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GIOVANNI PAISIELLO: ‘La Pazza per Amore’, opera in two acts (to a libretto by Giambattista Lorenzi after Guiseppe Carpani’s translation of Benoît-Joseph Marsollier des Vivetières’ ‘Nina’); after 1790: Atto I. ff. ii + 205.
GIOVANNI PAISIELLO: ‘La Pazza per Amore’, opera in two acts (to a libretto by Giambattista Lorenzi after Guiseppe Carpani’s translation of Benoît-Joseph Marsollier des Vivetières’ ‘Nina’); after 1790: Atto II. ff. i + 214.
DOMENICO CIMAROSA: ‘Aria Seria, Non sò donde viene, con Recitativo, nell’ Olimpiade’, for soprano, horns, oboes and strings (words, Pietro Metastasio); late 18th cent. Recitative, beginning ‘Giovane sventurato’, and aria, beginning ‘Non sò donde viene’. Score. Copy. Cimarosa’s dramma per musica ...
MOZART: ‘Die Entfürung aus dem Serail. Comische Opera in III Acten mit Musik vom Wolfgang Amade Mozart’ (libretto, Stephanie der jüngere, after C. F. Bretzner), K384; late 18th or early 19th cent. Copy, in German. Score, written in ink, in the same hand throughout, on paper ruled with twelve, fo...
MOZART: ‘Cosi fan tutte osia La Scuola degli amanti: Atto II. With collation diagrams and other notes in Tyson’s hand (ff. 231-40). late 18th or early 19th cent ff. ii + 240.
BEETHOVEN: Additional string parts for symphony no. 7 in A major; early 19th cent. Copies in ink, on paper ruled with thirteen or fourteen staves to the page, in the same hand throughout, with some pencil annotations. Apparently copied from the first printed parts (Vienna: Bei S. A. Steiner, [18...
FERDINAND RIES: ‘Grand Sextour pour 2 Violons, 2 Altos et 2 Violoncellos (ou Contra Basso)’; 1854. Parts, in ink, with performers’ markings in pencil. Copies. Numbered WoO 63 in C. Hill, Ferdinand Ries: a thematic catalogue (Armidale, 1977). f. 1 is dated ‘London den 28sten November 1854’ and in...