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Collection Area Visual Arts Archive Reference (shelfmark) Photo 208

1. Photo 208

Reference (shelfmark):
Photo 208
Title:
Photographs of views of temples etc in the South Mahratta country. Presented by H. Newton Esq. 23/4/72. Photographer(s): Thomas Biggs; William Henry Pigou.
Scope & Content:
Maroon half-leather album, measuring 564 x 390 mm, with paper label with handwritten title as above and India Museum stamp pasted to front cover. A further label, laid down onto the front fixed endpaper, reads: Photographs of views of Temples, &c. in the Southern Mahratta Country. (Extra Ser...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855-1857
Extent:
23 items

2. Photo 208(1)

Reference (shelfmark):
Photo 208(1)
Title:
Iwullee. [Sculptured slabs from the Durga Temple, Aihole.] Photographer: Thomas Biggs.
Scope & Content:
Signed in the negative: T. Biggs. See Photo 1000 (980) for another copy of this print. These slabs were photographed in front of the Durga Temple and can be seen in situ in Photo 1000 (979).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

3. Photo 208(2)

Reference (shelfmark):
Photo 208(2)
Title:
Iwullee. [Sculptured slabs from the Durga Temple, Aihole.] Photographer: Thomas Biggs.
Scope & Content:
Signed in the negative: T. Biggs.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

4. Photo 208(3)

Reference (shelfmark):
Photo 208(3)
Title:
Buddha from Balagamve. [Jain sculpture.] Photographer: Thomas Biggs.
Scope & Content:
For another print, see Photo 1000/9(1004).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

5. Photo 208(4)

Reference (shelfmark):
Photo 208(4)
Title:
Buddha from Aingere. [Corrected caption: Digambara Jain image of the Tirthankara Parshavanatha, Annigeri]. Photographer: William Henry Pigou.
Scope & Content:
Image cropped from a larger negative. Identified in negative as Annigeri. For other prints from this negative, see Photo 1000/9(1018) and Photo 207(44).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

6. Photo 208(5)

Reference (shelfmark):
Photo 208(5)
Title:
Narasimha. Hampee or Beejanuggur. [Monolithic figure of Narasimha, on the road between Hampi and Vijayanagara.] Photographer: Thomas Biggs.
Scope & Content:
Image cropped from a larger negative. See Photo 1000/9(1005) for another copy of this print.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

7. Photo 208(6)

Reference (shelfmark):
Photo 208(6)
Title:
Sashweekul, Gunpatri. Hampee or Beejanuggur. [Sasivakalllu Ganesha Statue: Monolithic figure of Ganesha on the road to Hampi, Vijayanagara.] Photographer: Thomas Biggs.
Scope & Content:
Image cropped from a larger negative. See Photo 1000/9(1008) for another copy of this print.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

8. Photo 208(7)

Reference (shelfmark):
Photo 208(7)
Title:
Badami. Vishnoo in the largest cave. [Vishnu sculpture in Cave III, Badami.] Photographer: Thomas Biggs.
Scope & Content:
Signed in the negative: T. Biggs. View looking along verandah of the Hindu rock-cut temple, Cave III, at Badami, from the west end, towards sculptured figure of Vishnu on the coiled serpent. For another copy of this print, see Photo 1000/9(987).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

9. Photo 208(8)

Reference (shelfmark):
Photo 208(8)
Title:
Badami. Narasimha in the largest cave. [Vishnu sculpture in Cave III, Badami.] Photographer: Thomas Biggs.
Scope & Content:
View looking along the verandah of the Hindu rock-cut temple, Cave III, at Badami, from the east end, towards the sculptured panel of Vishnu as the man-lion Narasimha. For another copy of this print, see Photo 1000/9(986).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item

10. Photo 208(9)

Reference (shelfmark):
Photo 208(9)
Title:
Badami. The largest cave. [Cave III.] Photographer: Thomas Biggs.
Scope & Content:
Inscription: Signed in the negative: T. Biggs. View of the entrance façade and verandah from the north-east. On the right, several inscriptions have been whitewashed to increase legibility. For another copy of this print, see Photo 1000/9(985).
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1855
Extent:
1 item