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Richard Wagner: Letter to Baron Ferdinand von Biedenfeld; Dresden, 17 January 1849
Scope & Content:
Autograph. Written in brown ink in italic script. Text on f. 1r and v; address f. 2v. Signed and dated by Wagner at foot of f. 1v. Weimar and Dresden postage franks, cancellation [?] ‘26’ in red crayon, and remnants of seal, all on f. 2v. Numbered 23 in pencil at top left of f. 1r. In this we...
Richard Wagner: Drafts of fourteen letters, with one fair copy, to various recipients, mostly written from Paris
Scope & Content:
Autograph. Written in ink on paper of various sizes, some leaves little more than slips. All but the fair copy (no. [8.]) unsigned; all but one of the remainder undated. As follows: [1.] f. 1r. To [Léon Pillet, director of the Paris Grand Opéra]; [Paris, Sept./Oct. 1840]. French. Written in b...
Carl Maria von Weber: Incidental music to ‘Preciosa’ (play by P.A. Wolff): no. 7, song ‘Einsam bin ich nicht alleine’, for voice [and guitar]
Scope & Content:
Not autograph; in an unidentified hand. Written in ink on systems of two staves, on the recto of a single leaf. In D major in 6/8 time; tempo marking ‘larghetto’. On the verso are unidentified verses, headed ‘Sängers [?] Abendlied’, with two lines of music, one above [guitar accompaniment?] and ...
Carl Maria von Weber: ‘Oberon’, opera in three acts (libretto by James Robinson Planché after C.M. Wieland): sketches for part of Overture and of Act III
Scope & Content:
Autograph short or condensed score. Written in ink on systems of two, three or four staves. As follows: f. 1r. ‘O Araby, dear Araby’ [no. 16]. Headed ‘Song Fatima’. f. 1v. ‘Mourn thou poor heart’ [no. 19]. Headed ‘Cavatina’. With annotations in red crayon and in pencil. f. 1v. Overture, eight ba...
Anton Webern: Six Pieces for Large Orchestra, op. 6, [1909]: fair copy made by the composer for presentation to Arnold Schoenberg
Scope & Content:
Autograph full score. Written in ink on systems of between five and 32 staves. Bar lines ruled in pencil, with corrections, additions and marginal notes in pencil. The pieces occupy the following folios: ff. 1-2v. I.; tempo direction ‘Etwas bewegte Achtel’. Unpitched rhythmic sketches in penci...
Hugo Wolf: ‘Ernst ist die Frühling’ (words Heinrich Heine), song for voice and piano; 13, 16 Oct. 1878
Scope & Content:
Autograph. Written in ink on systems of three staves, on a single leaf; the single system on the verso contains the concluding five bars. Headed ‘Neue Gedichte / aus dem Liederstrauss v. H. Heine’, numbered ‘X’ beneath the title, signed at top right, and dated ‘Wien am 13, 16 Octob. 1878’ at top...
Hugo Wolf: ‘Gesang Weylas’ (words Eduard Mörike), song for voice and piano
Scope & Content:
Autograph. Written in ink on systems of three staves, on a single leaf; the single system on the verso contains the concluding four bars. Headed ‘Gesang Weyla’s’. Without time signature, tempo direction ‘Langsam u[nd]. feierlich.’; tempo direction and dynamic markings and phrasing are all added ...
Carl Michael Ziehrer: Musical quotation on an album leaf
Scope & Content:
Autograph. Unidentified; 4 bars in G major in 3/4 time. Written in ink, on a single stave drawn free-hand, on the recto of a single leaf. Signed ‘C M. Ziehrer / Wien 21/12 897’ [line over]. Later annotations in pencil include numbers from Hinterberger catalogues 18 and XX.
Hans Christian Andersen: Poem 'Fest-Sang til Landsoldaten' (1851)
Scope & Content:
Autograph fair copy in Kurrentschrift. Poem of four stanzas celebrating the return of soldiers from the First Schleswig-Holstein War. Heading 'Fest-Sang til Landsoldaten' (underlined). ‘Mel. Dengang jeg drog afsted’. Begins: 'Dengang Du drog afsted' Ends: ‘Hurra, Hurra, Hurra’ Stanzas 1, 2 a...
STEFAN ZWEIG COLLECTION. Vol. CXXXIII. Honoré de Balzac: novel Une Ténébreuse Affaire; circa 1841. Printed early proof, with autograph annotations and corrections. French. See Oeuvres Complètes de Honoré de Balzac, ed. M. Bouteron and H. Longnon, vol. 26 (Paris, 1914), pp. 27-275. ff. ii+625. ...
