Aristophanes, with hypotheses, marginal scholia and interlinear glosses
Scope & Content:
Aristophanes, Plutus (TLG 0019.029), ff 2r-76v, with interlinear glosses partly in Latin, followed by Nubes (TLG 0019.021), ff 77r-171r, and preceded by Vita Thomana 1 (TLG 4158.009), ff 1r-v.
This manuscript contains a copy of the Skazanie o Mamaevom Poboishche (The Tale of the Rout of Mamai). The Skazanie is a romance in Russian Church Slavonic, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoi [Дмитрий Иванович Донской] (b. 1350, d. 1...
Contents: f. 1r: Modern note on the removal of a leaf, pastedown. f. 3r: Erased ownership inscription. f. 3v: Ownership inscriptions and summary of the volume’s contents, 15th and 18th century, Latin and English. ff. 4r-9v: Calendar, Latin. ff. 10r-45v: Book of Hours. ff. 46r-163r: Wycliff...
Collection of papers removed from Yates Thompson MSS
Scope & Content:
A collection of modern papers removed from other Yates Thompson MSS. Contents: [ir-iir]: Table of contents. ff. 1r-3r: A 1453 bond by Jean, Bastard of Orleans, count of Dunois and of Longueville, to Bertrand de Beauvais, for 200 crowns, with a 1469 and notarial certificate of receipt (ff. 1r-...
Collection of papers removed from Yates Thompson MSS
Scope & Content:
A collection of over 100 papers and letters to Henry Yates Thompson removed from other Yates Thompson MSS, mostly from museums and libraries in England and abroad offering provenance information, translations, and commentaries on his manuscript collection. Includes letters from M. R. James (15r...
Johann Sebastian Bach: Cantata for the 19th Sunday after Trinity, `Wo soll ich fliehen hin?' (words after Johann Heermann), for four voices and instruments (BWV 5)
Scope & Content:
Autograph full score. Written in brown ink on systems of two to ten staves. Headed (f. 3r) `J[esu]. J[uva]. Do[m]i[ni]ca 19 post Trinit. Wo soll ich fliehen hin? Concerto'. With revisions throughout also in Bach's hand (listed in detail in Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke (Ka...
Johann Sebastian Bach: Cantata ‘Herr Gott, dich loben alle wir’ (BWV 130): viola part
Scope & Content:
In the hand of Christian Gottlob Meissner, with corrections and reference to a supplementary leaf (see ‘Related manuscripts’) added by the composer. Written in brown ink on single staves, on both sides of a single leaf. With cantata title and ‘Viola’ in upper margin of recto. Contains three of t...
Johann Sebastian Bach: Chorale preludes ‘Komm, Gott Schöpfer, heiliger Geist’ (BWV 631a) and ‘Herr Jesu Christ, dich zu uns wend’ (BWV 632), for organ, both from the ‘Orgel-Büchlein’
Scope & Content:
Copy in the hand of Christian Gottlob Meissner. Written in brown ink on systems of two staves, using soprano and bass clefs. On a single leaf, with BWV 631a on the recto and BWV 632 on the verso; the titles are given in the upper margins, that of BWV 632 followed by ‘Canon:’ perhaps in another h...
Wilhelm Friedemann Bach: Flute part, in D, to an unidentified concerto in three movements
Scope & Content:
Apparently not autograph; in an unidentified hand. Written in ink on single staves on either side of a single leaf. Headed ‘Concerto:’, and ‘Flaut Traversiere’. The first movement, in 2/4 time but with no tempo direction, is of 147 bars; movement II, ‘adagio’, 3/4, 40 bars; movement III (occupyi...
Béla Bartók: Four Pieces for Orchestra, op. 12 (BB 64)
Scope & Content:
Autograph draft full score. Written in ink on systems of up to 26 staves, with annotations in pencil and in blue and red crayon. Signed, with the opus number, in pencil (f. 2r). The pieces are for differing forces and the instrumentation for nos. II-IV is noted at the foot of the first page of e...