Cantatas for a soprano voice, with a figured bass for harpsichord, in score, by Giovanni Battista Buononcini.
Scope & Content:
Vol. II. ff. 95. Cantatas for a soprano voice, with a figured bass for harpsichord, in score, by Giovanni Battista Buononcini. No. 1 is in an earlier hand, than the others. 1. 'Non sà dir che pena sia.' f. 2. 2. 'Luci, siete pur quelle.' f. 8. 3. 'Sorge I'Alba.' f. 11b. 4. 'Presso allo stuol po...
Cantatas, with a bass for harpsichord, in score, by Giovanni Battista Bononcini.
Scope & Content:
Vol. III. ff. 44. Cantatas, with a bass for harpsichord, in score, by Giovanni Battista Bononcini. No. 1 is in an earlier hand than the others, has the bass figured, and is for a contralto voice; nos. 2-7 are for a soprano voice. 1. 'Anche i tronchi, anche le rupi.' f. 1. 2. 'Come potesti mai....
TWELVE sonatas for three strings, in score, by G. B. Buononcini. Paper; ff. 41. xviiith cent. Folio. Giovanni Bononcini, composer: Musical compositions: 18th cent.
" MAGNIFICAT " for two choirs, in organ-score, by A. Caldara; followed, at f. 58, by twelve sonatas for four strings, also in score, and attributed to the same composer. Paper ; ff. 100. xviiith cent. Oblong Folio. Antonio Caldara, composer: Cantatas. etc.: 18th cent.: (autogr.).
" ORMISDA ": an opera in three acts, in score. The overture is arranged for harpsichord. A note, on f. 1, by Victor Schoeleher, refers the authorship of the work to Francesco Conti, on the ground of an identical copy, in the handwriting of Christopher Smith (Handel's secretary), being definitely...
1. SONATA, for harpsichord in C minor, by Domenico Scarlatti. f. 1. 2. Duets, by the same. f. 4. Paper; ff. 46. xviiith cent. Oblong Folio. Giuseppe Domenico Scarlatti, composer: Secular music: 18th cent.
FORTY-FOUR sonatas for the clavichord,by Domenico Scarlatti. Paper; ff. 87. Formerly belonged to Dr. Worgan and Charles Wesley. xviiith cent. Oblong Folio. Giuseppe Domenico Scarlatti, composer: Secular music: 18th cent.
Selections from Operas and similar works, by Handel, transcribed roughly, in score, by Michael Rophino Lacy.
Scope & Content:
ff. 1-98, 109-125b. Portions of Operas, with symphonies and accompaniments for strings, etc., and (in the recitatives) basses, generally tigured, for harpsichord, in score, by Handel; apparently all of them transcribed by Michael Rophino Lacy from the originals at Buckingham Palace. 1. Arias, ...