Autograph full score, in black ink , 68 ff. (pp. 1-38). With some additions in pencil and performance markings in red pencil. Signed on p. 1, and dated 'Cap Ferrat / 1934' at the end of the work. Pasted-down corrections: ff. 2,3,4 (two corrections), ff. 6, 7, 9, 10 (two corrections), ff. 11, 13...
Sir Lennox Berkeley: Introduction and Allegro for two pianos and orchestra, Op.11
Scope & Content:
Autograph full score, in black ink, 43 ff. (title-page and pp. 1-61), with occasional additions and deletions in pencil and blue pencil (e.g. ff. 11v, 15, 30r, 32r). Pasted-down corrections: ff. 18, 20, 21 (two corrections), ff. 23, 24, 25 (two corrections), ff. 29, 39, 41. Folios 33v and 36...
Sir Lennox Berkeley: Serenade for string orchestra, Op.12
Scope & Content:
Autograph full score, in black ink, 27 ff. (title-page and pp. 1-20). With markings in pencil, particularly the bars deleted on f. 19v which are re-scored on f. 22v. Signed on f. 2. Dated 'Sept - Nov 1939' at the end of the work. Dedicated (f. 2): 'To John and Clement Davenport'. With pasted-d...
Two scores: (1). ff. 1-60. Autograph full score, black and blue ink and pencil (title-page and pp. 1-87). Signed on the title-page and on f. 2. Dated '1939' at the end of the work. Pasted-down corrections: ff. 3, 4 (two corrections), ff. 11, 13, 17, 18 (two corrections), ff. 25, 30, 43, 44 (two ...
Sir Lennox Berkeley: Symphony No. 1 (manuscript score, dyeline copy)
Scope & Content:
Dyeline copy of manuscript score, ff. i, 56 (pp. 1-111). Signed on f. 1, and dated '1940-41' at the end of the work. Performance markings in pencil. On the front fly-leaf, a pencil note of a performance by the BBC Symphony Orchestra, cond. Stanford Robinson (date of performance not indicated).
Two bound scores: dyeline copy of manuscript score (1940-41), and the published score (Chester, 1951). First performance: London, Royal Albert Hall, 8 July 1943. London Philharmonic Orchestra, cond. Lennox Berkeley.
Bound dyeline manuscript copy (J. & W. Chester), ff. i, 51 (pp. 1-94). Performance markings throughout in pencil, red pencil, and blue pencil. Copyist noted at the end of the work: P. W. Tilbrook (December 1943). First performance: Bedford, Corn Exchange, 1 October 1943. BBC Orchestra (Sect...