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Language Latin Subject Magnificats

21. Add MS 36490

Reference (shelfmark):
Add MS 36490
Title:
A collection of motets and a magnificat
Scope & Content:
Motets and a magnificat, in parts, most of them complete, by [John] Dunstaple {i.e. Dunstable), transcribed (with the exception of the last) in April, 1892, from MS. vi. H. 5 in the Biblioteca Estense at Modena, and in several cases collated with copies of others in the Liceo Comunale at Bologna...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
1892
Extent:
1 volume (49 folios)

22. Egerton MS 2453

Reference (shelfmark):
Egerton MS 2453
Title:
A magnificat, a motet, and portions of masses
Scope & Content:
ff. 1-13. ‘Magnificat anima mea Dominum’; for 4 voices, with a figured bass for organ, in score, by Francesco Durante. In the hand of Abbate Fortunato Santini. ff. 14-42. 'Credo,’ for 4 voices, with violins and a figured bass for organ, in score, by Leonardo Leo. In the hand of Abbate Fortunato...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume

23. Egerton MS 2457

Reference (shelfmark):
Egerton MS 2457
Title:
A collection of sacred music by Giovanni Pierluigi da Palestrina
Scope & Content:
ff. 2-45b. Book I of the Lamentations for Holy Week, published by Giovanni Pier Luigi Palestrina, in 1588. They are for 4 voices, except the 'Jerusalem convertere,’ which is for 5 voices. Transcribed, from the copy at the Lateran, by Abbate Santini. ff. 44-64. Motets for 4 voices (unless the co...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume (129 folios)

24. Egerton MS 2460

Reference (shelfmark):
Egerton MS 2460
Title:
Volume 1 of a collection of motets and other sacred music by Italian composers
Scope & Content:
passim. Collection of Motets, etc., in score, made by Abbate Fortunato Santini (in whose hand Egerton MS 2461 is), and presented by him to the Rev. Edward Goddard. They are given as sung in the Sistine Chapel or St. Peter's, and to most of them is appended a note of the festival for which they w...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume (133 folios)

25. Egerton MS 2460-2461

Reference (shelfmark):
Egerton MS 2460-2461
Title:
" MOTTETTI e messe che si cantano nella Cappella Sistina e nella Basilica Vaticana," in vocal score, by Giovanni Pier Luigi Palestrina, and other composers of the Roman School.
Scope & Content:
Collection of Motets, etc., in score, made by Abbate Fortunato Santini (in whose hand Egerton MS 2461 is), and presented by him to the Rev. Edward Goddard. They are given as sung in the Sistine Chapel or St. Peter's, and to most of them is appended a note of the festival for which they were writ...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
2 volumes

26. Egerton MS 2463

Reference (shelfmark):
Egerton MS 2463
Title:
A collection of motets, a plainsong melody, a magnificat, and a miserere
Scope & Content:
ff. 2-21. 'Cantus in Passione Domini Nostri J. C. secundum Mathæum. Mutinæ, ex Typographia hæredum Cassiani, 1788.' Anonymous. ff. 22, 48. Two Motets for 5 voices, in score, in the hand of Abbate Fortunato Santini, who appears to have given them to the Rev. Edward Goddard. 1. ‘Justorum Animæ’; ...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume (105 folios)

27. Lansdowne MS 462

Reference (shelfmark):
Lansdowne MS 462
Title:
A gradual or antiphonary for the use of Sarum, with the music, being a volume of the same size, and written on vellum in the fourteenth century. Some of its margins are handsomely painted in gold and colours, and others have grotesque subjects at top. The initials are richly executed; several with appropriate figures, but, as to design, coarse and inelegant. On some spare leaves at the beginning and end there are hymns, with "Kyrie eleison," &c. and the music, in a different and later ha...
Scope & Content:
ff. 1b, 151b, 152. Tenor, or contra-tenor, part of the following fragments of Masses, which were probably harmonized for 4 voices: — 1-7. ‘Sanctus’ and ‘Benedictus.’ Seven settings, f. 1b. 8-16. ‘Kyrie.’ Nine settings, including single ones for Feriæ ii-vi, two for Sunday, and two for days not s...
Collection Area:
Western Manuscripts
Languages:
English and Latin
Date Range:
14th century-16th century
Extent:
1 volume