Fantasias, In Nomines and other works for viol consort, together with sonatas for violins and continuo. f. 43 (reversed). Sonatas for pianoforte and strings, by Henry Purcell. f. 46 (reversed). 'In nomine ': fantasia for 7 instruments, in score, by Henry Purcell. Autograph. f. 48 (reversed)....
Anthems, services and canons by English composers of the 16th, 17th, and 18th centuries, collected by William Flackton. Volume 1.
Scope & Content:
'Anthems Ancient and Modern . . . collected by William Flackton,' bookseller, of Canterbury (see f. 2b), 'Vol. 1st'; with memoranda in the hands of the Rev. Wm. Gostling (1770), Dr. Philip Hayes (1784-5), and the compiler (1776); also in that of Vincent Novello (about 1830). In score.1. 'O Lord,...
Anthems, services and canons by English composers of the 16th, 17th, and 18th centuries, collected by William Flackton, bookseller, of Canterbury.
Scope & Content:
Many of the compositions are autograph. Memoranda in the handwriting of Dr Philip Hayes give the particulars of several of the compositions and composers. With an index of contents prefixed to each volume. For copies of many of the anthems, see Thomas Tudway's Collection, Harley MS. 7337-7342.
Anthems, services and canons by English composers of the 16th, 17th, and 18th centuries, collected by William Flackton. Volume 2.
Scope & Content:
'Anthems Ancient and Modern . . . collected by William Flackton. Vol. 2' (see Add 30931). In score. Many of the transcripts appear to be in the hand of Daniel Henstridge, organist of Canterbury Cathedral, and most of the autographs are certified by Dr. Philip Hayes, in 1785.1. 'By ye waters of B...
Anthems, services and canons by English composers of the 16th, 17th, and 18th centuries, collected by William Flackton. Volume 3.
Scope & Content:
f. 3-133. 'Services collected by W[illia]m Flackton, Vol. 3d'. Many of them in the hand of Daniel Henstridge, organist of Canterbury cathedral. In score. The Canon formed by the Gloria Patri to the Jubilate in no. 1 is inscribed on the composer's monument at Westminster Abbey (see f. 122).1. Who...
Anthems, services and canons by English composers of the 16th, 17th, and 18th centuries, collected by William Flackton. Volume 4.
Scope & Content:
Odes in full score. The titles below are taken from descriptions in the hand of Dr. Croft. 1. 'Come, come along...for a dance and a song'; composed by Mr. Jeremiah Clarke upon ye death of ye famous Mr. Henry Purcell and perform'd upon ye stage in Druery Lane play house' [1695]. At the top of f...
Eighteen operatic overtures, in full score; four sonatas adapted for the harpsichord or piano; and other miscellaneous pieces, by Charles Dibdin. Autograph.
Scope & Content:
ff. 1, 6, 136b, 139. Portions of dramatic pieces. Unless the contrary is stated they are for an orchestra consisting of oboes, horns, and strings, in score. 1. Overture to 'The Miniature'; with bassoons, etc. f. 1. 2. Overture to 'Robin Hood'; followed by several orchestral numbers from the same...
Autograph works and musical compositions of Charles Dibdin, the elder.
Scope & Content:
Works and musical compositions of Charles Dibdin in 21 volumes, including operatic overtures, keyboard sonatas, vocal music, libretti, lectures, common-place book and fragments.
Songs written and composed by Charles Dibdin for his Table, or Sans Souci, Entertainments. Volume 1.
Scope & Content:
Passim. Songs chiefly from Dibdin's musical dramas. In score. Unless the contrary is stated, the accompaniments are for horns, oboes, and strings.1. 'About, about, about! We'll take the Bantling out'; with flutes, etc. f. 1. 2. 'Adam, of being single weary': duet with bass [from 'The Shepherd'...
Songs written and composed by Charles Dibdin for his Table, or Sans Souci, Entertainments. In six volumes.
Scope & Content:
Songs chiefly from Dibdin's musical dramas. Full score. The songs in the first five volumes are arranged in alphabetical order according to title or first line. Unless the contrary is stated, the accompaniments are for horns, oboes, and strings.