'Village & Castle of Bumpta'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 14 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'Village & Castle of Bumpta'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 14 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Temple of Magnee'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 15 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'Temple of Magnee'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 15 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Village of the Shai'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 16 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'Village of the Shai'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 16 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'The Junction of the Touse and Pabur'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 17 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'The Junction of the Touse and Pabur'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 17 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'The Village of Jushul'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 18 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'The Village of Jushul'. Coloured aquatint by Robert Havell and Son, after J. B. Fraser. Plate 18 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Byramghattee'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 19 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'Byramghattee'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 19 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
'Jumnotree, the source of the River Jumna'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 20 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
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'Jumnotree, the source of the River Jumna'. Coloured aquatint by Robert Havell and son, after J. B. Fraser. Plate 20 in Views in the Himala Mountains, published Rodwell & Martin, London, 1820.. Artist(s): Havell, Robert (1769-1832), and Son, after Fraser, James Baillie (1783-1856)
Fifty-one photographic illustrations taken by order of the Government of India of some selected objects shown at the Third Exhibition of Native Fine and Industrial Art opened at Simla by His Excellency the Viceroy on the 24th September 1881. Photographer(s): Unknown
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Imprint: The photographs are permanent having been printed by the Woodbury Permanent Photographic Printing Company, 157 Great Portland Street London. MDCCCLXXXIII. Large quarto, measuring 383 x 300 mm, original cream buckram binding with title stamped on upper board in brown; pp. 23, with 51 w...
Ivory casket of modern work; made at Kasim Bazar, Bengal. Contributed by the Maharani Sarna Moyi, I.O.C.I., and presented to the Native Industrial Art Committee (forwarded to the Bombay School of Art). A bronze medal awarded. Photographer: Unknown
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Genre: Fine Arts, Photography of Exhibited at the Native Fine and Industrial Arts Exhibition, Simla, 1881.