This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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Nokoocheea Lake Kumaoon No. 1. Artist(s): Hearsey, Hyder Young (1782-1840)
Scope & Content:
Nokoocheea Lake Kumaoon No. 1 Naukachiya Tal, the Lake with Nine Corners, two miles east of Bhim Tal, one of the most indented and prettiest of the Kumaon lakes, surrounded on three sides by high hills and with oak woods coming down to the water’s edge.
Snowy Mounts. from summit of Dehee Daibee.. Artist(s): Hearsey, Hyder Young (1782-1840)
Scope & Content:
‘Snowy Mounts. from summit of Dehee Daibee.’ Watermark: ‘J. Whatman 1804.’ Ridges in green and brown leading to the Himalaya. It is not clear what Hearsey’s vantage point is, or on which expedition he drew this.
The Parsonage Gorakhpur. Artist(s): Clark, Hezekiah (1792-1868)
Scope & Content:
The Parsonage at Gorakhpur, 1823. Inscribed on reverse: ‘Parsonage Gurukhpore for Mrs. James Lobb. 20th October 1823’, with initials in lower left corner: ‘H.C.’ Old mount inscribed: ‘Parsonage Gurukhpore painted by our Great-grandmother Anne Clark for Mrs. James Lobb. 20th October 1823.’ W...
A building inside Kalinjar Fort.. Artist(s): Maisey, Frederick Charles (1825-1892)
Scope & Content:
A building inside Kalinjar Fort. Maisey was based at Kalinjar from 1845 to 1847. Inscribed: ‘Jan'y 25th, 1847. In Kallinjur Fort, Bundlecun.’ Pencil and wash; 12.5 by 8 cm.
Rear view of the north gateway, Sanchi Stupa.. Artist(s): Maisey, Frederick Charles (1825-1892)
Scope & Content:
Rear view of the north gate, Sanchi. Inscribed: ‘Plate IV. Rear View of the North Gateway’. ‘F. Maisey del’” Verso: ‘Fred Maisey, 67th Regt’. ‘Old Plate IV. New Plate IV’. Pencil and body colour on green card; 47 by 32 cm. Reproduced in Maisey, F.C. ‘Sanchi and its Remains’ (London, 1892, pla...
Carvings on the north gate of Sanchi Stupa, front face of the left pillar.. Artist(s): Maisey, Frederick Charles (1825-1892)
Scope & Content:
Carvings on the north gateway of Sanchi Stupa, front face of left pillar. Inscribed: ‘PLATE V. See Plate VI fig.1. See Plate VI fig.2. See Plate VIII. See Plate VII fig.1.’ Verso: ‘Old Plate V. New Plate V. 67th Regt.’ Pencil and wash drawing on yellow card; 49 by 31.5 cm. Reproduced in Mais...
Carved panel from the west gate of Sanchi Stupa, inner face of the left pillar.. Artist(s): Maisey, Frederick Charles (1825-1892)
Scope & Content:
Carved panel from the west gate of Sanchi Stupa, inner face of the west pillar. Inscribed: ‘XXXVI’ (in black ink), ‘XXIV’ (in red ink). Ink sketch on tracing paper, 25 by 16.5 cm. Reproduced in Maisey, F.C. ‘Sanchi and its Remains’ (London, 1892, plate XXIV) and in Fergusson, J. ‘Tree and Se...
View of an entrance to the temple at Kerdah, near Barrackpore. Artist(s): Moffat, James (1775-1815)
Scope & Content:
View of an entrance to the temple at Kerdah, near Barrackpore Pencil, pen and brown ink and water-colour; 431 x 660 mm. Engraved: by J. Moffat as ‘Barrackpore, Pagoda near Khardah,’ and published 1805-10. Provenance: with Spencer’s Fine Art Auctioneers, Bridlington, June 1971, where purchase...
'Saul Trees in the north of Rohilcund 1792.'. Artist(s): Longcroft, Thomas (c. 1760-1811)
Scope & Content:
Sal Trees in the north of Rohilkhand. 1792. Inscribed: ‘Saul trees to the North of Rohilcund 1792’ (lower centre, in the margin) and with indistinct initials (on the reverse). Pencil and grey wash within the artist’s wash-line border; 386 x 577 mm. Provenance: William and Mildred Archer col...
