This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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Jamu. Plate 7 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
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Jamu. Plate 7 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Kashmir: Bij Beara. Plate 8 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Scope & Content:
Kashmir: Bij Beara. Plate 8 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Kashmir: Fort of Chupayan. Runjeet Singh's troops here gained possession of the valley. Plate 9 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Scope & Content:
Kashmir: Fort of Chupayan. Runjeet Singh's troops here gained possession of the valley. Plate 9 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822...
Kashmir: City of Kashmir. Mosque of Shah Hamadan. Plate 10 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Scope & Content:
Kashmir: City of Kashmir. Mosque of Shah Hamadan. Plate 10 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Kashmir: Hurri Purbutt Fort. Plate 11 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Scope & Content:
Kashmir: Hurri Purbutt Fort. Plate 11 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Kashmir: Wulur Lake. Plate 12 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Scope & Content:
Kashmir: Wulur Lake. Plate 12 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Harding, James Duffield (1797-1863), after Hardinge, Charles Stewart (1822-1894)
Sheik Imam-Ud-Din, Runjur Sing, and Dewan Dina Nath. Plate 13 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847. Artist(s): Laby, A. (fl. mid-19th century), after Hardinge, Charles Stewart (1822-1894)
Scope & Content:
Sheik Imam-Ud-Din, Runjur Sing, and Dewan Dina Nath. Plate 13 from 'Recollections of India. Part II. Kashmir and the Alpine Punjab', published by Thomas M'Lean, London, 1847.. Artist(s): Laby, A. (fl. mid-19th century), after Hardinge, Charles Stewart (1822-1894)
Select Views in India, drawn on the spot, in the years 1780, 1781, 1782, and 1783, and executed in aqua tinta, by William Hodges, R.A., London. Artist(s): Hodges, William (1744-1797)
Scope & Content:
‘Select Views in India, drawn on the spot, in the years 1780, 1781, 1782, and 1783, and executed in aqua tinta, by William Hodges, R.A., London.’ 48 aquatints in sepia with etching and soft-ground etching by and after William Hodges; page size: 483 by 644 mm; plate size: 325 by 482 mm. Probabl...