Rocky coast near Macao (China), sailing boats in foreground. 1794. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
Rocky coast near Macao (China), sailing boats in foreground. 1794. Inscribed on back in ink: ‘Near Macao China.’ Pencil and wash; 19.5 by 28.5 ins. Purchased 8 November 1961.
A palm tree (Caryota species, possibly urens) with details of fruit and leaves. Artist(s): Daniell, Thomas (1749-1840), and Daniell, William (1769-1837)
Scope & Content:
A palm tree (‘Caryota’ species, possibly ‘urens’) with details of fruit and leaves. Pencil, pen-and-ink and water-colour; 19 by 11.75 ins. Purchased 8 November, 1961.
The Deshmukh, head of village and parganna, seated against a cushion talking to a peon. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The’ Deshmukh,’ head of village and ‘parganna,’ seated against a cushion talking to a peon. March 1872. Inscribed on front in water-colour: ‘J.L.K. Khan Gaum March 1872’; on back in pencil; ‘Desmukh.’
KIPLING, JOHN LOCKWOOD (1837-1911) Lockwood Kipling began life by working as a potter in Staffordshire and then studied art at South Kensington. From ...
Scope & Content:
KIPLING, JOHN LOCKWOOD (1837-1911) Lockwood Kipling began life by working as a potter in Staffordshire and then studied art at South Kensington. From 1865 to 1875 he was Architectural Sculptor to the Bombay School of Art, and his son, Rudyard, was born in Bombay in 1865. From 1875 to 1893 he wa...
The Patel, another village official, standing with linked fingers, in front of a village gate. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The ‘Patel,’ another village official, standing with linked fingers, in front of a village gate. March 1872,. Inscribed on front in water-colour: ‘J.L.K.’ ‘Khan Gaum. March 1872’; on back in pencil: ‘ No 21 .The 'Patel'.’
The Kulkarni, or village accountant, seated writing up his accounts. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The ‘Kulkarni,’ or village accountant, seated writing up his accounts. March 1872. Inscribed on front in water-colour: ‘J.L.K. Khangaum March 1872;’ on back in pencil: ‘No 22, The 'Kulkurni'.’
The Joshi, or village astrologer, squatting on the ground with a horoscope in his hand. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The ‘Joshi,’ or village astrologer, squatting on the ground with a horoscope in his hand. March 1872. Inscribed on front in water-colour: ‘J.L.K. Khangaum March 1872;’ on back in pencil: ‘No 24. The Josi (village priest and astrologer).’
The Mahar, or village messenger, leaning on a bamboo staff. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The ‘Mahar,’ or village messenger, leaning on a bamboo staff. March 1872. Inscribed on front in water-colour: ‘J.L.K. Khangaum March 1872’; on back in pencil:’ No 32. The 'Mahar'.’
The Mahajan, or moneylender, seated in his house. March 1872. Artist(s): Kipling, John Lockwood (1837-1911)
Scope & Content:
The ‘Mahajan,’ or moneylender, seated in his house. March 1872. Inscribed on front in water-colour: ‘J.L.K. Khangaum March 1872;’ on back in pencil:’ No 23. The Mahajun.’