Search

Language Not applicable Level [32] Fonds

8301. X628(19)

Reference (shelfmark):
X628(19)
Title:
Mosque of Syuff Khan, Dacca. Plate 19 from Charles D'Oyly's Antiquities of Dacca, published by John Landseer, London, 1814-27. Artist(s): Landseer, John (1769-1852) after D'Oyly, Sir Charles (1781-1845)
Scope & Content:
Mosque of Syuff Khan, Dacca. Plate 19 from Charles D'Oyly's Antiquities of Dacca, published by John Landseer, London, 1814-27.. Artist(s): Landseer, John (1769-1852) after D'Oyly, Sir Charles (1781-1845)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1814
Extent:
1 Item

8302. X628(20)

Reference (shelfmark):
X628(20)
Title:
Remains of a Bridge near the Tantee Bazar. Plate 20 from Charles D'Oyly's Antiquities of Dacca, published by John Landseer, London, 1814-27. Artist(s): Landseer, John (1769-1852) after D'Oyly, Sir Charles (1781-1845)
Scope & Content:
Remains of a Bridge near the Tantee Bazar. Plate 20 from Charles D'Oyly's Antiquities of Dacca, published by John Landseer, London, 1814-27.. Artist(s): Landseer, John (1769-1852) after D'Oyly, Sir Charles (1781-1845)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1814
Extent:
1 Item

8303. X630, WD3755

Reference (shelfmark):
X630, WD3755
Title:
WOOD, WILLIAM (fl. 1827-1833) Wood obtained permission in June 1827 to join his brother George at the Asiatic Lithographic Press in Calcutta, arriving ...
Scope & Content:
WOOD, WILLIAM (fl. 1827-1833) Wood obtained permission in June 1827 to join his brother George at the Asiatic Lithographic Press in Calcutta, arriving in September 1828 and leaving in February 1830. George was in Cawnpore by 1832, described as Superintendent of the Asiatic Lithographic Press an...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1827-1833
Extent:
29 items

8304. X633(1)

Reference (shelfmark):
X633(1)
Title:
'The Harbour of port Cornwallis. Island of Great Andaman with the fleet getting under weigh Rangoon.' Plate 1 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Harbour of port Cornwallis. Island of Great Andaman with the fleet getting under weigh Rangoon.' Plate 1 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

8305. X633(2)

Reference (shelfmark):
X633(2)
Title:
'View of the landing at Rangoon of part of the Combind forces from Bengal and Madras. Under the order of Sir ArchD. Champbell, K.C.B on the 11th of May 1824.' Plate 2 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the landing at Rangoon of part of the Combind forces from Bengal and Madras. Under the order of Sir ArchD. Champbell, K.C.B on the 11th of May 1824.' Plate 2 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moor...
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

8306. X633(3)

Reference (shelfmark):
X633(3)
Title:
'The Principal approach to the Great Dagon Pagoda at Rangoon.' Plate 3 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Principal approach to the Great Dagon Pagoda at Rangoon.' Plate 3 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Fielding, Theodore Henry Adolphus (1781-1851), after Moore, Joseph (fl. 1820s)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

8307. X633(4)

Reference (shelfmark):
X633(4)
Title:
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Scope & Content:
'View of the great Dagon Pagoda at Rangoon and Scenery adjacent to the westward of the Great Road.' Plate 4 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Pyall, Henry (1795-1833), after Moore, Joseph (fl. 1820s)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

8308. X633(5)

Reference (shelfmark):
X633(5)
Title:
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'Scene upon the terrace of the Great Dagon Pagoda at Rangoon looking towards the north.' Plate 5 from ' Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

8309. X633(6)

Reference (shelfmark):
X633(6)
Title:
'The Attack upon the Stockades near Rangoon by Sir Archibald Chmpbell, K.C.B. on the 28th of May 1824.' Plate 6 from 'Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Attack upon the Stockades near Rangoon by Sir Archibald Chmpbell, K.C.B. on the 28th of May 1824.' Plate 6 from 'Birman Empire. Part.1. Containing six views taken at and near Rangoon.'. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

8310. X633(7)

Reference (shelfmark):
X633(7)
Title:
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire]. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Scope & Content:
'The Gold Temple of the principle Idol Guadma, taken from its front being the Eastern face of the Great Dagon Pagoda at Rangoon.' Plate 7 from Moore's [Views in the Birman Empire].. Artist(s): Hunt, George (fl. 1800-1850), after Moore, Joseph (fl. 1820s)
Collection Area:
Printed Collections
Languages:
Not applicable
Date Range:
1825-1826
Extent:
1 Item

Limit your search

more »

more »
more »
more »
more »