Krishna embracing Radha. Radha and Krishna each standing on one leg, their other limbs entwined; Radha holding Krishna’s flute in the middle; Krishna holding Radha with his left arm. On the left, a milkmaid with a fly-whisk, on the right, another milkmaid with a fan. Above them draped curtain...
The circular dance. Artist(s): Beniram Chitrakar (fl. c.1960)
Scope & Content:
The circular dance. In the centre, Krishna seated on lotuses playing his flute; around him five nude milkmaids with yellow bodies dancing, four of them waving yak’s tail fly-whisks, the fifth at the base leaning backwards holding her feet. Red background with white sprigs and green branches, b...
Add.Or.3762-3763, Add.Or.3766 A series of three chromolithographs depicting the Jagannatha trio in the temple setting. Size: 185 by 130 mm. Lettered a ...
Scope & Content:
Add.Or.3762-3763, Add.Or.3766 A series of three chromolithographs depicting the Jagannatha trio in the temple setting. Size: 185 by 130 mm. Lettered at base in English and ‘nagari’ characters with the name and address of the publisher. Acquired by W.G. Archer from a stall adjoining the Puri ...
The Jagannatha trio entwined. Published by Hem Chandra Dhar Gaya C.. Chowk Delhi.
Scope & Content:
The Jagannatha trio entwined. Similar in conception to Add.Or.3723-4 but with the following significant differences: tiny format, vulgar colouring, no wooden ‘arms’, Subhadra with realistic eyes, red background, roof of shrine with two large green parakeets, at the foot, three priests recumbent...
The Jagannatha trio, with other gods. Ravi Varma Press, Malavli-Lonavla
Scope & Content:
The Jagannatha trio. Comparable in design and idioms to Add.Or.3719 with Balabhadra and Jagannatha possessing human arms, legs and torsos, their knees bent as if dancing, yellow wooden ‘arms’ with red stripes sprouting like wings from behind their shoulders. Below them a panel of four seated g...
The Jagannatha trio, crowned, with other gods. Kansari Para Art Studio, Calcutta.
Scope & Content:
The Jagannatha trio. The trio heavily clothed stand on a gilt-edged dais between two pillars. Balabhadra and Jagannatha have stump-like arms cut off at the wrists. All three wear elaborate crowns. Faces as in painted versions. No wing-like ‘arms’. In front of them, placed on a blue chequer...