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Collection Area Visual Arts Archive Reference (shelfmark) Mss Eur F191

1371. Mss Eur F191/332(1366)

Reference (shelfmark):
Mss Eur F191/332(1366)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The stately father of the bridegroom in Mercara: Rao Bahadur something something Chengappa, I think. A decoration with banana stem is made for the wedding. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the stately father of the bridegroom in Mercara: Rao Bahadur...Chengappa, I [Bake] think. A decoration with banana stem is made for the wedding.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1372. Mss Eur F191/332(1367)

Reference (shelfmark):
Mss Eur F191/332(1367)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The bridegroom; under the wreaths of flowers he wears golden chains. Around his waist is a brocade belt and the chains holding the Coorgi knife. On 125 (and 132, P. V.) this knife is stuck through the belt in front, but usually, it is worn at the back. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the bridegroom; under the wreaths of flowers he wears golden chains. Around his waist is a brocade belt and the chains holding the Coorgi knife. On 125 (and 132, P. V.) this knife is stuck through the belt in front, but usually, it is worn at the back.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1373. Mss Eur F191/332(1368)

Reference (shelfmark):
Mss Eur F191/332(1368)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The feet of the bride with silver ornaments. Once she had entered the house, she was not allowed to go outside in order to be photographed, even not at the top of the stairs to veranda. But she was allowed to go to the veranda at a place there were no stairs and she kindly lifted her sari to ...
Scope & Content:
Genre: Portrait Photography Portrait of the feet of the bride with silver ornaments. Once she had entered the house, she was not allowed to go outside in order to be photographed, even not at the top of the stairs to veranda. But she was allowed to go to the veranda at a place there were no sta...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1374. Mss Eur F191/332(1369)

Reference (shelfmark):
Mss Eur F191/332(1369)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. Gangapuja, the bride brings water to her husband's house. The disks on her hair are golden. I filmed the whole ceremony. Dancing relatives obstruct her way to the house and even the bridegroom joined them. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of Gangapuja after marriage, the bride brings water to her husband's house. The disks on her hair are golden. Dancing relatives obstruct her way to the house and even the bridegroom joined them.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1375. Mss Eur F191/332(1370)

Reference (shelfmark):
Mss Eur F191/332(1370)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1376. Mss Eur F191/332(1371)

Reference (shelfmark):
Mss Eur F191/332(1371)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1377. Mss Eur F191/332(1372)

Reference (shelfmark):
Mss Eur F191/332(1372)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. A Pariyah man and children. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Group portrait of a Pariyah man and children.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1378. Mss Eur F191/332(1373)

Reference (shelfmark):
Mss Eur F191/332(1373)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. The same miserable looking crowd with some additions. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the same miserable looking crowd [Pariyahs] with some more members.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1379. Mss Eur F191/332(1374)

Reference (shelfmark):
Mss Eur F191/332(1374)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Sqq. in Puttur, 20 miles further to the coast, where there is almost no malaria. Our guide Karanth, a brahmi...
Scope & Content:
Genre: Portrait Photography Group portrait of the Bakes' guide Karanth with his wife and baby. He was a brahmin who married out of caste and was therefore ostracized. She was charming and highly educated.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1380. Mss Eur F191/332(1375)

Reference (shelfmark):
Mss Eur F191/332(1375)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. A deer kept in the compound of Karanth's school. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of a deer kept in the compound of Karnath's school.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item