; 18th century. A late copy of the collection of rounds and catches published in 1609 under the above title. No. 9 of the printed edition is omitted, and the order is occasionally different. Paper. 5 partbooks.
Scope & Content:
Thomas Ravenscroft, composer and editor: 'Pammelia': 18th cent: Copy.