France. Portail de la Cathédrale de Chartres. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography View looking down onto the triple doorway and surrounding sculptural decoration. Accompanying text signed, 'N. P. Lerebours.'
France. Portail de Notre Dame de Paris. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Close view of the triple doors of the west face of Notre Dame. In front of the right-hand doorway, a daguerreotypist in the act of taking a portrait has been added to the scene. Aquatint etching by Hurlimann. Accompanying descriptive text by De Contencin.
France. Porte de la Bibliothèque du Roi. À Paris. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Close view of the entrance to the library, with a man and his dog in the left foreground. Aquatint etching by Himeley. Accompanying descriptive text by Lassus.
France. Portail de Notre Dame de Reims. Photographer: Unknown
Scope & Content:
Genre: Architectural Photography Close view of the triple doorway of Reims Cathedral. Aquatint etching by Hurlimann. Accompanying descriptive text by De Contencin.
The Moseque of the Emeer Akhor. Photographer: Frith, Francis
Scope & Content:
Inscription: Signed in the negative, 'Frith 1858.' Genre: Architectural Photography General view of the Madrasa of Qanibay Amir Akhur. Some overall fading.
Jerusalem, from the Mount of Olives. Photographer: Frith, Francis
Scope & Content:
Genre: Landscape Photography View looking across the valley towards the walled city of Jerusalem, with the Dome of the Rock prominent on the left: 'The view is taken from the northern extremity of the Mount of Olives. Immediately in front lies the Valley of Jehoshaphat, and to the left the Gard...
The Temple of Komumboo [Temple of Horus and Sobek, Kom Ombo]. Photographer: Frith, Francis
Scope & Content:
Genre: Architectural Photography View of the sand-buried columns and entablature of a section of the Temple of Horus and Sobek at Kom Ombo (Ombos), with fallen sections of masonry in the foreground: 'In the view we see the remains of the great portico. To the left are the two entrances side by ...